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Modern Women Playwrights of Europe brings together seventeen major plays by European women of the twentieth century. Some of these works are internationally known, while others appear here in translation for the first time. Featuring selections by playwrights from several European countries--from Spain and Greece to Iceland and Scandinavia--this volume presents plays that have been largely overlooked by most existing anthologies of Continental drama. This unique collection includes important plays from the beginning of the twentieth century, such as Gabriela Zapolska's The Morality of Mrs. Dulski (essentially unavailable in English until now) and Kalliroi Siganou-Parren's The New Woman (neve...
Alan P. Barr has brought together eleven world-class modern plays by women that show not only their artistry but also their variety and their passion. Drawn from nine different countries (other than the United States and England) that use English as their literary language, the plays reflect the concerns of women across the globe. The imagery and dramatic conventions may shift and the tones vary, but the need to be strong (and its difficulty), the sense of a world that is anything but nurturing or ideal, and the suspect nature of family life and relations are constant themes. The struggle over language, in countries that are very often ex-colonies, conveys the frequent overlap between feminist and postcolonial focuses. The diversity of Englishes on stages from Singapore to South Africa is a lovely curtain call to this theater festival.
When Thomas Henry Huxley died a century ago, he was already recognized as having effectively transformed much of the world of English science. To a significant extent we owe our respect for science and science education to his efforts to legitimize the field. For this collection of centenary essays, Alan P. Barr commissioned four teen original pieces that assess from a contemporary perspective Huxley's personality, his marriage, his scientific accomplishments, his disputes with other thinkers of his day, his expression of values, and his importance to the history of science and education.
Thomas Henry Huxley (1825-1895) was one of the intellectual giants of Victorian England. A surgeon by training, he became the principal exponent of Darwinism and popularizer of "scientific naturalism." Huxley was a prolific essayist, and his writings put him at the center of intellectual debate in England during the later half of the nineteenth century. The Major Prose of Thomas Henry Huxley fills a very real and pressing chasm in history of science books, bringing together almost all of Huxley's major nontechnical prose, including Man's Place in Nature and both "Evolution in Ethics" and its "Prolegomena."
Publisher's advertisment for Alan Barr's "Victorian Stage Pulpiteer."
Tracing the development of the sonnet during intense moments of change and stability, continuity and conflict, from the early Romantic period to the end of the nineteenth century, Marianne Van Remoortel pays particular attention to the role of the popular press. As she highlights the intricately related issues of genre and gender, Van Remoortel offers readers innovative readings of sonnet sequences by Elizabeth Barrett Browning, George Meredith, Dante Gabriel Rossetti and Augusta Webster.
An examination of Carroll's books about Alice explores the contextual knowledge of the time period in which it was written, addressing such topics as time, games, mathematics, and taxonomies.
For more than a century the cinematic Western has been America’s most familiar genre, always teetering on the verge of exhaustion and yet regularly revived in new forms. Why does this outmoded vehicle—with the most narrowly based historical setting of any popular genre—maintain its appeal? In Late Westerns Lee Clark Mitchell takes a position against those critics looking to attach “post” to the all-too-familiar genre. For though the frontier disappeared long ago, though men on horseback have become commonplace, and though films of all sorts have always, necessarily, defied generic patterns, the Western continues to enthrall audiences. It does so by engaging narrative expectations s...
Since its original publication in 1989, Evolution: The History of an Idea has been recognized as a comprehensive and authoritative source on the development and impact of this most controversial of scientific theories. This twentieth anniversary edition is updated with a new preface examining recent scholarship and trends within the study of evolution.
This is the first study of the literary theories of H. G. Wells, the founding father of English science fiction and once the most widely read writer in the world. It explores his entire career, during which he produced popular science, educational theory, history, politics, and prophecy, as well as realist, experimental, and science fiction.