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The Pantheon
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Urban Heritage in Europe
Urban heritage, which is part of the conceptual expansion of cultural heritage, has become an extraordinarily complex notion. Any aspect of urban life and experience can become heritage and this heritage is then continuously reinterpreted and exploited as a source not only for a city’s identification but also for its cultural and economic innovation. This book provides a detailed overview of Central European urban heritage. It examines the key aspects of urban heritage –tangible/monumental, natural/landscape, world heritage/urban quarter and heritage experience/dark heritage. The ‘regimes of urban heritage’ approach retraces 200 years of the development of European urban heritage to ...
Rome, Postmodern Narratives of a Cityscape
Until the mid-twentieth century the Western imagination seemed intent on viewing Rome purely in terms of its classical past or as a stop on the Grand Tour. This collection of essays looks at Rome from a postmodern perspective, including analysis of the city's 'unmappability', its fragmented narratives and its iconic status in literature and film.
Hospitals and Urbanism in Rome, 1200-1500
In Hospitals and Urbanism in Rome 1200 – 1500, Carla Keyvanian offers a new interpretation of the urban development of Rome during three seminal centuries by focusing on the construction of public hospitals. These monumental charitable institutions were urban expressions of sovereignty. Keyvanian traces the political reasons for their emergence and their architectural type in Europe around 1200. In Rome, hospitals ballasted the corporate image of social elites, aided in settling and garrisoning vital sectors and were the hubs around which strategies aimed at territorial control revolved. When the strategies faltered, the institutions were rapidly abandoned. Hospitals in areas of enduring significance instead still function, bearing testimony to the influence of late medieval urban interventions on modern Rome.
Donatello Among the Blackshirts
Focuses on the appropriation of visual elements of the classical, medieval, and Renaissance past in Mussolini's Italy.
Fragmenta
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The Pantheon
The Pantheon is one of the most important architectural monuments of all time. Thought to have been built by Emperor Hadrian in approximately AD 125 on the site of an earlier, Agrippan-era monument, it brilliantly displays the spatial pyrotechnics emblematic of Roman architecture and engineering. The Pantheon gives an up-to-date account of recent research on the best preserved building in the corpus of ancient Roman architecture from the time of its construction to the twenty-first century. Each chapter addresses a specific fundamental issue or period pertaining to the building; together, the essays in this volume shed light on all aspects of the Pantheon's creation, and establish the importance of the history of the building to an understanding of its ancient fabric and heritage, its present state, and its special role in the survival and evolution of ancient architecture in modern Rome.
The Jewish Ghetto and the Visual Imagination of Early Modern Venice
This book explores how the Jewish ghetto engaged the sensory imagination of Venice in complex and contradictory ways to shape urban space and reshape Christian-Jewish relations.
Catalog of Catalogs: A Bibliography of Temporary Exhibition Catalogs Since 1876 that Contain Items of Judaica
Catalog of Catalogs provides a comprehensive index of nearly 2,300 publications documenting the exhibition of Judaica over the past 140 years. This vast corpus of material, ranging from simple leaflets to scholarly catalogs, contains textual and visual material as yet unmined for the study of Jewish art, religion, culture and history. Through highly-detailed, fully-indexed catalog entries, William Gross, Orly Tzion and Falk Wiesemann elucidate some 2,000 subjects, geographical locations and Judaica objects (ceremonial objects, illuminated manuscripts, printed books, synagogues, cemeteries et al.) addressed in these catalogs. Descriptions of the catalog's bibliographic components, contributors, exhibition history, and contents, all accessible through the volume's five indices, render this volume an unparalleled new resource for the study of Jewish Art, culture and history.
