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Alexander Romanovitch Luria is widely recognized as one of the most prominent neuropsychologists of the twentieth century. This book - written by his long-standing colleague and published in Russian by Moscow University Press in 1992, fifteen years after his death - is the first serious volume from outside the Luria family devoted to his life and work and includes the most comprehensive bibliography available anywhere of Luria's writings.
First multi-year cumulation covers six years: 1965-70.
This book provides a global overview of pioneers in international psychology with contributions from distinguished authors from representative nations around the world. Chapters offer biographical profiles describing the personal histories and professional contributions of leading figures in psychology from across the globe that represent the diversity of psychology. This volume can serve as a core or supplemental text for a broad range of courses in Psychology, International Studies, and Education, with particular interest to those teaching international psychology, cross-cultural psychology, and history of psychology.
Includes entries for maps and atlases.
This book offers the first book-length English language biography of Russian emperor Paul I (1754-1801), since a 1913 translation. Most of the essays have been written expressly for this volume. They examine Paul's education, his mental pathology, his administrative aims, curious relations with the knights of Malta and with Bonaparte, and his struggles with the threatening ideas emanating from the French Revolution. There is also a provocative new view of the conspiracy that took Paul's life.
A serious and independent contribution to the literature of autobiography. -- John SturrockFrench StudiesClearly a landmark study. It seems certain to provoke a great deal of productive debate among those concerned with any of the many issues it raises. -- Comparative Literature The literary self-portrait, often considered to be an ill- formed autobiography, is receiving more attention as a result of the current obsession with personal narrative, but little progress has been made toward an understanding of its specific features. With Poetics of the Literary Self-Portrait, Michel Beaujour reveals the hidden ambitions of this genre. From St. Augustine to Montaigne, from Nietzsche to Malraux, Leiris and Barthes, individual self-portraits are analyzed jointly with the enduring cultural matrix from which self-portrayal derives its disconcerting non-narrative structure, and many of its recurrent topics.