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I. Until about a dozen years ago, the economic analysis of the relationship between political preferences and political demands was a rather straightforward, if dull, subject. The most common assumption was that the only political instrument available to citizens was the vote. Given this assumption, the analyst could express the outcome of the voting process in one of two ways. One possibility was to make the heroic assumptions necessary to obtain the median voter theorem, in which case, the political demands of the citizenry are simply the preferences of the median voter. The alternative was to make Arrow's Impossibility Theorem in which case even though individual preferences are well orde...
I. The concept of competition played a central role in the very first attempts to apply the tools of economics to the analysis of politics. Adopting Hotelling's (1929) industrial organization model of imperfect competition in markets in which space has a predominant role, Downs (1957), following on some perceptive insights of Schumpeter (1942), was able to formulate a model of electoral competition in which political parties, seeking the support of citizens, compete against each other in offering policies designed to elicit their vote. Downs' model and the numerous variants to which it gave birth soon became the major component of what was to become Public Choice Theory. The enormous efforts...
Winner, 2011 Annibel Jenkins Biography Prize, American Society for Eighteenth-Century Studies 2009 Outstanding Academic Title, Choice Against the background of the American and French revolutions, the Napoleonic Wars, and the struggle for religious equality in Great Britain, a brilliant, embattled woman strove to defend Enlightenment values to her nation. Poet, teacher, essayist, political writer, editor, and critic, Anna Letitia Barbauld was venerated by contemporaries on both sides of the Atlantic, among them the young Walter Scott, the young Samuel Taylor Coleridge, and Boston Unitarians such as William Ellery Channing. After decades in the historical limbo into which almost all work by w...
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"This anthology investigates books that juxtapose photographs and written language (photo-texts), considering a variety of examples from America, Britain, Canada, and France. Ranging from Nathaniel Hawthorne's The Marble Faun to Michael Ondaatje's postmodern novel Coming Through Slaughter and Edward Said's postdocumentary After the Last Sky, the contributors' analyses address photo-textuality's implications for representation and its cultural contexts. A truly interdisciplinary collection, Photo-Textualities features contributors who work in literary studies (English, romance languages), as well as contributors who work in media studies (film, graphic arts)." "Photo-Textualities invigorates ...
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When we think of Iris Murdoch’s relationship with art forms, the visual arts come most readily to mind. However, music and other sounds are equally important. Soundscapes – music and other types of sound – contribute to the richly textured atmosphere and moral tenor of Murdoch’s novels. This book will help readers to appreciate anew the sensuous nature of Iris Murdoch’s prose, and to listen for all kinds of music, sounds and silences in her novels, opening up a new sub-field in Murdoch studies in line with the emerging field of Word and Music Studies. This study is supported by close readings of selected novels exemplifying the subtle variety of ways she deploys music, sounds and silence in her fiction. It also covers Murdoch’s knowledge of music and her allusions to music throughout her work, and includes a survey of musical settings of her words by various composers.