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In volumes1-8: the final number consists of the Commencement annual.
In Hollywood Left and Right, Steven J. Ross tells a story that has escaped public attention: the emergence of Hollywood as a vital center of political life and the important role that movie stars have played in shaping the course of American politics. Ever since the film industry relocated to Hollywood early in the twentieth century, it has had an outsized influence on American politics. Through compelling larger-than-life figures in American cinema--Charlie Chaplin, Louis B. Mayer, Edward G. Robinson, George Murphy, Ronald Reagan, Harry Belafonte, Jane Fonda, Charlton Heston, Warren Beatty, and Arnold Schwarzenegger--Hollywood Left and Right reveals how the film industry's engagement in pol...
Emanuel Goldenberg was born in Romania and from the age of ten grew up in New York's Lower East Side. He trained at the legendary Theater Guild, changed his name, and starred in many successful Broadway plays before moving to Hollywood. Among his most famous films were Double Indemnity with Barbara Stanwyck, The Stranger with Orson Welles, Key Largo with Humphrey Bogart and Lauren Bacall, The Ten Commandments with Charlton Heston, The Cincinnati Kid with Steve McQueen, and, of course, Little Caesar. After twenty successful years in film, Robinson's career was shattered by the McCarthy Commission. Although there was never any concrete proof that Robinson was in fact a member of the Communist party, it took five years for him to clear his name. In this fascinating biography, Alan L. Gansberg reveals the man behind the public face, his many memorable roles among more than 100 films, and his struggle to find steady work in Hollywood again. Includes 16 pages of photos.
This book rediscovers the Hollywood Right, revealing how Hollywood Republicans remade America by successfully backing candidates such as Richard Nixon.
Jewish choreographers have not only been vital contributors to American modern and postmodern dance, but they have also played a critical and unacknowledged role in American Jewish culture. This book delineates this rich history, demonstrating how, over the twentieth century, dance enabled American Jews to grapple with identity, difference, cultural belonging, and pride.
In 1965, 18-year-old Persis Khambatta became the third woman to be crowned Miss India. After moving to England and then to the United States, she found worldwide fame in the first Star Trek movie in 1979, and in 1980 she became the first Indian presenter at the Academy Awards. The American film industry seemed never to forgive Khambatta for being a non-white woman who refused to do nude scenes. After failing to sustain a career as either a producer or a performer, she achieved a triumph before her sudden death in 1998 with the publication of her book Pride of India: A Tribute to Miss India. Based on contemporary news articles and primary sources, this first biography examines Khambatta's Hindi and English-language film and television work, and demonstrates the many ways she was ahead of her time as a filmmaker, feminist, and humanitarian.
Exploring representations of Latinx people from Scarface to Narcos, this book examines how pop culture has framed Latin America as the villain in America’s long and ineffectual War on Drugs. If there is an enemy in the War on Drugs, it is people of color. That is the lesson of forty years of cultural production in the United States. Popular culture, from Scarface and Miami Vice to Narcos and Better Call Saul, has continually positioned Latinos as an alien people who threaten the US body politic with drugs. Jason Ruiz explores the creation and endurance of this trope, its effects on Latin Americans and Latinx people, and its role in the cultural politics of the War on Drugs. Even as the foc...
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This collection of essays and reviews represents the most significant and comprehensive writing on Shakespeare's A Comedy of Errors. Miola's edited work also features a comprehensive critical history, coupled with a full bibliography and photographs of major productions of the play from around the world. In the collection, there are five previously unpublished essays. The topics covered in these new essays are women in the play, the play's debt to contemporary theater, its critical and performance histories in Germany and Japan, the metrical variety of the play, and the distinctly modern perspective on the play as containing dark and disturbing elements. To compliment these new essays, the collection features significant scholarship and commentary on The Comedy of Errors that is published in obscure and difficulty accessible journals, newspapers, and other sources. This collection brings together these essays for the first time.
In 1954 NBC President Pat Weaver introduced "spectaculars"--lavish entertainment shows designed to bring a new dimension to television. Though special programs had been around since 1939, Weaver's effort heralded a new age, with programs ranging from variety shows with big name hosts (Judy Garland, Cher, Perry Como, Bob Hope, for instance) through animated holiday specials and outstanding dramas to acclaimed children's programming. This is the guide to 3,197 entertainment specials, 1939 to 1993, that were broadcast on network, cable or syndicated television. For each show the cast, including guest stars and announcer, is provided. Also included are comprehensive production credits (director, producer, writer and music), dates aired, networks and running times, and program synopses.