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Latin American Women On/In Stages
While a feminine perspective has become more common on Latin American stages since the late 1960s, few of the women dramatists who have contributed to this new viewpoint have received scholarly attention. Latin American Women On/In Stages examines twenty-four plays written by women living in Argentina, Brazil, Chile, Costa Rica, Mexico, Puerto Rico, and Venezuela. While all of the plays critique the restraints placed on being female, several also offer alternatives that emphasize a broader and healthier range of options. Margo Milleret, using an innovative comparative and thematic approach, highlights similarities in the techniques and formats employed by female playwrights as they challenged both theatrical and social conventions. She argues that these representations of women's lives are important for their creativity and their insights into both the personal and public worlds of Latin America.
Tentative Transgressions
Starting at the beginning of the twentieth century, Albuquerque examines the way the Modernist movement both fueled and inhibited the use of gay imagery in Brazilian drama. This elegant and fluid study ultimately becomes an examination of a whole Latin society, and the ways in which Latin theatre has absorbed and reflected the culture's own changing sensibilities, that will intrigue anyone interested in Latin American culture, literature, or theater. Winner, 2008 Elizabeth A. Steinberg Prize
The Cambridge History of Latin American Literature
The Cambridge History of Latin American Literature is by far the most comprehensive work of its kind ever written. Its three volumes cover the whole sweep of Latin American literature (including Brazilian) from pre-Colombian times to the present, and contain chapters on Latin American writing in the USA. Volume 3 is devoted partly to the history of Brazilian literature, from the earliest writing through the colonial period and the Portuguese-language traditions of the nineteenth and twentieth centuries; and partly also to an extensive bibliographical section in which annotated reading lists relating to the chapters in all three volumes of The Cambridge History of Latin American Literature are presented. These bibliographies are a unique feature of the History, further enhancing its immense value as a reference work.
The New Jewish American Literary Studies
Introduces readers to the new perspectives, approaches and interpretive possibilities in Jewish American literature that emerged in the twenty-first Century.
MOVING CAMERAS AND LIVING MOVIES
I can say with absolute certainty that, everybody enjoys watching movies, cinema, films and television. But few, if any, know how a film is made: a film has inbuilt special effects or 'tricks'to make it appealing to audiences. MOVING CAMERAS AND LIVING MOVIES reveals to you ALL about films & Filmmaking; it is a hard and tasking enterprise involving tens of thousands of workers and millions of investment dollars. After reading MOVING CAMERAS...your love for movies will triple. Movie technicians and camera gurus have a license to mould, alter, and manipulate the screen to produce or induce rain, sunlight, snow, fire, or fly any object in space in defiance of gravity or even cause 'accidents'or 'raise' the dead to life. Learn the fascinating, exciting world of film, actresses, actors, fashion, and fictional entities.
Village of the Ghost Bells
In the village of the ghost bells, the church chimes ring—even though the church has no bells. One of the neighbors wants to buy dreams—or is she a dream that someone else is dreaming? Where and why do dreams become nightmares? These are only some of the fascinating questions raised in Village of the Ghost Bells, Edla Van Steen’s second novel. First published in 1983 as Coraçôes mordidos, the novel tells the story of the would-be utopian community built on an old plantation of the outskirts of São Paulo, Brazil. Its atmosphere is dreamlike, often verging on the supernatural, and strange events signal the transformation of the utopian dream into a nightmare. Ultimately destroyed by greed, corruption, and exploitation, the community becomes a microcosm of the Brazilian socioeconomic system, in which it takes all of a person’s warmth, idealism, passion, and humor to survive the bleak environment.
Gender and Society in Contemporary Brazilian Cinema
"Gender is an absolute ground zero for most human societies," writes David William Foster, "an absolute horizon of social subjectivity." In this book, he examines gender issues in thirteen Brazilian films made (with one exception) after the 1985 return to constitutional democracy and elimination of censorship to show how these issues arise from and comment on the sociohistorical reality of contemporary Brazilian society. Foster organizes his study around three broad themes: construction of masculinity, constructions of feminine and feminist identities, and same-sex positionings and social power. Within his discussions of individual films ranging from Jorge um brasileiro to A hora da estrela to Beijo no asfalto, he offers new ways of understanding national ideals and stereotypes, sexual dissidence (homoeroticism and transgenderism), heroic models, U.S./Brazilian relations, revolutionary struggle, and human rights violations. As the first study of Brazilian cinematic representations of gender ideology in English or Portuguese, this book will be important reading in film and cultural studies.
Flash and Crash Days
Flash and Crash Days: Brazilian Theater in the Post-Dictatorship Period deals with the theater produced in Brazil during the 1980s and 1990s, especially postmodernist directors, women playwrights, and theater companies. It attempts to answer the following questions: Did the thriving stage of the 1950s and 60s wither during the reign of terror in the early 1970s, unleashed in the wake of the 1968 state of siege declared by the generals? Did the return to civilian government fail to create conditions for a new theater? A cursory glance at what little U.S. commentary on Brazilian theater has appeared in recent years could well lead one to answer all of the above questions in the affirmative. Sc...
3 Contemporary Brazilian Plays
Drama. Latino/Latina Studies. Translated from the Portuguese by various. The 2nd Edition of THREE CONTEMPORARY BRAZILIAN PLAYS reintroduces three of Brazil's most dynamic and gifted playwrights to the English-speaking audience. Plinio Marcos' Two Lost in the Filthy Night shows language as the only possession of two paupers living in claustrophobic conditions. The rapid and vigorous dialogue lashes out, enclosing the reader in a brutal game. Leilah Assumpcao, in Moist Lips, Quiet Passion, dramatizes the sexual life of a couple trying to achieve their Big Orgasm. They remember their frustrating games by the dates of the military coups. Existence is possible only through games. In Walking Papers by Consuleo de Castro, a man and a woman interact in fragmented situations bordering on insanity. There is no reference to socio-political events, but the obsessive language and the exacerbating rituals of the claustrophobic relationship projects the shadow of the repressive system.
Latin American Shakespeares
Latin American Shakespeares is a collection of essays that treats the reception of Shakespeare in Latin American contexts. Arranged in three sections, the essays reflect on performance, translation, parody, and influence, finding both affinities to and differences from Anglo integrations of the plays. Bernice J. Kliman is Professor Emeritus at Nassau Community College. Rick J. Santos teaches at Nassau Community College.
