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Barry Todd is one of life’s good guys – everybody says so. He works hard for Monument Housing Association to provide the poor and vulnerable with a safe place to live. But, overlooked for promotion and with mounting financial problems, Barry starts to wonder if goodness will ever bring him its own reward. Then the opportunity presents itself to steal fifty thousand pounds of Monument’s money without anyone being able to trace the theft back to him, and Barry finds himself wondering – if nothing bad were to happen to anyone, would being good really matter anymore? When Monument tenant, Iulia Nicolescu, comes to Barry in desperate need of his help, he sees a chance to try and use some of his ill-gotten gains for good. But ultimately, he can no longer control the chain of events he has set in motion and, with his fate becoming ever more closely entwined with that of Iulia, he is forced into desperate measures to prevent his intricate web of deception from being revealed.
Having sold more than 40,000 copies of previous editions, this authoritative climbing guide has been completely revised, updated and redesigned for a whole new generation of mountaineers. The original edition of Scrambles in the Canadian Rockies, published by RMB in 1991, started a scrambling craze in the Canadian Rockies. No longer was reaching the top of those breathtaking peaks limited only to technical climbers; strong hikers with a sense of adventure found that they too could reach the top of many famous and stunning peaks. Armed with first-hand information, Alan Kane describes over 150 scrambles in a clear, concise format. This includes equipment needed, when to go, how to get there, w...
Everyone took a piece of Christie. Now she needs something back. As the muse and lover of one of the greatest painters of the late 20th century, Christie McGraw was once a major figure in New York. Now penniless, abandoned, and sick, she needs to sell the last thing of any value that is still in her possession. It's a lost masterpiece by her late lover, and she needs the help of Gabriel Viejo, the world expert on the artist, to authenticate it and get into the market. If he can help, she'll make it well worth his while. Gabriel opens negotiations with a shady Greek tycoon in the hope of saving Christie's life – and boosting his own fortunes into the bargain. But there are some nasty surprises in store. Alan Kane Fraser's devilishly devious debut is a page-turning plunge into the murkier depths of the art world and the age-old relationship between creator and muse.
"This is a book about the creative life of Britain and the first attempt since the Festival of Britain to document the popular and folk art of the present day"--http://www.bookworks.org.uk/asp/detail.asp?uid=book_E46009BD-166D-4E0C-9F38-AD0303E0474E&sub=new.
The People's Book Prize Finalist 2019-2020 'A vision of the future that both chills and entertains.’ Jake Kerridge (Sunday Express Magazine) You can’t get away with anything. Least of all murder. DI Clive Lussac has forgotten how to do his job. Ten years of embedded technology – ‘iMe’ – has led to complete control and the eradication of crime. Then the impossible happens. A body is found, and the killer is untraceable. With new partner Zoe Jordan, Clive must re-sharpen his detective skills and find the killer without technology, before time runs out for the next victim… Proximity is perfect for fans of the Black Mirror TV series, Peter James, Stephen King, John Marrs, Ray Bradb...
Through the lens of the everyday, this book explores ’the countryside’ as an inhabited and practised realm with lived rhythms and routines. It relocates the topography of everyday life from its habitually urban focus, out into the English countryside. The rural is often portrayed as existing outside of modernity, or as its passive victim. Here, the rural is recast as an active and complex site of modernity, a shift which contributes alternative ways of thinking the rural and a new perspective on the everyday. In each chapter, pieces of visual culture - including scrapbooks, art works, adverts, photographs and films - are presented as tools of analysis which articulate how aspects of the ...
Curated by Ralph Rugoff--former Director of the Wattis Institute and current Director of the Hayward Gallery in London--and featuring work by Johanna Billing, Jennifer Bornstein, Andrea Bowers, Phil Collins, Jeremy Deller, Harrell Fletcher, Josh Greene, Cameron Jamie, Alan Kane, Long March Project, Yoshua Okon, Michele O'Marah, Hirsch Perlman, Jim Shaw, Simon Starling, Javier Téllez, Jeffrey Vallance and Eric Wesley, Amateurs surveys recent artworks in which amateurism is embraced as a critical aesthetic strategy and mode of production. Favored by conceptual artists and early Modernist vanguards, an aesthetic of amateurism has long served as a means for deflating models of academic and market-driven art. This volume challenges the mainstream of contemporary art by bringing together artists who elaborate on this tradition.
Setting the stage : technology and the series book -- Birdmen and boys, 1905-1915 -- Aces and combat : World War I and after, 1915-1935 -- Interlude : Charles A. Lindbergh and Atlantic flight, 1927-1929 -- The golden age, I : the Lindbergh progeny, 1927-1939 -- The golden age, II : the air-minded society, 1930-1939 -- World War II and modern aviation, 1939-1945 -- Aftermath : a-bombs, rockets, and space flight, 1945-1950.
As the star of the award-winning BBC series The Apprentice, Alan Sugar has won millions of fans who tune in to watch his mix of business wisdom, witty putdowns and ability to cut straight through bullshit. But how did the famously straight-talking entrepreneur end up fronting one of our most successful and long-running shows, and why were some of his biggest challenges during his ten years in television to be found outside the boardroom and off camera? In Unscripted, Alan Sugar reveals all this and more as he embarks on a new and sometimes bewildering career. He describes how he lost patience with some of the luvvies, wafflers and wannabes he encountered along the way, and tells us what he r...