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Fleeing an academic scandal and a broken marriage, Jean Fairbairn has come to Scotland to work for an Edinburgh-based history and travel magazine. But when Jean heads for the Highlands to investigate the 18th century mystery of Bonnie Prince Charlie's lost treasure, she finds herself involved in a contemporary murder case - and not as an innocent bystander, either. Alasdair Cameron, the police detective in charge, has his own perspective on reality and illusion. The American dot-com millionaire living out his tartan fantasies in a restored mansion is the loosest of loose cannons. His trophy wife isn't necessarily standing by her man. Their housekeeper knows what's going to happen before it does. And their youth piper is a kilted daydream, even though his parents are nightmares. If butting heads - not to mention hearts - with Cameron isn't enough to do Jean in, then a killer is waiting and watching, with a motive for murder not hidden nearly deeply enough in the past.
Aimed at medical students and junior doctors, 'Mosby's Crash Course Psychiatry' takes a problem orientated approach based on good clinical practice. It presents basic knowledge in a simple, concise manner to promote understanding and retention of facts.
Alasdair and Jean are making a deliberate effort to put together a relationship. Leaving Edinburgh to the crowds attending the annual Festival, they move into the caretaker's cottage of an old and spooky castle near Rosslyn Chapel. Rosslyn has been made so famous by The Da Vinci Code that only tour groups are admitted. It's a medieval church where the Holy Grail or the treasure of the Knights Templar is rumored to be hidden. Ferniebank Castle includes a small chapel that's very similar and obviously related to Rosslyn, but is off the beaten path. Or so they think. Even before Jean meets Alasdair at Ferniebank, she hears that trouble is brewing there and in the nearby village of Stanelaw: a l...
First published in 2013. Desert Energy examines the key technologies being deployed in an effort to tap the potential presented by the world’s deserts for siting large scale solar power applications, and surveys the feasibility of such projects given the remoteness and hostility of these environments. Focusing on large scale photovoltaics and concentrating solar thermal power, the book explains how the systems work, projects that are being planned, the required scales, and the technical difficulties they need to overcome to function effectively. It then moves on to examine the economics of such projects and the social and environmental effects they may have. The book also considers the future for these systems as well as other, less developed technologies which may have a role to play. With reference throughout to built or planned projects, and written in a clear, jargon-free style, this is a must-read for anyone interested in the development of large scale solar applications.
Alasdair Cameron and Fergus MacDonald were childhood friends. Their fathers’ caps carried a blue hackle, the badge-feather of a distinguished Scottish regiment. Now the feather in Fergie’s cap is the decaying Dunasheen Estate on the Isle of Skye. His desperate schemes to save his home depend on a collection of historic artifacts, a handful of paying guests expecting a traditional Scottish New Year celebration, and the help of Alasdair and Jean Fairbairn, who plan to wed in the Gothic folly of Fergie's chapel. But if Alasdair and Jean can't untangle the threads of the past and net a present-day killer, then they and their wedding rings won't get to the church on time—and more blood will flow for the sake of Auld Lang Syne!
This is the fourth book in a Saltire series examining the significance of Scottish history, philosophy and the Scots language. Here, the Distinguished Italian academic Carla Sassi examines Scotland's literature from the earliest times to the late 20th century and offers new and fascinating insights into the nature of nationhood and identity, and the way in which these are reflected in, and the inspiration for, literary output at various periods. The major historical influences are covered including relations with England, religious division, enlightenment philosophy and the Union of 1707, but Professor Sassi also examines Scotland's role in the British imperial adventure and the impact on literature of the coloniser / colonised experience. She makes a special study of the contribution of women writers and the writers of the 20th century 'Renaissance' and concludes with speculation on the future of 'Scottish' literature in a post-modern Scotland exposed to global cultural influences and living in the new political world heralded by the restoration of the Holyrood Parliament. Carla Sassi is Associate Professor of English literature at the University of Verona. She specialises in Sc
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This wide-ranging and ground-breaking book, especially relevant given Brexit and renewed Scottish independence campaigning, provides in-depth analysis of ways Scottishness has been performed and modified over the centuries. Alongside theatre, television, comedy, and film, it explores performativity in public events, Anglo-Scottish relations, language and literary practice, the Scottish diaspora and concepts of nation, borders and hybridity. Following discussion of the 1320 Declaration of Arbroath and the real meanings of the 1706/7 Treaty of Union, it examines the differing perceptions of what the ‘United Kingdom’ means to Scots and English. It contrasts the treatment of Shakespeare and Burns as ‘national bards’ and considers the implications of Scottish scholars’ invention of ‘English Literature’. It engages with Scotland’s language politics –rebutting claims of a ‘Gaelic Gestapo’ – and how borders within Scotland interact. It replaces myths about ‘tartan monsters’ with level-headed evidence before discussing in detail representations of Scottishness in domestic and international media.
Challenging the dominant view of a broken and discontinuous dramatic culture in Scotland, this book outlines the variety and richness of the nation ́s performance traditions and multilingual theatre history. Brown illuminates enduring strands of hybridity and diversity which use theatre and theatricality as a means of challenging establishment views, and of exploring social, political, and religious change. He describes the ways in which politically and religiously divisive moments in Scottish history, such as the Reformation and political Union, fostered alternative dramatic modes and means of expression. This major revisionist history also analyses the changing relationships between drama...
Edinburgh Festival premiere at Traverse Theatre of mesmeric new play by brand new Scottish-Croatian writer.