You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
This book has much of the modern sense of the individual being at a loss, but a partial answer comes from the inexhaustible freshness and splendor of the environment, a possession that can come back to us equally from some idea of Petra or Nineveh or from a roadside ditch by a mill." Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
John Ashbery's esteem for A. F. Moritz has been seconded repeatedly by critics and readers. Starting in 1975 with "Here" and continuing through the years to Moritz's latest, "The Sentinel, " this poet has carved an important career in poetry. This new collection has already begun garnering praise and awards: the title poem was honored by the prestigious "Poetry" magazine. These poems, exploring everything from vanishing civilizations to nature's mysteries, display Moritz's intelligence and insight blended with a supple craft and wordplay that have made his work unique in the field.
The Moravians, or Bohemian Brethren, early Protestants who settled in Pennsylvania and North Carolina in the eighteenth century, brought a musical repertoire that included hymns, sacred vocal works accompanied by chamber orchestra, and instrumental music by the best-known European composers of the day. Moravian composers -- mostly pastors and teachers trained in the styles and genres of the Haydn-Mozart era -- crafted thousands of compositions for worship, and copied and collected thousands of instrumental works for recreation and instruction. The book's chapters examine sacred and secular works, both for instruments -- including piano solo -- and for voices. The Music of the Moravian Church...
Few artists (one thinks of Rilke and Hopkins) have presumed to evoke the spirit of embodied Nature. A. F. Moritz not only succeeds in thus animating a living world, but he deals with our human presence and assault on it with sympathy and a larger vision than the misanthropy such injuries easily summon. This is nature poetry with a difference: through Moritz's landscapes, from the abandoned industries of the Rust Belt to the decaying monuments of vanished civilization, move the vivid and engaging characters we have come to expect from this clear-eyed and open-hearted poet.
Philipp Frank (1884–1966) was an influential philosopher of science, public intellectual, and Harvard educator whose last book, The Humanistic Background of Science, is finally available. Never published in his lifetime, this original manuscript has been edited and introduced to highlight Frank's remarkable but little-known insights about the nature of modern science—insights that rival those of Karl Popper and Frank's colleagues Thomas Kuhn and James Bryant Conant. As a leading exponent of logical empiricism and a member of the famous Vienna Circle, Frank intended his book to provide an accessible, engaging introduction to the philosophy of science and its cultural significance. The boo...
To read A.F. Moritz is to find out what it means to be alive at this juncture of history. These poems are mansions, both derelict and opulent. Wander in with the mind open and hear what the ages, humanity, and the myth of progress have wrought. Night Street Repairs contains necessary meditations on time, modernity, and our current situation as a society of appetite flirting with self-destruction. Many voices act as vigilant witness to our urban wastes and wastefulness. Moritz's unmistakable cadences -- magisterial, philosophical, and funny -- mingle among the ancients, the Bible, Leopardi, Montale, and Rilke as he extends his already prestigious and singular poetic project.
Finalist, Trillium Book Award From one of the defining poets of his generation, a new collection that plumbs the depth of beauty, history, responsibility, and love. As Far As You Know, acclaimed poet A. F. Moritz’s twentieth collection of poems, begins with two sections entitled “Terrorism” and “Poetry.” The book unfolds in six movements, yet it revolves around and agonizes over the struggle between these two catalyzing concepts, in all the forms they might take, eventually arguing they are the unavoidable conditions and quandaries of human life. Written and organized chronologically around before and after the poet’s serious illness and heart surgery in 2014, these gorgeously unguarded poems plumb and deepen the reader’s understanding of Moritz’s primary and ongoing obsessions: beauty, impermanence, history, social conscience and responsibility, and, always and most urgently, love. For all its necessary engagement with worry, sorrow, and fragility, As Far As You Know sings a final insistent chorus to what it loves: “You will live.”
The perfect introduction to the very best books for children, from wordless picture books and simple, illustrated story books through to hard-hitting and edgy teenage fiction. Introduces a wonderfully rich world of literature to parents and their children, offering both new titles and much loved classics.
Introduction : why agroecology? -- The scientific principles of agroecology -- The scientific evidence for agroecology : can it feed the world? -- Scaling up agroecology : social process and organization -- The politics of agroecology -- Conclusions : conform or transform?
The latest collection from Griffin Poetry Prize-winning poet A. F. Moritz. In Sequence, the reader accompanies the poet step after step and breath after breath through a haunting and mercurial world that shimmers like sun on sand. Alternating moments of spare clarity with deep narrative flashes, the poem wanders the borders of the self, pursuing the eternal moment through imagined landscapes and the lush world waiting outside the writer's window. This is poetry of intense observation, finely tuned to a pattern that is sustained with breaks and returns, alive with eros and a hunger for Breton's "convulsive beauty." Sequence dazzles as it seeks the great mystery, while remaining fully invested in our life of contingency and time.