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Albrecht Dürer (1471-1528) is a master artist who, with giants like Leonardo da Vinci and Rembrandt van Rijn, occupies the pinnacle of achievement. His appeal was extraordinary in his lifetime, and it has not diminished since his death. A member of the northern school, he combined Gothic and Renaissance traits in a way that has a particular attraction to the modern eye. Overriding all considerations of style, however, are his talents as an artist of genius, as revealed in his mastery of depiction, in the breadth of his composition, and in the penetration of his portrayal. These are the basis of his fame, past and present. Dürer's crowning achievement was in the graphic media - drawing and ...
Eighty-one plates show development from youth to full style. Many favorites, many are new. Introduction by Alfred Werner. "The fascination of the drawings is inexhaustible; the skill incredible; the upshot — delight." — Boston Globe.
The artist and entrepreneur Albrecht Dürer lived in Germany in the early 1500s, when two storms were threatening the Holy Roman Empire. First, Suleiman the Magnificent and his army of Ottoman Turks were expanding from Constantinople to Vienna, the doorstep of Europe. Second, Martin Luther, a German monk and professor, wrote his Ninety-Five Theses identifying corruption within the Roman Catholic Church. This challenged the authority of both Emperor Charles V and Pope Leo X, who responded by accusing Luther of heresy. Albrecht Dürer influenced art and media throughout Europe as strongly as Martin Luther influenced people’s views of life, death, and their relationship with God. Dürer's art and writing reveal how this creative and thoughtful man responded to the changes offered by Luther. Why was Dürer so attracted to Luther’s writings? Why would he risk being accused of being a heretic? Both of these men inspired changes in art, religion, and politics that still underlie the foundation of today’s social structures and Western culture.
This early travelogue gives readers a fascinating glimpse into European life and customs in the Renaissance and early modern periods. The book recounts author Albrecht Durer's travels in and observations of Italy and the Netherlands on the cusp of the sixteenth century.
"Albrecht Durer (1471-1528) was in a sense the first truly international artist. The collection of his work in the British Museum is one of the best in the world. This book shows how his sophisticated development of the techniques of woodcut and engraving introduced the idea of multiple images into fine art and thereby altered the history of printmaking. The chronology of his career is traced from his early work in the medieval tradition of Martin Schongauer, through the experience he acquired while living in Italy, to his major print projects for the Holy Roman Emperor, Maximilian I." "The book also examines Durer's influence at later periods, from the obsessive interest in his work by coll...
Hutchison's book is a complete guide on Durer and the research on his work, his historical import and his aesthetic legacy.
This lavishly illustrated book provides a fresh and challenging new perspective on the life and Work of Dürer