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The volume edited by the historian Aleksandra Skrzypietz presents seven queens from the early modern era in Europe. Seven contributions highlight the respective queen‘s role within the complex web of court and family arrangements. Individual agency as well as the social structures of the courtly world of intrigue and shifting coalitions determined whether a queen was able to retain her position of power or lost it. Often enough, they became the victims of their own kin, new and old, in these struggles for power.„Queens within Networks of Family and Court Connections“ is ideal for students and scholars of royal history and early modern European history.
The volume edited by the historian Aleksandra Skrzypietz presents seven queens from the early modern era in Europe. Seven contributions highlight the respective queen's role within the complex web of court and family arrangements. Individual agency as well as the social structures of the courtly world of intrigue and shifting coalitions determined whether a queen was able to retain her position of power or lost it. Often enough, they became the victims of their own kind, new and old, in these struggles for power. "Queens within Networks of Family and Court Connections" is ideal for students and scholars of royal history and early modern European history.
W 1930 roku otwarto we Lwowie Muzeum Zasłużonych Polek. W niewielkich salkach znalazły się obrazy, rzeźby, zdjęcia, dokumenty oraz pamiętniki z powstań i wojen. A także osiemnaście pudeł z biogramami. Można się domyślać, że były wśród nich nazwiska znane, ale i te zupełnie zapomniane. Podobnie jak w zebranych tu opowieściach. Oto historie lwowianek, które mieszkały w tym mieście całe życie albo tylko chwilę. To próba odpowiedzi na pytanie, jakie były one same i jaki był „ich Lwów”: Lwów wybitnych aktorek i wielkich śpiewaczek, ideowych nauczycielek i zasobnych arystokratek, dzielnych feministek i uduchowionych muz, pełnych poświęcenia żołnierek i wyb...
This book is a study of an eighteenth-century portrait of a youth in Polish dress, owned by the National Portrait Gallery in London since 1922, but never publicly displayed. Two inscriptions claim that it is a portrait of Charles Edward Stuart, popularly known as ‘Bonnie Prince Charlie’. The Gallery has always doubted its authenticity and leading experts on Stuart portraiture have dismissed the identification. This study, by a historian of Poland-Lithuania, is the first detailed attempt to research the painting properly. Based on archival sources, it examines its provenance and the connections of its first known owner with the Kinlochmoidart MacDonalds, who fought for the Prince in the 1745 Jacobite Rebellion. It considers a considerable body of evidence to suggest that it is very possible that the portrait is indeed a genuine depiction of the Prince.
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'The wonderful story of one of the worst monarchs in European history, told with enormous wit and scholarship by a supremely talented historian. If you have the slightest interest in Germans, Poles, porcelain, jewels, the Enlightenment, military disasters or the pleasures of fox-tossing, then this is the book for you' - Dominic Sandbrook From the acclaimed author of The Pursuit of Glory and Frederick the Great, a riotous biography of the charismatic ruler of 18th-century Poland and Saxony - and his catastrophic reign. Augustus is one of the great what-ifs of the 18th century. He could have turned the accident of ruling two major realms into the basis for a powerful European state – a bulwa...
Winner of the Franco-British Society Book Prize 2019 'The ultimate biography of the Sun King' Simon Sebag Montefiore Louis XIV dominated his age. He extended France's frontiers into Netherlands and Germany, and established colonies overseas. The stupendous palace he built at Versailles became the envy of monarchs all over Europe. In his palaces, Louis encouraged dancing, hunting, music and gambling. He loved conversation, especially with women: the power of women in Louis's life and reign is a particular theme of this book. Louis was obsessed by the details of government but the cost of building palaces and waging continuous wars devastated the country's finances and helped set it on the path to revolution. Nevertheless, by his death, he had helped make his grandson king of Spain, where his descendants still reign, and France had taken essentially the shape it has today. King of the World is the most comprehensive and up-to-date biography of this hypnotic, flawed figure in English. It draws on all the latest research to paint a convincing and compelling portrait of a man who, three hundred years after his death, still epitomises the idea of le grand monarque.
What was the role of art in the context of rapidly changing political alliances of the early modern period? The interdisciplinary contributions to this volume explore this question from the perspectives of "War and Peace," "Jesuits and Diplomacy," "Negotiating with Faith," and "Court and Diplomatic Celebrations". Special attention is paid to those art genres that were suitable for easy distribution due to their reproducibility, such as medals and prints. But also paintings, tombs and ephemeral festivities like fireworks served the manifestation of claims to power. The exemplary analyses provide a broad view of the political dimensions of early modern transcultural artistic exchange in Europe and beyond.