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Alan Gillis – one of the most admired Irish poets of his generation – addresses some of the most pressing concerns of the age: how can we live at the centre of our contemporary paradox, disconnected and hyper-connected as we are? A poet of thresholds and crossings, Gillis finds his answers in the suburbs and edgelands, at the hesitation before the doorstep or the gate. The Readiness sites itself at the heart of our human contradictions, and explores their meaning. These poems form a series of bad dreams and clear visions that speak to the chaos and fragility of both self and society: the childhood innocence that persists into the resignation of adulthood; the beauty of nature in an age of environmental ruin; the terrible isolation of contemporary life – and the live-streamed, advert-laden over-wiring that springs from its digital commons. It does this with a formal confidence, a dry wit and often astonishing lyricism that marks Gillis as one of the most individual and vital poetic voices now at work.
Forty chapters, written by leading scholars across the world, describe the latest thinking on modern Irish poetry. The Handbook begins with a consideration of Yeats's early work, and the legacy of the 19th century. The broadly chronological areas which follow, covering the period from the 1910s through to the 21st century, allow scope for coverage of key poetic voices in Ireland in their historical and political context. From the experimentalism of Beckett, MacGreevy, and others of the modernist generation, to the refashioning of Yeats's Ireland on the part of poets such as MacNeice, Kavanagh, and Clarke mid-century, through to the controversially titled post-1969 'Northern Renaissance' of p...
This introduction to the tools required for literary study provides all the skills, background and critical knowledge which students require to approach their study of literature with confidence.
"The 1930s have never really been considered as an epoch within Irish literature, even though the Thirties form one of the most dominant and fascinating contexts in modern British literature. Alan Gillis shows that during this time Irish poets confronted political pressures and aesthetic dilemmas which frequently overlapped with those faced by 'The Auden Generation'. In doing so, he not only offers a provocative rereading of Irish history, but also advances powerful arguments about the way poetry is interpreted and understood." "Gillis redefines our understanding of a frequently neglected period and challenges received notions of both Irish literature and poetic modernism. Irish Poetry of the 1930s gives detailed and vital readings of the major poets of the decade, including original and exciting analyses of Samuel Beckett, Patrick Kavanagh, Louis MacNeice, and W.B. Yeats."--Résumé de l'éditeur.
The bravura of Alan Gillis's blend of dialect and formal shape is displayed throughout this collection.
The comparative study of the literatures of Ireland and Scotland has emerged as a distinct and buoyant field in recent years. This collection of new essays offers the first sustained comparison of modern Irish and Scottish poetry, featuring close readings of texts within broad historical and political contextualisation. Playing on influences, crossovers, connections, disconnections and differences, the 'affinities' and 'opposites' traced in this book cross both Irish and Scottish poetry in many directions. Contributors include major scholars of the new 'archipelagic' approach, as well as leading Irish and Scottish poets providing important insights into current creative practice. Poets discussed include W. B. Yeats, Hugh MacDiarmid, Sorley MacLean, Louis MacNeice, Edwin Morgan, Douglas Dunn, Seamus Heaney, Ian Hamilton Finlay, Michael Longley, Medbh McGuckian, Nuala ni Dhomhnaill, Don Paterson and Kathleen Jamie. This book is a major contribution to our understanding of poetry from these islands in the twentieth and twenty-first centuries.
Scapegoat and Other Poems displays the remarkable versatility of Alan Gillis's voice, the range of his subjects, and the perspicacity of his poems. He moves from the popular to the political, from the satirical to the lyrical, with exceptional ease and insight. In "Progress," "To Belfast," "Laganside," and "In the Shadow of the Mournes," Gillis reveals, like Derek Mahon and Louis MacNeice before him, his ability to plumb the depths of the complicated society of Northern Ireland. In the title poem, Gillis captures the religious and political implications of a society that too long has looked to find a scapegoat for its woes. From his first published poem, "The Ulster Way," he has turned socia...
Since before recorded history, people have congregated near water. But as growing populations around the globe continue to flow toward the coasts on an unprecedented scale and climate change raises water levels, our relationship to the sea has begun to take on new and potentially catastrophic dimensions. The latest generation of coastal dwellers lives largely in ignorance of the history of those who came before them, the natural environment, and the need to live sustainably on the world’s shores. Humanity has forgotten how to live with the oceans. In The Human Shore, a magisterial account of 100,000 years of seaside civilization, John R. Gillis recovers the coastal experience from its orig...
"Explains brilliantly the structures and processes of middle-class culture in historical perspective."--Robert Nye, Rutgers University " This] illuminating study of the Swedish middle class around the turn of the century . . . is one welcome sign that bourgeois, too, are once again recognized as parts of society worth studying . . . to be understood rather than to be savaged. Culture Builders is a welcome sign of yet another development: the ease with which historical studies may be integrated with neighboring disciplines."--Journal of Modern History "The authors take an impressively broad intellectual perspective. . . . The everyday routines of bourgeoisie, peasantry, and working class are ...
Discusses ritual events we regard as family traditions and how they must be open to perpetual revision so we can satisfy our human needs and changing circumstances.