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The classic French novel written by a soldier, who would later die during World War I, tells the story of Auguste Meaulnes and the "domain mysterieux."
For over half a century, Robert Gibson has published extensively on Alain-Fournier's life and work and is now acknowledged as the leading authority on this subject in the English-speaking world. His previous book on Fournier, "The Land Without a Name," was widely praised. In the thirty years since this was published, much new material has come to light. This includes biographical and photographic material about the two great loves of Fournier's life, the hitherto elusive Yvonne de Quiivrecourt and "Simone," the leading boulevard actress of her day; a host of letters to and from Fournier's friends and fellow-writers; a substantial compilation of his work as a prolific literary gossip columnis...
The classic French novel written by a soldier, who would later die during World War I, tells the story of Auguste Meaulnes and the "domain mysterieux."
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Alain-Fournier's poems, while relatively few, are one of the small pearls washed up in the maelstrom of early twentieth-century France. Best known for his novel Le Grand Meaulnes, a posthumous classic, Alain-Fournier was killed in battle in 1914. His poems suspend a pre-war French idyll of warm evenings and rained-on orchards, silk-banded straw hats, lamp-lit farmhouses – and young love reaching out 'in the frightening dark, with timid fingers'. His lines fluoresce with the pain of memories which cannot be re-lived, and they combine elements of Symbolism, Impressionism and Imagism. The sun is an ambivalent force in these poetic narratives, which transform themselves as if they were dreams. The music of Debussy, the writings of Laforgue, and the paintings of Renoir can also be detected under the surface of Alain-Fournier's verse, which is provided here in a comprehensive English translation for the first time.