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The Image of Peter the Great in Russian History and Thought
The image of Peter the Great casts a long shadow in modern Russian thought and culture. As important to modern Russia as the French Revolution is to France and the Reformation is to Germany, the image of this militaristic ruler, founder of St Petersburg, and czar of all Russia from 1689-1725 has been central to Russian history, literature, and art since the early 1700s.; Riasanovsky, one of the foremost historians of Russia, traces the development of this image from 1700 to the present. Drawing examples from Russian historical accounts, literature, folklore, and the arts, he shows how the use of the image of Peter has reflected the changing cultural and political values of the Russian people.
Russia's Path toward Enlightenment
This book, focusing on the history of religious and political thinking in early modern Russia, demonstrates that Russia’s path toward enlightenment began long before Peter the Great’s opening to the West. Examining a broad range of writings, G. M. Hamburg shows why Russia’s enlightenment constituted a precondition for the explosive emergence of nineteenth-century writers such as Fedor Dostoyevsky and Vladimir Soloviev.
Russian Identities
This book investigates the question of Russian identity, looking at changes and continues over a huge territory, many centuries, and a variety of political, social, and economic structures. Its main emphases are on the struggle against the steppe peoples, Orthodox Christianity, autocratic monarchy, and Westernization.
Christian-Muslim Relations. A Bibliographical History Volume 14 Central and Eastern Europe (1700-1800)
Christian-Muslim Relations, a Bibliographical History Volume 14 (CMR 14) covering Central and Eastern Europe in the period 1700-1800 is a further volume in a general history of relations between the two faiths from the 7th century to the early 20th century. It comprises a series of introductory essays and also the main body of detailed entries which treat all the works, surviving or lost, that have been recorded. These entries provide biographical details of the authors, descriptions and assessments of the works themselves, and complete accounts of manuscripts, editions, translations and studies. The result of collaboration between numerous leading scholars, CMR 14, along with the other volu...
Pushkin on Literature
Pushkin on Literature approaches Pushkin's literary accomplishment from a unique perspective: it focuses on Pushkin the critic, and on his fascination with the literary world that surrounded him. This is the only English-language edition of the complete set of Pushkin's critical writing, both on his own work and on the wide range of European literature -- Byron, Shakespeare, Voltaire, Milton -- which he read and studied, and Which so profoundly influenced his own writing. These extracts from Pushkin's letters, articles, and working notes provide a complete chronological record of the artist's literary evolution, and provide a fascinating glimpse into the poet's intellectual passions.
A Voltaire for Russia
Revision of the author's thesis (Ph.D.)--University of Chicago, Dept. of Slavic Languages and Literatures, 2001.
A Double Garland
Thomas P. Hodge has produced the first literary-historical study of the art-song enterprise in Russia's Golden Age. A Double Garland investigates the interrelationship of poetry and music in Russia, specifically the relations between poets and composers, from 1800 to 1850. Hodge focuses on three major composers of art songs: Alyab'ev, Verstovskii, and Glinka. He surveys their choices of text and, after some preliminary metrical and structural analysis, proceeds to a detailed consideration of the dynamics of poet/composer interaction from various points of view. Hodge presents both the major and minor poets of this period in the context of Russian musical life. Based on extensive archival research, this study will appeal to specialists in Russian poetry and musicologists.
