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First Cut
In an "utterly winning book . . . as engrossing as any novel" ("The Raleigh News & Observer"), Carter recounts the semester he spent watching first-year medical students in a human anatomy lab. Illustrations.
Understanding Italo Calvino
Highlights Calvino's fascination with folk tales, knights, social & political allegories, & science fiction.
Clowns and Jokers Can Heal Us
Albert Howard Carter III, a literary scholar, presents and analyzes humor on medical topics inside and outside of the hospital; he argues that comedy can be a form of preventive medicine and should routinely be an adjunct to medical care.
The Author in Criticism
The Author in Criticism:Italo Calvino’s Authorial Image in Italy, the United States, and the United Kingdom explores the cultural and historic patterns and differences in the critical readings of Italian author Italo Calvino’s works in the United States of America, the United Kingdom, and Italy. It considers the external factors that contribute to create recognizable patterns in the readings of Calvino’s texts in different contexts. This volume therefore covers, most notably, matters of genre (science fiction, postmodernism), cultural perceptions and conventions, the (re)current image of the author in different media, academic schools, -curricula and -canons, biographical information (...
Rising from the Flames
Although medical advances have remarkably increased the survival rate of the severely burned, such patients still encounter physical and psychological pain and disability, disfigurement, and social rejection. Rising from the Flames examines the experience of the severely burned as survivors confront it, not just as a medical event but as a human ordeal involving social, cultural, psychological, and medical trauma. It discusses the causes of burns, the physiology of injury and healing, the forms of isolation burn patients endure, and the cultural meaning attached to burns and burned persons.
Dancing with Broken Bones
Dancing with Broken Bones gives voice and face to a vulnerable and disempowered population whose stories often remain untold: the urban dying poor. Drawing on complex issues surrounding poverty, class, and race, Moller illuminates the unique sufferings that often remain unknown and hidden within a culture of broad invisibility. He demonstrates how a complex array of factors, such as mistrust of physicians, regrettable indignities in care, and inadequate communication among providers, patients, and families, shape the experience of the dying poor in the inner city. This book challenges readers to look at reality in a different way. Demystifying stereotypes that surround poverty, Moller illuminates how faith, remarkable optimism, and an unassailable spirit provide strength and courage to the dying poor. Dancing with Broken Bones serves as a rallying call for compassionate individuals everywhere to understand and respond to the needs of the especially vulnerable, yet inspiring, people who comprise the world of the inner city dying poor.
Doctors and Patients: History, Representation, Communication from Antiquity to the Present
For the first time, a book considers the doctor/patient relationship in the long period and from a broad geographical perspective. Historians, anthropologists and doctors reflect on the factors that, from the Classical age until the present, have altered the care relationship and the power relations embedded within it. The book also highlights that communication and narration, understood as constitutive aspects of care, are the elements which link the past to the present. From the encounter between religion and medicine to the centuries-long struggle between doctors and patients in defence of their respective positions, from medical dramas to efforts to humanize medicine, the book describes the doctor/patient relationship in all its cultural, transnational and transtemporal dimensions.
Trying to Surprise God
Trying to Surprise God is Peter Meinke's second book of poetry, and is characterized by an unusual and masterful range of effects, and by Meinke's unique wit and compassion.
Rethinking Place through Literary Form
Rethinking Place Through Literary Form regards the relationship between place and linguistic form as challenging real and perceived configurations of place and renegotiating geopolitically determined categories of the ‘centre’ and ‘periphery’. The volume argues that the rise of scattered communities, displaced physically and psychologically by urban and alienated geographies, necessitates linguistic negotiations of one’s locatedness in place as the chief means of uncovering and re-building identity. By looking at narrative re-imaginings of forgotten and interrupted intimacies between habitation and place from diverse parts of the world, the twelve chapters address the growing need to expand and alter approaches to literary representations of modernity and modes of self-location.
Constructing the Canon of Early Modern Drama
For one hundred years the drama of Shakespeare's contemporaries has been consistently represented in anthologies, edited texts, and the critical tradition by a familiar group of about two dozen plays running from Kyd's Spanish Tragedy to Ford's 'Tis Pity She's a Whore by way of Dekker, Jonson, Middleton and Webster. How was this canon created, and what ideological and institutional functions does it serve? What preceded it, and is it possible for it to become something else? Jeremy Lopez takes up these questions by tracing a history of anthologies of 'non-Shakespearean' drama from Robert Dodsley's Select Collection of Old Plays (1744) through those recently published by Blackwell, Norton, and Routledge. Containing dozens of short, provocative readings of unfamiliar plays, this book will benefit those who seek a broader sense of the period's dazzling array of forms.
