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Urban Transformations in the Late Antique West: Materials, Agents, and Models
This volume is the fruit of a highly productive international research gathering academic and professional (field- and museum) colleagues to discuss new results and approaches, recent finds and alternative theoretical assessments of the period of transition and transformation of classical towns in Late Antiquity. Experts from an array of modern countries attended and presented to help compare and contrast critically archaeologies of diverse regions and to debate the qualities of the archaeology and the current modes of study. While a number of papers inevitably focused on evidence available for both Spain and Portugal, we were delighted to have a spread of contributions that extended the picture to other territories in the Late Roman West and Mediterranean. The emphasis was very much on the images presented by archaeology (rescue and research works, recent and past), but textual data were also brought into play by various contributors.
Alejandro González Iñárritu
This in-depth study of Mexican film director Alejandro González Iñárritu explores his role in moving Mexican filmmaking from a traditional nationalist agenda towards a more global focus. Working in the United States and in Mexico, Iñárritu crosses national borders while his movies break the barriers of distribution, production, narration, and style. His features also experiment with transnational identity as characters emigrate and settings change. In studying the international scope of Iñárritu's influential films Amores Perros, 21 Grams, and Babel, Celestino Deleyto and María del Mar Azcona trace common themes such as human suffering and redemption, chance, and accidental encounters. The authors also analyze the director's powerful visual style and his consistent use of multiple characters and a fragmented narrative structure. The book concludes with a new interview with Iñárritu that touches on the themes and subject matter of his chief works.
Being Pagan, Being Christian in Late Antiquity and Early Middle Ages
What does it mean to identify oneself as pagan or Christian in Late Antiquity and the Early Middle Ages? How are religious identities constructed, negotiated, and represented in oral and written discourse? How is identity performed in rituals, how is it visible in material remains? Antiquity and the Middle Ages are usually regarded as two separate fields of scholarship. However, the period between the fourth and tenth centuries remains a time of transformations in which the process of religious change and identity building reached beyond the chronological boundary and the Roman, the Christian and ‘the barbarian’ traditions were merged in multiple ways. Being Pagan, Being Christian in Lat...
Hispanojewish Archaeology (2 vols.)
In Hispanojewish Archaeology Alexander Bar-Magen Numhauser describes the material culture of the Jewish communities in Hispania of the first millennium CE by studying their archaeological remains in the Iberian Peninsula and surrounding western Mediterranean regions.
Aristocrats and Statehood in Western Iberia, 300-600 C.E.
In a distant corner of the late antique world, along the Atlantic river valleys of western Iberia, local elite populations lived through the ebb and flow of empire and kingdoms as historical agents with their own social strategies. Contrary to earlier historiographical accounts, these aristocrats were not oppressed by a centralized Roman empire or its successor kingdoms; nor was there an inherent conflict between central states and local elites. Instead, Damián Fernández argues, there was an interdependency of state and local aristocracies. The upper classes embraced state projects to assert their ascendancy within their communities. By doing so, they enacted statehood at the local level, ...
LRCW 6: Late Roman Coarse Wares, Cooking Wares and Amphorae in the Mediterranean: Archaeology and Archaeometry
This volume presents almost 100 papers deriving from the 6th International Conference on Late Roman Coarse Wares, Cooking Wares and Amphorae in the Mediterranean. Themes comprise sea and land routes, workshops and production centres, and regional contexts (western Mediterranean, eastern Mediterranean, Sicily and the Mediterranean islands).
Visions in Exile
Malcolm K. Read employs a psychoanalytic model which sees civilization as a manner of instinctual renunciation in this analysis of selected texts from the sixteenth, seventeenth, and eighteenth centuries. Focusing on their moments of silence and contradiction, he demonstrates that certain attitudes toward the body expressed in these texts have a basis, albeit unconscious, in a motivation which is ultimately political. The central topics, deeply intertwined thematically and theoretically, relate to the nature and development of language; to the Baroque art of Gongora and Quevedo; to Feijoo's defense of the rationalist subject set against Torres Villarroel's subversion of the same; and to the neo-classical aesthetics of Luzan and Arteaga. The result is an interdisciplinary approach that challenges traditional assumptions in both literary criticism and linguistic historiography.
Lusitanian Amphorae: Production and Distribution
More than a century of archaeological investigation in Portugal has helped to discover, excavate and study many Lusitanian amphorae kiln sites, with their amphorae being widely distributed in Lusitania.
Amores Perros
Amores Perros (2000) speaks to an international audience while never oversimplifying its local culture. This study of this film opens up that culture, revealing the film's relationship to television soap operas, pop music and contemporary debates about what it means to be Mexican.
The Running Centaur
This book surveys the practice of horse racing from antiquity to the modern period, and in this way offers a selective global history. Unlike previous histories of horse racing, which generally make claims about the exclusiveness of modern sport and therefore diminish the importance of premodern physical contests, the contributors to this book approach racing as a deep history of diachronically comparable practices, discourses, and perceptions centered around the competitive staging of equine speed. In order to compare horse racing cultures from completely different epochs and regions, the authors respond to a series of core issues which serve as structural comparative parameters. These key ...
