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Hurban
A study of the history of Jewish exiles and genocide, and the literary expressions that attempt to make sense of these catastrophes. In this book Alan Mintz devotes a chapter each to selected catastrophic events and the literary response to them: for example, the destruction of the First Temple in 587 B.B.E. and the resulting biblical literature; the massacre of the Rhineland Jewish community by the Crusades in 1096 and synagogue poetry; and the pogroms in Russia and modern Hebrew poetry. These earlier responses are then compared to the treatment of the Holocaust in the Hebrew literature of the State of Israel with special attention given to the works of Uri Zvi Greenberg and Aharon Appelfeld. Deeply felt and highly original, Hurban is a revealing study of an exceptionally rich literature in the context of an unavoidably tragic history.
The Boom in Contemporary Israeli Fiction
Five essays explore facets of what Mintz calls the complexity of cultural reverberations in Israeli fiction of the past two decades.
AMERICAN HEBRAIST
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Popular Culture and the Shaping of Holocaust Memory in America
The Holocaust took place far from the United States and involved few Americans, yet rather than receding, this event has assumed a greater significance in the American consciousness with the passage of time. As a window into the process whereby the Holocaust has been appropriated in American culture, Hollywood movies are particularly luminous. Popular Culture and the Shaping of Holocaust Memory in America examines reactions to three films: Judgment at Nuremberg (1961), The Pawnbroker (1965), and Schindler�s List (1992), and considers what those reactions reveal about the place of the Holocaust in the American mind, and how those films have shaped the popular perception of the Holocaust. It...
Reading Hebrew Literature
Six classic texts of modern Hebrew literature viewed from a variety of critical perspectives.
Translating Israel
Reflects the rise of literature in modern-day Israel and the problematic reception of literature in America and within the American Jewish community. Israeli literature provides a unique lens for viewing th~ inner dynamics of this small but critically important society. In addition, its leading writers such as S. Y. Agnon, Yehuda Amichai, Amos Oz, and A. B. Yehoshua, among others, are recognized internationally as major world literary figures. Despite this international recognition, the rich literary tradition of Israeli literature has failed to reverberate and find significant readership or a following in America even among the American Jewish community. Alan L. Mintz traces the reception of Israeli literature in America from the 1970s to the present. He analyzes the influences that have shaped modern Israeli literature and reflects on the cultural differences that have impeded American and American Jewish appreciation of Israeli authors. Mintz then turns his attention to specific writers, examining their reception or lack thereof in America and places them within the emerging unfolding critical dialogue between the Israeli and American literary culture.
American Hebraist
A collection of fifteen essays by Alan Mintz (1947-2017) on the Nobel Prize winner S. Y. Agnon, modern Jewish and Israeli literature, and the Holocaust. Includes a critical introduction by David Stern and an epilogue by Beverly Bailis.
Sanctuary in the Wilderness
The effort to create a serious Hebrew literature in the United States in the years around World War I is one of the best kept secrets of American Jewish history. Hebrew had been revived as a modern literary language in nineteenth-century Russia and then taken to Palestine as part of the Zionist revolution. But the overwhelming majority of Jewish emigrants from Eastern Europe settled in America, and a passionate kernel among them believed that Hebrew provided the vehicle for modernizing the Jewish people while maintaining their connection to Zion. These American Hebraists created schools, journals, newspapers, and, most of all, a high literary culture focused on producing poetry. Sanctuary in...
George Eliot & the Novel of Vocation
Mintz has discovered a new sub-genre of fiction: the novel of vocation. In the nineteenth century, he maintains, work ceased to be merely what one did for a living or out of a sense of duty and became a vehicle for self-definition and self-realization. The change was prepared for by the growth of professions and the increase in middle-class career opportunities, He shows how George Eliot, in particular, linked these new social possibilities to the older Puritan doctrine of calling or vocation, achieving in her late novels a fictional structure that could encompass the conflicting energies of the age. In the idea of vocation she found a way to explore how far it is possible to be ambitious both for oneself and for a large cause, and a way to probe the contradictions between ambitious, self-defining work and the older institutions; of family, community, and religion. The book is solidly grounded in cultural and historical reality. Although Mintz concentrate on George Eliot and especially Middlemarch, he also examines the conceptions of self and work in Victorian biographies and autobiographies and the emergence in late-nineteenth-century fiction of the idea of the vocation of art.
Hebrew in America
Among the millions of Jews who immigrated to America in the early twentieth century, there were the few for whom Hebrew culture was an important ideal. Reaching a critical mass around World War I, these American Hebraists attempted to establish a vital Hebrew culture in America. They founded journals and wrote Hebrew poetry, fiction, and essays, largely about the American Jewish experience, and they succeeded in putting a Hebraist stamp upon most of the Jewish education that took place between the two world wars. Hebrew in America is the first book to fully explore the Jewish attachment to Hebrew in twentieth-century North America. Fifteen leading scholars in Judaic studies write about the l...
