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This is a revealing look at the events and personalities that defined the Beat Generation, drawing on over three decades of research. Beatniks: A Guide to an American Subculture gets readers past the caricature of the "beatnik" as a goateed, beret-wearing, bongo-playing poseur, drawing on extensive research to show just how profound an impact the beats had on American culture, politics, and literature. Beatniks conveys the complexity, influences, events, and places that shaped the Beat Generation from the late 1940s to the cusp of the 1960s. The book also features a series of essays on specific aspects of the subculture, as well as interviews with Beat Generation luminaries like Allen Ginsberg, Ann Charters, Roy Harper and Michael McClure. Throughout, readers will meet an extraordinary gallery of people both famous—Jack Kerouac, William Burroughs, Neal Cassady—and lesser known but no less fascinating, including Kenneth Patchen, Lord Buckley, Mort Sahl, Jack Micheline, Lew Welch, Joan Vollmer Adams, and Lenore Kandel. Also included is a detailed glossary with the origins and meanings of the beat lingo.
A profile of the famous death-row Cold War convict discusses the likelihood of his innocence, the best-selling books that he wrote in the years before his execution, and the individuals who endeavored to save his life, from the pope and Marlon Brando to Shirley MacLaine and William F. Buckley.
In 1967-1968, a small group of talented people in the San Francisco Bay Area came together to form a short-lived but highly inventive poster and notecard company, East Totem West. Its founder, Joseph McHugh, took the poster -- heretofore used primarily as a travel enticement or concert announcement -- to a new, revolutionary place: the poster as art. East Totem West's posters and notecards sold by the thousands to the growing generation of hippies, free thinkers, bohemians, and individualists who were thriving in San Francisco and had begun to find themselves all over America. This book tells the story of the rise and fall of the company and brings together for the first time the now-legendary works of the East Totem West artists.
Readers are invited to take a time trip through the mind-blowing era of psychedelics with this illustrated narrative, peppered with personal recollections about rock music and radical culture. Includes rare photos of players, album covers, and record labels. 200 photos, some in color.
Have you ever seen dinosaurs foraging for neo-impressionists in Georgia O'Keeffe's back-yard? Do you understand the fundamentals of cubicle-ism? Have you witnessed the Sistine bowl-off? We welcome you to Sunday Afternoon, Looking for the Car: The Aberrant Art of Barry Kite. Barry Kite employs his acute mind, his artist's eye and skill, and his unfailing sense of humor to create collages that skewer the icons of art, history, science, politics, and industry. He uses found imagery and completes each collage by applying his own photographic and hand-coloring techniques. His strangely beautiful images bring together incongruous elements in startlingly powerful visual statements. Author Alan Bisbort offers explanatory text about each collage presented, but he is careful to remind you that an important part of experiencing the world of Barry Kite is to bring your own interpretative talents to bear.
A collection of interviews with Ed Sanders with a critical introduction to Sanders’s life and work, a chronology of Sanders’s career, a bibliography of his publications, and a discography of the Fugs and Sanders albums. The interviews constitute a career biography of Sanders as a writer, musician, and activist.
Traces the history of the gas chamber, beginning with its first construction in Nevada in 1924 as a humane method of execution, and describes the political, corporate, and military uses for the technology through the twentieth century.
Women readers, editors, librarians, authors, journalists, booksellers, and others are the subjects in this stimulating new collection on modern print culture. The essays feature women like Marie Mason Potts, editor of Smoke Signals, a mid-twentieth century periodical of the Federated Indians of California; Lois Waisbrooker, publisher of books and journals on female sexuality and women's rights in the decades after the Civil War; and Elizabeth Jordan, author of two novels and editor of Harper's Bazaar from 1900 to 1913. The volume presents a complex and engaging picture of print culture and of the forces that affected women's lives in the nineteenth and twentieth centuries. Published in collaboration among the University of Wisconsin Press, the Center for the History of Print Culture in Modern America (a joint program of the University of Wisconsin–Madison and the Wisconsin Historical Society), and the University of Wisconsin–Madison General Library System Office of Scholarly Communication.
This book fills a gap in the historiographical and theoretical fields of race, gender, and war. In brief, Race and Gender in Modern Western Warfare (RGMWW) offers an introduction into how cultural constructions of identity are transformed by war and how they in turn influence the nature of military institutions and conflicts. Focusing on the modern West, this project begins by introducing the contours of race and gender theories as they have evolved and how they are employed by historians, anthropologists, sociologists, and other scholars. The project then mixes chronological narrative with analysis and historiography as it takes the reader through a series of case studies, ranging from the ...