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The Whedonverse Catalog
Director, producer and screenwriter Joss Whedon is a creative force in film, television, comic books and a host of other media. This book provides an authoritative survey of all of Whedon's work, ranging from his earliest scriptwriting on Roseanne, through his many movie and TV undertakings--Toy Story, Buffy the Vampire Slayer, Angel, Firefly/Serenity, Dr. Horrible, The Cabin in the Woods, and Agents of S.H.I.E.L.D.--to his forays into the Marvel Cinematic Universe. The book covers both the original texts of the Whedonverse and the many secondary works focusing on Whedon's projects, including about 2000 books, essays, articles, documentaries and dissertations.
The Aliens Are Here
Aliens: They have taken the form of immigrants, invaders, lovers, heroes, cute creatures that want our candy or monsters that want our flesh. For more than a century, movies and television shows have speculated about the form and motives of alien life forms. Movies first dipped their toe into the genre in the 1940s with Superman cartoons and the big screen's first story of alien invasion (1945's The Purple Monster Strikes). More aliens landed in the 1950s science fiction movie boom, followed by more television appearances (The Invaders, My Favorite Martian) in the 1960s. Extraterrestrials have been on-screen mainstays ever since. This book examines various types of the on-screen alien visitor story, featuring a liberal array of alien types, designs and motives. Each chapter spotlights a specific film or TV series, offering comparative analyses and detailing the tropes, themes and cliches and how they have evolved over time. Highlighted subjects include Eternals, War of the Worlds, The X-Files, John Carpenter's The Thing and Attack of the 50-Foot Woman.
Sentence Diagramming 101
"A surprisingly fun jaunt into the convoluted wilds of the English language!" Sentence Diagramming 101: Fun with Linguistics (and Movies) explores the relationship between words using traditional sentence diagramming and amusing movie references. Inside this textbook, you’ll find detailed explanations as well as 50+ film-focused practice exercises, and on the companion website, you can explore the answer key, informative videos, additional practice, and lively discussions about the English language. One abiding question often accompanies any discussion of traditional sentence diagramming (Reed & Kellogg): does sentence diagramming create better writers? This book’s answer: Maybe. If you ...
Reading Joss Whedon
In an age when geek chic has come to define mainstream pop culture, few writers and producers inspire more admiration and response than Joss Whedon. From Buffy the Vampire Slayer to Much Ado About Nothing, from Dr. Horrible’s Sing–Along Blog to The Avengers, the works of Whedon have been the focus of increasing academic attention. This collection of articles represents some of the best work covering a wide array of topics that clarify Whedon’s importance, including considerations of narrative and visual techniques, myth construction, symbolism, gender, heroism, and the business side of television. The editors argue that Whedon’s work is of both social and aesthetic significance; that he creates “canonical television.” He is a master of his artistic medium and has managed this success on broadcast networks rather than on cable. From the focus on a single episode to the exploration of an entire season, from the discussion of a particular narrative technique to a recounting of the history of Whedon studies, this collection will both entertain and educate those exploring Whedon scholarship for the first time and those planning to teach a course on his works.
A Galaxy of Things
A Galaxy of Things explores the ways in which all puppets, masks, makeup-prosthetic figures are "material characters," using iconic Star Wars characters like Yoda and R2-D2 to illustrate what makes them so compelling. As an epic franchise, Star Wars has been defined by creatures, droids, and masked figures since the original 1977 movie. Author Colette Searls, a theatre director and expert in puppetry studies, uncovers how non-humans like Chewbacca, semi-humans like Darth Maul, and even concealed humans like Boba Fett tell meaningful stories that conventional human characters cannot. Searls defines three powers that puppets, masked figures, and other material characters wield—distance, dist...
The 100 Greatest Superhero Films and TV Shows
A fascinating exploration of the most significant superhero films and television shows in history, from the classic serial Adventures of Captain Marvel to the Disney+ hit show WandaVision. In The 100 Greatest Superhero Films and TV Shows, Zachary Ingle and David M. Sutera celebrate over eighty years of superhero cinema and television. Featuring blockbusters such as Black Panther and The Dark Knight, Ingle and Sutera also include lesser-known yet critically acclaimed shows like The Boys, cult films such as The Toxic Avenger, and foreign series like Astro Boy to provide a well-rounded perspective of the genre. All one hundred selections are evaluated based on qualities such as plot and charact...
1000 Facts about TV Show Vol. 1
An algorithm cast Kevin Spacey for House of Cards. Rob McElheney gained 50lbs for It's Always Sunny in Philadelphia because he thought it would be funny. Stranger Things was supposed to be called Montauk. No two zombies in The Walking Dead have the same design. In the Game of Thrones books, Tyrion has no nose. Matthew Broderick was meant to play Walter White in Breaking Bad. Jack Bauer kills 309 people in 24. Tobias from Arrested Development is secretly black. The Big Bang Theory was banned in China. Monica and Joey were meant to be the main love story in Friends. In Family Guy, Meg's full name is Megatron Griffin. Doctor Who was nearly cancelled after one episode. Martin Scorsese absolutely loves Fawlty Towers. Will Smith was so poor before starring in The Fresh Prince of Bel Air, his only mode of transport was an engineless scooter.
1000 Facts About Animated Films
In the original script of The Lion King, Mufasa was the one who cut Scar's face. Walt Disney HATED the spaghetti-eating scene in Lady and the Tramp. It is now one of the most beloved scenes in Disney history. Toy Story only cost $30 million. Christopher Barnes was only 16 when he voiced Prince Eric in The Little Mermaid. In Frozen, Elsa was supposed to have blue hair. The villain of The Incredibles was supposed to be an alien called Xerek. The merchant in the beginning of Aladdin is the Genie. It took ten years to make Alice in Wonderland. Gru's appearance in Despicable Me is based on an emperor penguin. Disney were certain that Finding Nemo would fail. The Prince in Beauty and the Beast was 11 when the Enchantress cursed him. If Cinderella flopped, Disney would've gone bankrupt. Inside Out is the first Pixar film that doesn't have a villain. Walt Disney's favourite Disney film was Bambi. Elvis nearly starred in The Jungle Book.
Encyclopedia of Television Miniseries, 1936-2020
In 1936, as television networks CBS, DuMont, and NBC experimented with new ways to provide entertainment, NBC deviated from the traditional method of single experimental programs to broadcast the first multi-part program, Love Nest, over a three-episode arc. This would come to be known as a miniseries. Although the term was not coined until 1954, several other such miniseries were broadcast, including Jack and the Beanstalk and Women in Wartime. In the mid-1960s the concept was developed into a genre that still exists. While the major broadcast networks pioneered the idea, it quickly became popular with cable and streaming services. This encyclopedic source contains a detailed history of 878 TV miniseries broadcast from 1936 to 2020, complete with casts, networks, credits, episode count and detailed plot information.
