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SOON TO BE FEATURED ON THE GRAHAM NORTON BOOK CLUB PODCAST ON AUDIBLE Discover Albert French's haunting first novel; a story of racial injustice, as unsentimental as it is heartbreaking. The tale of Billy Lee Turner, a ten-year-old boy convicted of the murder of a white girl in Mississippi in 1937, illuminates the monstrous face of racism in America with harrowing clarity and power. Narrated in the rich accents of the American South, Billy's story is told amid the picking fields and town streets, the heat, dust and poverty of the region in the time of the Depression. 'Billy is a book that will stay with me in my dreams', Tim O'Brien author of The Things They Carried
Their relationship touches off a maelstrom that leaves no doubt as to the consequences of crossing society's proscribed boundaries. A love story and an indictment, Holly is also a story of friendship, of community and of the aftereffects of a war on a family as well as on a small town. Told with a piercing tenderness and intensity, Holly confirms Albert French as a dark and passionate chronicler of American mores and culture.
Banes, Mississippi, 1938. The Catfish creek separates the Patch from the town, black from white. These worlds and their prejudices are hauntingly evoked in the rich accents of the American South in this sequel to Albert French's debut novel, 'Billy'.
Patches of Fire is Albert French's deeply personal memoir of a young black man's Vietnam War experience. The trials of war, the struggles of a Vietnam veteran, and the ultimate redemption of a life filled with accomplishment are related with vivid detail.
I Can't Wait on God is an unforgettable story of crime, punishment, and loss, set in the back alleys of Pittsburgh's Homewood neighborhood during the summer of 1950. Jeremiah Henderson and his girlfriend Willet Mercer set their sights on New York City after taking money from a pimp Willet impulsively stabs to death. Mack Jack, a gifted musician whose compositions were stolen by a big-city bandleader, struggles to rediscover his inspiration through the use of drugs.
Shortly after Albert Cohen left France for London to escape the Nazis, he received news of his mother’s death in Marseille. Unable to mourn her, he expressed his grief in a series of moving pieces for La France libre, which later grew into Book of My Mother. Achingly honest, intimate, and moving, this love song is a tribute to all mothers. Cohen himself expressed, "I shall not have written in vain if one of you, after reading my hymn of death, is one evening gentler with his mother because of me and my mother."
Originally published in 1956, this masterly essay weaves together the results of research with an independence of judgement which could only come from a long-established expert in the field of Revolutionary studies. The book examines the causes of the French Revolution and the economics involved in the weakness of France’s pre-revolutionary form of government as well as the administrative complexity which was an effective stumbling block in the way of monarchy. As well as charting key events in the revolution, the conclusion discusses the significance of the French Revolution in the context of other revolutions in both the nineteenth and twentieth centuries.
"Using words and works of both pupils and masters of the French Academy of Beaux-Arts, this fascinating book provides a wealth of information about the environment and studio practices of French official art from 1830 to 1890. Albert Boime describes the training of new pupils in the Academic ateliers, from the time they began and were set to copy engravings and casts to their copying of the old masters in the Louvre to their work before the live model and landscape painting out-of-doors. Boime's account includes not only a history of the transition from guild-controlled arts sanctioned by the church to an academic system sponsored by the state but also a reassessment of the positive role played by the Academy's teaching program in the evolution of the independent movements of the nineteenth century"--Publisher's description.
Seventeen fascinating essays on many aspects of the French Revolution. Soboul was chair of the History of the French Revolution at the Sorbonne for many years until his death in 1982. Maps. Glossary. Notes. Brief biography of the author.
In this bold exploration of the political forces that shaped Impressionism, Albert Boime proposes that at the heart of the modern is a "guilty secret"--the need of the dominant, mainly bourgeois, classes in Paris to expunge from historical memory the haunting nightmare of the Commune and its socialist ideology. The Commune of 1871 emerged after the Prussian war when the Paris militia chased the central government to Versailles, enabling the working class and its allies to seize control of the capital. Eventually violence engulfed the city as traditional liberals and moderates joined forces with reactionaries to restore Paris to "order"--the bourgeois order. Here Boime examines the rise of Im...