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"When You Read This, They Will Have Killed Me"
A profile of the famous death-row Cold War convict discusses the likelihood of his innocence, the best-selling books that he wrote in the years before his execution, and the individuals who endeavored to save his life, from the pope and Marlon Brando to Shirley MacLaine and William F. Buckley.
Beatniks
This is a revealing look at the events and personalities that defined the Beat Generation, drawing on over three decades of research. Beatniks: A Guide to an American Subculture gets readers past the caricature of the "beatnik" as a goateed, beret-wearing, bongo-playing poseur, drawing on extensive research to show just how profound an impact the beats had on American culture, politics, and literature. Beatniks conveys the complexity, influences, events, and places that shaped the Beat Generation from the late 1940s to the cusp of the 1960s. The book also features a series of essays on specific aspects of the subculture, as well as interviews with Beat Generation luminaries like Allen Ginsberg, Ann Charters, Roy Harper and Michael McClure. Throughout, readers will meet an extraordinary gallery of people both famous—Jack Kerouac, William Burroughs, Neal Cassady—and lesser known but no less fascinating, including Kenneth Patchen, Lord Buckley, Mort Sahl, Jack Micheline, Lew Welch, Joan Vollmer Adams, and Lenore Kandel. Also included is a detailed glossary with the origins and meanings of the beat lingo.
The White Rabbit and Other Delights
In 1967-1968, a small group of talented people in the San Francisco Bay Area came together to form a short-lived but highly inventive poster and notecard company, East Totem West. Its founder, Joseph McHugh, took the poster -- heretofore used primarily as a travel enticement or concert announcement -- to a new, revolutionary place: the poster as art. East Totem West's posters and notecards sold by the thousands to the growing generation of hippies, free thinkers, bohemians, and individualists who were thriving in San Francisco and had begun to find themselves all over America. This book tells the story of the rise and fall of the company and brings together for the first time the now-legendary works of the East Totem West artists.
Rhino's Psychedelic Trip
Readers are invited to take a time trip through the mind-blowing era of psychedelics with this illustrated narrative, peppered with personal recollections about rock music and radical culture. Includes rare photos of players, album covers, and record labels. 200 photos, some in color.
In the Rebel Cafe
A collection of interviews with Ed Sanders with a critical introduction to Sanders’s life and work, a chronology of Sanders’s career, a bibliography of his publications, and a discography of the Fugs and Sanders albums. The interviews constitute a career biography of Sanders as a writer, musician, and activist.
Women in Print
Women readers, editors, librarians, authors, journalists, booksellers, and others are the subjects in this stimulating new collection on modern print culture. The essays feature women like Marie Mason Potts, editor of Smoke Signals, a mid-twentieth century periodical of the Federated Indians of California; Lois Waisbrooker, publisher of books and journals on female sexuality and women's rights in the decades after the Civil War; and Elizabeth Jordan, author of two novels and editor of Harper's Bazaar from 1900 to 1913. The volume presents a complex and engaging picture of print culture and of the forces that affected women's lives in the nineteenth and twentieth centuries. Published in collaboration among the University of Wisconsin Press, the Center for the History of Print Culture in Modern America (a joint program of the University of Wisconsin–Madison and the Wisconsin Historical Society), and the University of Wisconsin–Madison General Library System Office of Scholarly Communication.
Race and Gender in Modern Western Warfare
This book fills a gap in the historiographical and theoretical fields of race, gender, and war. In brief, Race and Gender in Modern Western Warfare (RGMWW) offers an introduction into how cultural constructions of identity are transformed by war and how they in turn influence the nature of military institutions and conflicts. Focusing on the modern West, this project begins by introducing the contours of race and gender theories as they have evolved and how they are employed by historians, anthropologists, sociologists, and other scholars. The project then mixes chronological narrative with analysis and historiography as it takes the reader through a series of case studies, ranging from the ...
An American Beach for African Americans
In the only complete history of Florida’s American Beach to date, Marsha Dean Phelts draws together personal interviews, photos, newspaper articles, memoirs, maps, and official documents to reconstruct the character and traditions of Amelia Island’s 200-acre African American community. In its heyday, when other beaches grudgingly provided only limited access, black vacationers traveled as many as 1,000 miles down the east coast of the United States and hundreds of miles along the Gulf coast to a beachfront that welcomed their business. Beginning in 1781 with the Samuel Harrison homestead on the southern end of Amelia Island, Phelts traces the birth of the community to General Sherman’s...
The Majesty of the Grand Canyon
Little was known about America's most famous natural wonder until 1869, when John Wesley Powell traveled the full length of the Grand Canyon by boat. He returned each year; in 1873 he introduced it to artist Thomas Moran, whose brazenly colored, grand scale portrayals of the canyon stunned the public. In 1908, Moran's work prompted President Theodore Roosevelt to declare the Grand Canyon a national monument; by 1919, Congress had established Grand Canyon National Park.As the Santa Fe Railway opened up the Southwest, in 1892 the company began hiring artists to paint scenes of the Grand Canyon, including Moran, W. R. Leigh, and Louis Akin. Today, artists are still capturing the splendor of the Grand Canyon: Ed Mell, Clark Hulings, Wilson Hurley, Frank Mason, P. A. Nisbet, Bruce Aiken, and Earl Carpenter are among the contemporary artists represented in The Majesty of the Grand Canyon.
