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Futurism and Politics
On futurism and fascism in Italy
Anxiety, Angst, Anguish in Fin de Siècle Art and Literature
This volume examines various manifestations of anguish in art, literature, and philosophy. It demonstrates that the experience of anguish manifested itself in a spectacular way in the arts in the late 19th – early 20th centuries. It makes obvious the extraordinary tension between anguish and art. The works discussed here reflect the magnitude of anguish generated by historical events, scientific advancements (especially in psychology), and metaphysical inquiries of the time. Through the invention of new artistic languages, those works also illustrate the fecundity of anguish for artists.
Imprisoned
In September 1979, at age fifty-six, writer and artist Arturo Benvenuti fueled up his motor home and set forth on what he knew would be an emotional journey. His plan—his own Viae Crucis—was to meet with as many former prisoners of Nazi-fascist concentration camps as he could. He wanted not only to learn their stories, but to learn from their stories. He met with dozens of survivors from Auschwitz, Terezín, Mauthausen-Gusen, Buchenwald, Dachau, Gonars, Monigo, Renicci, Banjica, Ravensbrück, Jasenovac, Belsen, and Gurs. Many of these men and women shared their memories with Benvenuti along with artwork they’d created during their internment with pencil, ink, and charcoal. After four decades of research, Benvenuti presented these original black-and-white pieces in Imprisoned. This stunning collection provides visuals that oftentimes even the most eloquent words and sentences cannot convey. In his foreword, chemist, writer, and Holocaust survivor Primo Levi highlighted the importance of these reproductions, stating, “some have the immediate power of art; all have the raw power of the eye that has seen and that transmits its indignation.”
Pen Drawing and Pen Draughtsmen
In this comprehensive study of the art of drawing with a pen, artist and author Joseph Pennell underscores his highly opinionated "technical suggestions" with more than 400 exhilarating illustrations by masters from around the globe.
Dante
This Very Short Introduction examines all the major aspects of Dante's work, emphasizing the features that have made him such an important point of reference for modern writers and their readers. Exploring and explaining The Divine Comedy, they also discuss his life and poetry as well as issues of truth, humanity, politics, and religion.
Impressionism
Defining an artistic era or movement is often a difficult task, as one tries to group individualistic expressions and artwork under one broad brush. Such is the case with impressionism, which culls together the art of a multitude of painters in the mid-19th century, including Monet, Cézanne, Renoir, Degas, and van Gogh. Basically, impressionism involved the shedding of traditional painting methods. The subjects of art were taken from everyday life, as opposed to the pages of mythology and history. In addition, each artist painted to express feelings of the moment instead of hewing to time-honoured standards. This description of impressionism, obviously, is quite broad and can apply to a wid...
Argentina Constitution and Citizenship Laws Handbook: Strategic Information and Basic Laws
Argentina Constitution and Citizenship Laws Handbook - Strategic Information and Basic Laws
The Patron Saint of Second Chances
"In a tiny village in Italy, the self-appointed mayor (and vacuum cleaner repairman) Signor Speranza will do anything he can to save his beloved town. When he learns that the water is going to be cut off in sixty days unless he can come up with some quick cash, he tries to boost tourism by spreading a harmless rumor that major movie star Dante Rinaldi is planning to film a movie in the village. The plan works a little too well, and soon everyone wants to be a part of the fictional movie. Village butcher Signor Maestro will even invest in the film - if Signor Speranza can find roles for each of his fifteen enormous sons. Speranza soon realizes that the only way to keep the momentum going is to actually make the movie, assuring the villagers that Dante is on his way. Luckily, his hapless assistant Smilzo happens to have written a screenplay - not so secretly based on his undying love for the film's leading lady. As the entire town becomes involved in the movie - even the village priest invests! - Signor Speranza starts to think he might be able to pull this off...until word reaches Dante Rinaldi's ears"--
