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This book is designed to share the research on the origins of the universe and the origins of life with those who are truly interested in making their decisions regarding origins as well as those who are simply curious about opposing views.
Have you ever wondered how the universe originated or whether the universe always existed? Have you ever wondered how life began on earth? Have you ever heard others discuss origins but felt unable to contribute to the conversation? Would you like to defend your views but feel unequipped or inadequate to do so? Are you unsure about what to believe? Would you like to learn more about the subject of origins? If so, this book will be a help to you. The subject of evolution and creation often causes much contention and controversy. The question that may be asked is, Why is there so much tension and animosity between those who hold to opposing views regarding the subject of origins? Others may as...
The entertainment world lost many notable talents in 2019, including television icon Doris Day, iconic novelist Toni Morrison, groundbreaking director John Singleton, Broadway starlet Carol Channing and lovable Star Wars actor Peter Mayhew. Obituaries of actors, filmmakers, musicians, producers, dancers, composers, writers, animals and others associated with the performing arts who died in 2019 are included in this edition. Date, place and cause of death are provided for each, along with a career recap and a photograph. Filmographies are given for film and television performers.
pt. 1. List of patentees.--pt. 2. Index to subjects of inventions.
Nostalgia for the Future is the first collection in English of the writings and interviews of Luigi Nono (1924–1990). One of the most prominent figures in the development of new music after World War II, he is renowned for both his compositions and his utopian views. His many essays and lectures reveal an artist at the center of the analytical, theoretical, critical, and political debates of the time. This selection of Nono’s most significant essays, articles, and interviews covers his entire career (1948–1989), faithfully mirroring the interests, orientations, continuities, and fractures of a complex and unique personality. His writings illuminate his intensive involvements with theatre, painting, literature, politics, science, and even mysticism. Nono’s words make vividly evident his restless quest for the transformative possibilities of a radical musical experience, one that is at the same time profoundly engaged with its performers and spaces, its audiences, and its human and social motivations and ramifications.