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First multi-year cumulation covers six years: 1965-70.
In Disputing Disaster, Perry Anderson picks out from the highly charged historiography on the First World War one leading historian from each of the major powers that survived the conflagration: Fritz Fischer, famous historian of German war guilt; Pierre Renouvin, a disabled serviceman and preeminent authority on the conflict in France; Luigi Albertini, the Italian newspaper tycoon who, unique among scholars of the Great War, played a part in pitching his country into it; Paul W. Schroeder, the American expert on the system of Europe - an interstate relations and its breakdown in 1914; Keith Wilson, the one radical deviant from a patriotic consensus about Britain's role in the outbreak of th...
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Fascist and colonial legacies have been determinant in shaping how Italian colonialism has been narrated in Italy till the late 1960s. This book deals with the complex problem of public memory and discursive amnesia. The detailed research that underpins this book makes it no longer possible to claim that after 1945 there was an absolute and traumatic silence concerning Italy's colonial occupation of North and East Africa. However, the abiding public use of this history confirms the existence of an extremely selective and codified memory of that past. The author shows that colonial discourse persisted in historiography, newspapers, newsreels and film. Popular culture appears intertwined with political and economic interests and the power inscribed in elite and scientific knowledge. While readdressing the often mistaken historical time line that ignores that actual Italian colonial ties did not end with the fall of Fascism, but in 1960 with Somalia becoming independent, this book suggests that a new post Fascist Italian identity was the crucial issue in reappraisals of a national colonial past.
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Although many opera dictionaries and encyclopedias are available, very few are devoted exclusively to operas in a single language. In this revised and expanded edition of Operas in English: A Dictionary, Margaret Ross Griffel brings up to date her original work on operas written specifically to an English text (including works both originally prepared in English, as well as English translations). Since its original publication in 1999, Griffel has added nearly 800 entries to the 4,300 from the original volume, covering the world of opera in the English language from 1634 through 2011. Listed alphabetically by letter, each opera entry includes alternative titles, if any; a full, descriptive t...
This book examines industrial associations in Italy from 1906 to 1934 as they relate to the crisis in liberalism and the rise of fascism.
Includes entries for maps and atlases.