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Albert Moore (1841-93) was one of the most remarkable artists of the nineteenth century. In a single-minded quest for ideal beauty, he created many of the celebrated icons of the Victorian era, yet the progressive ideas that underpinned his life and art have remained cloaked in shadow. Robyn Asleson's monograph - the first to be published on the artist for over 100 years - seeks to restore the artist to his rightful place in art history, while also fleshing out his hitherto mysterious personality and lifestyle. Surveying the whole of Moore's career and drawing on unpublished materials, Robyn Asleson throws a flood of new light on the artist and his work. She presents new evidence to debunk the myth of his hermit-like existence, re-examines his notorious exclusion from Royal Academy membership, and documents his close relationship with Whistler, demonstrating that Moore's influence on his older and more famous friend was far greater than has hitherto been assumed. Moore emerges as the most radical exponent of English Aestheticism, a passionate and audacious crusader for abstract beauty who anticipated the aesthetic concerns of twentieth-century Modernism.
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53 page Albert Joseph Moore Art Calendar 2022. Perfect for everyone who likes flowers and gardening. You get a week per page. The calendar starts in the last week of December 2021 and finishes on the 31st of December 2022. There is enough space to record your priorities and things to do on each page. The calendar can also be used as a weekly planner. The planner comes in a large format.Please have a look inside! Perfect as a gift. The cover features A Musician (ca. 1867) painting in high resolution by Albert Joseph Moore. Original from the Yale University Art Gallery. Perfect for everyone who likes fine Art. Please note that this is not a wall calendar.
Long out of print, George Moore's classic novella returns just in time for the major motion picture starring Glenn Close as a woman disguised as a man in nineteenth-century Ireland. Set in a posh hotel in nineteenth-century Dublin, Albert Nobbs is the story of an unassuming waiter hiding a shocking secret. Forced one night to share his bed with an out-of-town laborer, Albert Nobbs' carefully constructed facade nearly implodes when the stranger disovers his true identity-that he's actually a woman. Forced by this revelation to look himself in the mirror, Albert sets off in a desperate pursuit of companionship and love, a search he's unwilling to abandon so long as he's able to preserve his fragile persona at the same time. A tale of longing and romance, Albert Nobbs is a moving and startlingly frank gender-bending tale about the risks of being true to oneself. With a foreword by Glenn Close.
This anonymous manuscript play has long been the subject of scholarly dispute regarding its relationship with Shakespeare's Richard II. This edition, which thoroughly re-examines the text, situates the play within its historical and political context, relating it to the genre of chronicle drama to which it belongs. The manuscript is of particular interest in that it appears to have been used in the playhouse over a considerable period of time and contains what seems to be evidence of the theatre practice of the time. The play is also of special interest for its skilful and original handling of source material which may well have influenced Shakespeare's Richard II. The extensive appendices drawn from Holinshed, Grafton and Stow provide the reader with the opportunity to investigate the manner in which the dramatist has shaped the material. The editors argue for the play's stage-worthiness and dramatic complexity, suggesting that its range both of dramatic tone and social inclusiveness indicate the work of a dramatist of considerable skill and subtlety, equal or superior to the Shakespeare of the Henry VI plays.
"Before 1800 nothing was irrelevant. So argues Elisa Tamarkin's sweeping cultural history of a key shift in consciousness: the arrival, around 1800, of "relevance" as the means to grasp how something previously disregarded becomes important and interesting. At a time when so much makes claims to attention every day, how does one decide what is most valuable right now? This is not only a contemporary problem. For Ralph Waldo Emerson, the question for the nineteenth century was how, in the immensity and "succession" of objects, anything becomes a proper object of experience. How that question was finally defined as one of relevance is the story of Apropos of Nothing. Relevance, Tamarkin shows,...
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Surveys the aesthetic movement in Victorian England, showcasing artwork from the time period and describing its followers, the different art media used, phases, and eventual exploitation for commercial gain.
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