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Bubble, Crash and Recovery
Walk into any hospital room and you are likely to find infusion pumps bearing the IMED or IVAC names. Stories of these companies convey themes typical of venture finance technological innovation driving higher valuations leading to a spectacular sale. (use italics in yellow/gold)These five broadly different case studies of major healthcare device companies and a biotechnology start-up to public company provide the reader with a rich cross section of business issues and answers. This book should be of interest to anyone in the health care industry, as well as to the general business reader. The cases provide a venture capitalist's and manager's view of how to start and build a company.The aut...
The Good, the Bad and the Living Dead
A guide for people who aspire to practice as venture capitalists and also for those interested in gaining in-depth knowledge of the rigid system of venture capital. It explores the various aspects of venture capital investing. Almost 25% of venture capital companies are successful, while one third of them go bankrupt. Around 40% of these companies face difficulties coping with the growing economy. the companies in these different categories are respectively termed the good, the bad and the living dead.
Albert J. Rupp, Letter Book No. 1, Pages 1 to 45, Inclusive. December 17, 1906 to August 17, 1907 Inclusive
Copies of typed letters from Henry A. Rupp to various recipients, relating to life in Leadville, Colorado, November 1908 to March 1910. Correspondents include William H. Hume, Charles M. Crouse, Charles F. Saunders, Joseph Paxton, and others. Topics include the business of Rupp's company Leadville Abstract and Title Company.
The Plays of Henry Fielding
Henry Fielding was one of the most interesting playwrights of his time because of his historical position, similar to that of George Bernard Shaw, and his awareness of what it meant to be a playwright at a time when the native dramatic tradition appeared to have settled down for a long sleep and when the only hope for an awakening lay in such low crowd-pleasers as farces, puppet shows, "laughing" tragedies, and ballad operas. By focusing on the plays themselves, Rivero tells the story of Fielding's dramatic career without burdening the reader with an exhaustive history of contemporary plays and playwrights. He provides us with a clear, critical account of Fielding's dramatic career in terms of trends in contemporary dramatic affairs that help to account for his artistic choices in individual plays.
Albert J. Weeks
Biography.
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