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"On March 25, 1833, celebrated English actor Edmund Kean collapsed on stage at Covent Garden while playing the role of Othello and died shortly thereafter. Sixteen days later, young Ira Aldridge, an American-born black actor, replaced Edmund Kean in the role of the Moor. "Suddenly, members of the press were up in arms," and a real-life drama escalated, with all of London the stage." "The late biographers Herbert Marshall and Mildred Stock recreate this drama, which included a huge cast of characters: An adoring following among the common folk in the English provinces. The manager of Covent Garden, one Pierre Francois Laporte, a Frenchman who mixed business with liberal ideas about race. Thea...
The first widely available biography of this important black Victorian-age actor, Ira Aldridge: The Early Years, 1807-1833 details the early life and career of this New York-born thespian as he began to act on the British stage. Ira Aldridge: The Early Years, 1807-1833 chronicles the rise of one of the modern world's first black classical actors, as he ascended from an impoverished childhood in New York City to a career as a celebrated thespian onthe British stage. After a successful debut in London in 1825, Aldridge began touring the British provinces, billing himself grandiloquently as the "African Roscius," and attracting crowds with his powerful presence and style. He received accolades ...
Imagine you are an RAF torpedo pilot in World War Two, sent on missions so dangerous that you're later likened to the Kamikaze. Suicide wasn't a recognised part of the objective for British airmen, yet some pilots felt they had accepted certain death just by climbing into their cockpits. There were times in 1942 when Arthur Aldridge felt like this. At the age of 19, this courageous young man had quit his studies at Oxford to volunteer for the RAF. He flew his Bristol Beaufort like there was no tomorrow - a realistic assumption, after seeing his best friend die in flames at the end of 1941. Aldridge was awarded a DFC (Distinguished Flying Cross) for his bravery on the same strike on a German ...
Ira Aldridge--a black New Yorker--was one of 19th-century Europe's greatest actors, performing abroad for 43 years, winning more awards, honors, and official decorations than any of his professional peers. This collection restores the luster to Aldridge's reputation by examining his extraordinary achievements against all odds.
This final volume of Bernth Lindfors's definitive biography records the remarkable achievements and experiences of Ira Aldridge in the last years of his life, when he performed at theaters throughout Europe.
The authors show that where neuro-degenerative disease restricts movement, communication and thought processes and impairs the sense of self, music therapy is an effective intervention in neurological rehabilitation, successfully restoring the performance of identity within which clients can recognise themselves.
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Volume 2 of the first available biography of this great African-American classical actor, covering his emergence as a professional actor in Britain during the years 1833-1852. Ira Aldridge: The Vagabond Years, 1833-1852 deals in depth with the later experiences of one of the modern world's first black classical actors as he toured throughout the United Kingdom impressing audiences with his virtuosity and versatility as an interpreter not only of tragic and comic black roles but also eventually as an actor of classic white Shakespearean parts -- Shylock, Macbeth, Richard III, even Iago. Aldridge was very popular in Ireland and remained there for six years, performing in venues large and small...
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