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Alan Clark was passionate about cars from an early age. He bought his first car - a secondhand 6.5 litre Bentley - while still a schoolboy at Eton and without a driving licence. By the time he was 24 he had been banned from driving three times, not only for speeding but in one instance for driving an open Buick Roadster with a girl on his lap. He dealt in 'classic' and vintage cars and soon built up an impressive stable of his own. One of his first published pieces of journalism appeared in the US magazine, Road and Track, for which he was briefly UK correspondent. BACK FIRE, the title of a column he wrote in Thoroughbred and Classic Cars magazine, ran for three years until his death in September 1999. Alan Clark's elder son, James Clark - who has inherited his father's motoring enthusiasms - provides a Prologue; Alan Clark's widow Jane writes a moving Afterword.
'With his Diaries, he has written himself into the life of our times with a panache and candour that ranks him next to Boswell or Pepys' The Times The first two volumes of Alan Clark's were irresistible, irreverent, infamous, outrageous. This last volume is a fitting finale to the work of a man who has been described as 'the best diarist of his century'. The third volume begins in 1991 with Alan Clark contemplating quitting as an MP. Life at Saltwood Castle, his home, hangs heavy; then comes the Scott inquiry and the Matrix Churchill affair. Publication of the first volume of the Diaries leads 'the coven', a family of former girlfriends, to sell their story to the NEWS OF THE WORLD. This volume follows his attempts to return to Westminster, an affair that threatens his marriage, and closes with the tragedy of his final months when he is diagnosed with a brain tumour, but keeps his diary until he can no longer focus on the page.
The science associated with the development of artificial sen sory systems is occupied primarily with determining how information about the world can be extracted from sensory data. For example, computational vision is, for the most part, concerned with the de velopment of algorithms for distilling information about the world and recognition of various objects in the environ (e. g. localization ment) from visual images (e. g. photographs or video frames). There are often a multitude of ways in which a specific piece of informa tion about the world can be obtained from sensory data. A subarea of research into sensory systems has arisen which is concerned with methods for combining these vario...
"Two young men with expectations. One predicted to succeed, the other to fail. Prince Albert Victor is heir presumptive to the British throne at its late Victorian zenith. Handsome and good-hearted, he is regarded as disastrously inadequate to be the king. By contrast, Jem Stephen is a golden boy worshipped by all - a renowned intellectual and the Keeper and outstanding player of the famous Eton Wall Game. He is appointed as Prince Albert's tutor at Cambridge - the relationship that will change both of their lives. Set mostly in London and Norfolk from the 1860s to the 1890s, The Prince Of Mirrors is, behind its splendid royal facade, a story about the sense of duty and selflessness of love, that have a power to show someone who they really are. Blending historical facts with plausible imagination, it is a moving portrait of Britain's lost king, the great-uncle of Queen Elizabeth II."--Provided by publisher.
The unknown life of Alan Clark, celebrated diarist, womaniser, Tory MP and controversial minister in Mrs Thatcher's governments. Celebrated diarist, famous womaniser, Tory MP and controversial minister - a castle-owning toff and lecherous cad to some, to others a colourful and life-enhancing figure - Alan Clark was politically incorrect before the term was invented. He is best remembered for his sensational diaries - but what of the man? Alan Clark rarely spoke about his upbringing, even to his family. Was it as unhappy as he hinted? Ion Trewin has had unrestricted access to extensive family papers (including twenty years of unpublished diaries). He has talked to politicians, to those who knew him at the prep school which burnt down, to friends at Eton and Oxford, and to some of the many women he found impossible to resist despite a loving marriage of forty-one years. From his struggles to teach himself to write to formidable historian and diarist, from his enthusiasm for Margaret Thatcher to the 'drunk at the Commons dispatch box' affair, ALAN CLARK THE BIOGRAPHY is a revealing and absorbing account of a remarkable and unforgettable man.
For the better part of this century the Conservatives have been the governing political party of Britain. During that period the country has fallen in stature by virtually every criterion of measurement which can be applied. Yet the primary objective of the Conservative Party, or so it claims and its supporters believe, is to advance and protect the interests of the British Nation-State. How are we to understand its catastrophic and repetitious failure, over practically the whole of this period, to achieve that objective?
There's nothing quite like a circus. The Carnivale de Fantastique is an acrobatic and musical phenomenon, a show based on the legends of a circus that vanished mysteriously half a century ago. Every season the numbers grow, the merchandising expands and the ticket sales explode. This year things are a little different. This year the star of the show was murdered and shipped to the next city in a cardboard box. This year the acts are running into all sorts of troubles, and even the police and the F.B.I. are trying to figure out what's causing all the troubles. Once upon a time there was a kid named Cecil. He ran away, joined the circus and then got murdered for his troubles. Fifty years later, he clawed his way out of Hell, found the people who killed him and his circus and had his bloody revenge. Since then he's been trying to find something to do with his time and now he's heard about the Carnivale de Fantastique, a show based on the disappearance of the circus he traveled with. Of course it's not a traditional circus. This one has acrobats and dancers and actors and a story. It's only missing one thing and it's just not funny. When in doubt, send in the clowns.
SHORTLISTED FOR THE BERGER PRIZE FOR BRITISH ART HISTORY 2017 SHORTLISTED FOR THE SLIGHTLY FOXED BEST FIRST BIOGRAPHY PRIZE 2017 A SUNDAY TIMES ART BOOK OF THE YEAR A SPECTATOR BOOK OF THE YEAR AN ECONOMIST BOOK OF THE YEAR A NEW YORK TIMES ART BOOK OF THE YEAR