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The Writer and the People
Originally published in 1965, The Writer and the People was one of the key books in the revitalization and invigoration of the young Left in late-1960s Italy. Aiming to demystify the myth of populism, Alberto Asor Rosa takes on Marxism and its legacy, the relationship between Fascism and the Left, the prospects for militant anti-Fascism, and more. He does so through detailed reconstructions, analyses, and critiques of some of the central figures of modern Italian literature, including Giovanni Verga, Carlo Casola, Antonio Gramsci, and Pier Paolo Pasolini. Translated into English for the first time, The Writer and the People is both a historical text, helping us understand postwar Italian politics and society, and a living document, able to educate and inspire left-wing activists today.
Women Writing Women
While these playwrights articulate concerns similar to those of their male counterparts—social injustice, the question of identity, the role of art, the power of writing—their feminist perspectives offer a fresh view of Spanish America by challenging traditional male representations of women. While the plays humorously reveal the cultural and social politics of each country, they also examine seriously the absurdities of everyday life. The playwrights include Isidora Aguirre (Chile), Sabina Berman (Mexico), Myrna Casas (Puerto Rico), Teresa Marichal (Puerto Rico), Diana Raznovich (Argentina), Mariela Romero (Venezuela), Beatriz Seibel (Argentina), and Maruxa Vilalta (Mexico).
Conversations with the Self
"CONVERSATIONS WITH THE SELF develops three perspectives: that of two works produced in contemporary times that looks back to the years of Mussolini's and Franco's regimes - focusing on Habíamos ganado la guerra (2007) by Esther Tusquets and L'Alba di un Mondo Nuovo (2002) by Alberto Asor Rosa; that of two works produced after a few decades from the collapse of the regimes - concentrating on Con la miel en los labios (1997) by Esther Tusquets and La Storia (1974) by Elsa Morante; and finally that of two works produced directly following the end of the regimes - concentrating on L'Isola di Arturo (1957) by Elsa Morante and El amor es un juego solitario (1979) by Esther Tusquets. This study defines two innovative concepts in literature: 'implicit' and 'explicit' suffering. The analysis of these two realities is integrated by a third one, namely an intermediate perspective that includes elements of 'explicit' and 'implicit' suffering and that sheds light upon the complex process of transition from 'implicit' to 'explicit' suffering, in which the concept of acquisition of awareness by the characters will be involved"--Provided by publisher.
The Cambridge Handbook of Sociocultural Psychology
This book, first published in 2007, is an international overview of the state of our knowledge in sociocultural psychology - as a discipline located at the crossroads between the natural and social sciences and the humanities. Since the 1980s, the field of psychology has encountered the growth of a new discipline - cultural psychology - that has built new connections between psychology, sociology, anthropology, history and semiotics. The handbook integrates contributions of sociocultural specialists from fifteen countries, all tied together by the unifying focus on the role of sign systems in human relations with the environment. It emphasizes theoretical and methodological discussions on the cultural nature of human psychological phenomena, moving on to show how meaning is a natural feature of action and how it eventually produces conventional symbols for communication. Such symbols shape individual experiences and create the conditions for consciousness and the self to emerge; turn social norms into ethics; and set history into motion.
Boomerang
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The Cambridge Handbook of Sociocultural Psychology
This book, first published in 2007, is an international overview of the state of our knowledge in sociocultural psychology - as a discipline located at the crossroads between the natural and social sciences and the humanities. Since the 1980s, the field of psychology has encountered the growth of a new discipline - cultural psychology - that has built new connections between psychology, sociology, anthropology, history and semiotics. The handbook integrates contributions of sociocultural specialists from fifteen countries, all tied together by the unifying focus on the role of sign systems in human relations with the environment. It emphasizes theoretical and methodological discussions on the cultural nature of human psychological phenomena, moving on to show how meaning is a natural feature of action and how it eventually produces conventional symbols for communication. Such symbols shape individual experiences and create the conditions for consciousness and the self to emerge; turn social norms into ethics; and set history into motion.
The Deva Handbook
When we experience the powerful force of a waterfall, the elusive beauty of a rainbow, or the stark strength of a craggy expanse of cliff many of us have perceived “something else” that goes beyond the five senses: feelings of peace, comfort, healing, and inspiration. Native traditions throughout the world have taught that these intuitive impressions are caused by the subtle forces of the living world. These forces are known by different names: angels, nature spirits, orishas, or by the Sanskrit term devas, meaning “the shining ones.” The Deva Handbook guides us back to these keepers of earth wisdom. The author draws on native traditions from around the world as well as modern teachings to explore the roles, characteristics, and significance of the devas. You can learn to communicate with the devas anywhere: in a backyard garden, or near a tree in a city park. This illustrated handbook offers practical tools--including visualizations, prayers, and offerings--that will help you to get in touch with the “power spots” of nature and receive their healing energy.
