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Byzantine Constantinople
This collection of papers on the city of Constantinople by a distinguished group of Byzantine historians, art historians, and archaeologists provides new perspectives as well as new evidence on the monuments, topography, social and economic life of the Byzantine imperial capital.
A Byzantine Settlement in Cappadocia
Based on four seasons of fieldwork, this book presents the results of the first systematic site survey of a region rich in material remains. From architecture to fresco painting, Cappadocia represents a previously untapped resource for the study of material culture and the settings of daily life within the Byzantine Empire.
Accounts of Medieval Constantinople
The Patria is a fascinating four-book collection of short historical notes, stories, and legends about the buildings and monuments of Constantinople, compiled in the late tenth century by an anonymous author. It is the only Medieval Greek text to present a panorama of the city as it existed in the middle Byzantine period.
Muqarnas
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The Statues of Constantinople
This Element discusses the ancient statues once set up in Byzantine Constantinople, with a special focus on their popular reception. From its foundation by Constantine the Great in 324, Constantinople housed a great number of statues which stood in the city on streets and public places, or were kept in several collections and in the Hippodrome. Almost all of them, except a number of newly made statues of reigning emperors, were ancient objects which had been brought to the city from other places. Many of these statues were later identified with persons other than those they actually represented, or received an allegorical (sometimes even an apocalyptical) interpretation. When the Crusaders of the Fourth Crusade conquered the city in 1204, almost all of the statues of Constantinople were destroyed or looted.
"Donation of Constantine" and "Constitutum Constantini"
The Donation of Constantine is the most outrageous and powerful forgery in world history. The question of its precise time of origin alone kept generations of researchers occupied. But, what exactly is the Donation of Constantine? To find the answer, it is necessary to approach the question on two different semantic levels: First, as the Constitutum Constantini, a fictitious privilege, in which, among other things, rights and presents were bestowed on the catholic church by a grateful Emperor Konstantin. Secondly, as a reflection of the Middle Age mindset, becoming part of the culture landscape midway through 11th century A.D. The author not only reinterprets the origin of this forgery (i.e. puts it down to the Franks’ opposition of Emperor Louis the Pious), but retells, as well, the history of its misinterpretation since the High Middle Ages. In an appendix, all relevant texts are printed in the original language, an English translation is provided.
The Afterlife of Greek and Roman Sculpture
A landmark volume on the uses and reuses of statuary in late antiquity.
The Virgin in Song
In The Virgin in Song, Thomas Arentzen explores the characterization of Mary in the songs of Romanos the Melodist, one of the greatest liturgical poets of Byzantium. Romanos's hymns shaped a figure, Arentzen argues, who related intimately to her flock in a formative period of Christian orthodoxy.
Town and Country in the Middle Ages: Contrasts, Contacts and Interconnections, 1100-1500: No. 22
Proceedings of the Society's conference held at the University of York in April 2002. This book brings together the papers presented at the Society for Medieval Archaeology's spring conference held in York in 2002. The conference set out to reunite urban and rural archaeology. Papers define the differences between town and country, compare the two ways of life, trace the interconnecting links between townspeople and country dwellers, and show how they interacted and influenced one another. Contributors include archaeologists concerned with artefacts, buildings, environment and regions, historical geographers working on urban space, and historians interested in material culture.
