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Illustrated autobiography that charts Aldridge's life as a graphic entertainer, covering his whole career from 1963 up to the present. Among the hundreds of images are vivid stories about how the projects came about and Aldridge's encounters with famous people he has met along the way, which included a drawing duel with Salvador Dali, bike riding with Steve McQueen and pitching a film idea to Francis Ford Coppola.
In the new edition of this widely praised text, Alan Aldridge examines the complex realities of religious belief, practice and institutions. Religion is a powerful and controversial force in the contemporary world, even in supposedly secular societies. Almost all societies seek to cultivate religions and faith communities as sources of social stability and engines of social progress. They also try to combat real and imagined abuses and excess, regulating cults that brainwash vulnerable people, containing fundamentalism that threatens democracy and the progress of science, and identifying terrorists who threaten atrocities in the name of religion. The third edition has been carefully revised ...
Over the course of his forty-year career, Alan Aldridge has been the design guru for The Beatles; a best friend to Jimi Hendrix; a designer of gigs andalbum covers for the Rolling Stones, Elton John, The Who, Cream, Led Zeppelin, and Pink Floyd; a drawing-duel partner to Salvador Dali; the target of police prosecution for his notorious Chelsea Girls poster; the author of the bestselling children's book The Butterfly Ball; an animator and live-action film producer in Los Angeles; and a graphic designer for the Hard Rock Cafe, the House of Blues, and The New York Times. Aldridge's signature style came to define the Psychedelic Era for a generation, and for generations to come. The Man with Kaleidoscope Eyes is his definitive autobiography, charting an extradinary life with extraordinary images and giving the complete portrait of a graphic genius who fully expressed the spirit of his time. Brimming with the very best tripped-out, pulsating illustrations and designs culled from all corners of his varied body of work, the resulting visual feat will astonish and delight fans of all ages.
I went on a jolly day trip to Paris, and if someone had told me I wouldn’t be seeing England again for over a year, I’d have laughed. If they told me in less than forty-eight hours I’d be sitting in Santé Prison in Paris, facing a one-year prison sentence … But that, in just two months, I’d be in the South of France dining with Picasso, I would have called them mad…From accompanying violent thugs around the East End to cleaning an oven in a Parisian prison while painting for its doctor, Alan Aldridge’s life was full of strange adventures and fascinating encounters even before his career as an artist took off. In Pipe Dreams, Aldridge presents a gripping, often hilarious and at times even horrifying account of some of his early experiences on the road to success.
This is the story of strip cartoons since comics began, of the artists who created the characters, and of the characters who took charge of their creators. Here you'll find the true tale of Jane and Flook, of Popeye, Pip, Squeak and Wilfred, and L'il Abner, of Tarzan and Captain America and Peanuts, and of all the characters who live in cages but rule the world ... or the better half of it. In this sumptuous, new and supercharged edition of a now classic book George Perry has updated the original text and Alan Aldridge has provided further evidence of his graphic brilliance and keen eye for social history. This is the book that recalls the old-time childhood magic, yet succinctly defines the new, sharp, cool power the comics exert on today's adult world.
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Previous winner of the Whitbread Children's Book Award, this latest edition introduces the fantastical world of the insect's ball to a whole new generation.
Examines the complex realities of religious belief, practice and institutions, ranging from the high growth rates of successful minority religious movements such as Mormons and Jehovah's Witnesses, to the phenomenal rise of Pentecostalism, the challenge of 'fundamentalism' and the apparent turn from religion to spirituality.
1969. The Nigerian civil war has attracted a strange mix of idealists and mercenaries. We meet them in scenes of nightly chaos. Large aircraft come and go on this temporary airstrip in the bush. Overhead, Nigerian bombers wait for easy targets. Food and medical supplies come in, some dying babies leave. John A. Moose, a taciturn Canadian Indian working as a mechanic, and his friend Will van der Molen, watch the high hopes for a truly independent Black African nation collapse into a grim struggle for survival. And then a small problem appears in the form of a little boy, smuggled onto their airplane by a desperate mother. Unwilling to give his name he becomes Tim, John A.’s `pet African’. With the inevitable defeat, and retreat to a nearby Portuguese prison colony, Tim leaves his homeland and grows up as John A.’s son in the Canadian North. Seventeen years later, the strangest of circumstances pulls an unwilling John A. back to Nigeria on a seemingly impossible task. His adopted son insists on going along. A strange re-union of war veterans follows. Only Tim can find a way to save his troubled saviors.