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In 2005, Magnum photographer Harvey began photographing local MCs in the Bronx River Projects. It is their descendents that Harvey has captured in Living Proof - a glimpse into hip hop in its many forms. Boogie Down thugs Uptown and Ruckus, unsigned artists whose lyrics are presented here, became Harvey's trusted friends and guides, bringing him inside their homes, their families and their lives. Harvey then travelled global, to document the regional manifestations of the hip hop culture - a culture which has only existed for three generations.
Music is central to human cultural and intellectual experience. It is vitally important for the welfare of human society and - this book argues - should become more widely accepted in our community as a mainstream educational and therapeutic tool. This book explores the importance of music throughout human evolution, and its continued relevance to modern-day human society. Throughout, the emphasis is on the origin of music and how (and where) it is processed in our brains, exploring in detail the genetic and cultural evolution of modern, loquacious humans, how we may have evolved with unique neural and cognitive architecture, and why two complementary but distinct communication systems - lan...
Granted unprecedented access to this ethereal and enigmatic island, award-winning photographer David Alan Harvey presents more than a year of his fieldwork in this lavish and insightful, modern-day portrait of Cuba. 125 full-color photos.
Divided Soul represents photographer David Alan Harvey's thirty-year journey through the Spanish and Portuguese diaspora in the Americas. In this selection of over a hundred colour photographs, Harvey explores the exuberance and incongruities of a life and culture that hold for him an endless fascination. The photographs are presented within thematic chapters, each of which is introduced by Harvey's own commentary. The passionate and divided soul of the Hispanic world, where tradition and ritual are inherent to everyday life, is revealed in Harvey's evocative, and often contradictory, images: a pulsating carnival in Cuba's Trinidad, a fervent African tribal ceremony in Brazil, an erotic disco in Lisbon, a Whitsuntide procession in Andalucia and a first Communion in Mexico. Adopting an approach that combines intuition, patience and persistent curiosity - together with a rejection of cumbersome equipment - Harvey succeeds in minimizing the distance between himself and his subjects, producing images that capture the natural choreography of people within places and that resonate with magic.
In this book Dr Harvey shows that, if we broaden our comprehension of feudalism, the economic developments of the Byzantine Empire and of the medieval west were far more comparable than Byzantine historians have been prepared to admit. Previous interpretations have linked economic trends too closely to the political fortunes of the state, and have consequently regarded the twelfth century as a period of economic stagnation. Yet there is considerable evidence that the empire's population expanded steadily during the period covered by this book, and that agricultural production was intensified. A wealth of evidence serves to reinforce the point that the disintegration of the empire in the late twelfth century should no longer be associated with economic decline. Dr Harvey's conclusions, in particular that there is no incompatibility between the development of the landed wealth of a feudalising aristocracy and the growth of commerce and urbanisation, will affect all future interpretations of Byzantine history.
Universities once believed themselves to be sacred enclaves, where students and professors could debate the issues of the day and arrive at a better understanding of the human condition. Today, sadly, this ideal of the university is being quietly betrayed from within. Universities still set themselves apart from American society, but now they do so by enforcing their own politically correct worldview through censorship, double standards, and a judicial system without due process. Faculty and students who threaten the prevailing norms may be forced to undergo "thought reform." In a surreptitious aboutface, universities have become the enemy of a free society, and the time has come to hold the...
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The brilliant, controversial, bestselling critique of American culture that “hits with the approximate force and effect of electroshock therapy” (The New York Times)—now featuring a new afterword by Andrew Ferguson in a twenty-fifth anniversary edition. In 1987, eminent political philosopher Allan Bloom published The Closing of the American Mind, an appraisal of contemporary America that “hits with the approximate force and effect of electroshock therapy” (The New York Times) and has not only been vindicated, but has also become more urgent today. In clear, spirited prose, Bloom argues that the social and political crises of contemporary America are part of a larger intellectual crisis: the result of a dangerous narrowing of curiosity and exploration by the university elites. Now, in this twenty-fifth anniversary edition, acclaimed author and journalist Andrew Ferguson contributes a new essay that describes why Bloom’s argument caused such a furor at publication and why our culture so deeply resists its truths today.
David Harvey is one of most famous Marxist intellectuals in the past half century, as well as one of the world's most cited social scientists. Beginning in the early 1970s with his trenchant and still-relevant book Social Justice and the City and through this day, Harvey has written numerous books and dozens of influential essays and articles on topics across issues in politics, culture, economics, and social justice. In The Ways of the World, Harvey has gathered his most important essays from the past four decades. They form a career-spanning collection that tracks not only the development of Harvey over time as an intellectual, but also a dialectical vision that gradually expanded its reac...
(Paperback Edition) A sampling of the best material from the long-running "Harveyville Fun Times!" fanzine featuring articles about various Harvey Comics characters such as Casper, Richie Rich, Hot Stuff and Sad Sack. Edited by Mark Arnold.