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Angels & Icons
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Ch. Dresser
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Edward Burne-Jones
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Edward Burne-Jones
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Victor Horta
This major re-assessment of Victor Horta's work examines the many influences on and of his designs.
Damozels & Deities
Continuing from the acclaimed 'Angels & Icons', this volume, 'Damozels & Deities', traces the development of stained glass, viewed as an art form, from 1870 to the death of Burne-Jones in 1898. Over this period the public’s interest in the creative arts enabled the Aesthetic Movement to flourish. Ecclesiastical windows grew more beautiful and secular in appearance, with domestic glass becoming indistinguishable from that found in churches."--dust-jacket.
The Stained Glass of A.W.N. Pugin
This eagerly awaited study provides a complete record of Pugins extraordinary achievements in stained glass design and manufacture. Beautifully illustrated with photography by Alastair Carew-Cox, it shows how Pugin rose to the challenges of creating stained glass in the early Victorian period according to medieval principles; how he worked with leading makers of the day; how he forged a partnership with John Hardman of Birmingham; how this relationship worked; who his clients were; and what he sought to express in the windows. These were made for churches and houses throughout Britain and Ireland and some also found their way to North America, Europe and the Antipodes. A detailed gazetteer gives all the known information about each window. This book is the culmination of many years research by the author and is based on his Ph.D thesis about Pugins stained glass.
Espying Heaven
Espying Heaven presents the first full-scale and full-colour survey of the achievement of Charles Eamer Kempe (1837-1907), the outstanding stained-glass designer of his era, and his Studio. From the start, Kempe gathered around him a close-knit team of artists and craftsmen who together developed his vision of a distinctive aesthetic setting for worship based on late medieval art, especially the stained glass of northern Europe. Espying Heaven illustrates the evolution of the 'Kempe style' and allows readers to judge for themselves the extent to which the later firm of C.E. Kempe & Co. (1907- 1934), set up by Kempe himself, succeeded in working within the tradition established by his founding artists. This book is meant to be a companion to Adrian Barlow's biographical study, Kempe: the Life, Art and Legacy of Charles Eamer Kempe (2018). In its own right, Espying Heaven both documents and celebrates a style of church art and decoration that has had a defining influence upon the Anglican Church worldwide. It highlights key features of Kempe glass, exploring questions of representation, symbolism and technique and suggesting new ways of 'reading' a Kempe window.
