Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The Viennese Ballroom in the Age of Beethoven
Reveals how the culture and repertoire of the early Viennese ballroom permeated and intersected with other areas of musical life.
Athenaeum
None
The Carole: A Study of a Medieval Dance
The carole was the principal social dance in France and England from c. 1100 to c. 1400 and was frequently mentioned in French and English medieval literature. However, it has been widely misunderstood by contributors in recent citations in dictionaries and reference books, both linguistic and musical. The carole was performed by all classes of society - kings and nobles, shepherds and servant girls. It is described as taking place both indoors and outdoors. Its central position in the life of the people is underlined by references not only in what we might call fictional texts, but also in historical (or quasi-historical) writings, in moral treatises and even in a work on astronomy. Dr Robert Mullally's focus is very much on details relevant to the history, choreography and performance of the dance as revealed in the primary sources. This methodology involves attempting to isolate the term carole from other dance terms not only in French, but also in other languages. Mullally's groundbreaking study establishes all the characteristics of this dance: etymological, choreographical, lyrical, musical and iconographical.
The Athenaeum
None
How the New Art of Eurythmy Began
The actual historical moments of birth of the various arts are not known. At most, significant changes of direction are distinguishable – and these are usually detected retrospectively. However, the founding of eurythmy, a new art of movement, has been extensively documented. The story of the first eurythmist, Lory Maier-Smits, told in the pages of this profusely-illustrated book, is a valuable contribution to that legacy. It brings to life the pioneering period when the new artform was being developed under Rudolf Steiner’s personal instruction. Magdalene Siegloch traces Lory Maier-Smits’ biography with artistic care and loving detail. She describes the eurythmist’s early exposure to anthroposophy; her training under Rudolf Steiner from 1912; the first performance of eurythmy during the Theosophical Society festival in 1913; Rudolf Steiner’s lectures on the new art of movement; the staging of eurythmy under the direction of Marie Steiner; and Maier-Smits’ later work as a trainer of eurythmists. Also included is an account of Maier-Smits’ personal path of development, her marriage and family life.
