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A page-turning thriller shot through with black humour and razor-sharp dialogue, Zagreb Cowboy is the spectacular debut novel in a taut new crime fiction series. Yugoslavia, 1991. The State is crumbling, and in the midst of the political chaos secret policeman Marko della Torre has been working both sides of the law — but somewhere along the way he's crossed the line. When a corrupt cop called Strumbic helps three hired Bosnian thugs to hunt him down and kill him, della Torre makes a run for it through Croatia, Italy, and finally to London, where he’ll take Strumbic for all he's worth.
The second novel in the Marko della Torre series, Killing Pilgrim is a propulsive political thriller following a complex plot hatched by members of the CIA and set against the backdrop of war-torn Yugoslavia. Early autumn, 1991. Croatia and Slovenia officially declared independence from Yugoslavia, and war is imminent between the Croats and the Serbs. Department VI of the UDBA has been dismantled, while the Yugoslav government scrambles to protect the State. In the midst of the political maelstrom, secret policeman Marko della Torre gets caught in an intricate web woven by the CIA and members of the Croat nationalist movement. They enlist della Torre to make contact with a man living in the shadows: the ex-UDBA agent who assassinated Olof Palme, the former prime minister of Sweden...
The third installment in Alen Mattich's highly addictive Marko della Torre series.Autumn 1991. Civil war has broken out in Yugoslavia with Croatia’s declaration of independence, and former secret policeman Marko della Torre is set adrift. Department VI, the internal investigations unit, is now in a state of paralysis as Belgrade struggles to maintain its hold as the region’s centre of power. When the body of a young woman, identified as American agent Rebecca Vees, washes up on the shores of Italy, della Torre is summoned by U.S. authorities. He is the last person to have seen Rebecca alive. Her two colleagues have also been found shot dead on an island in Croatia, and della Torre is coe...
This text sets out to demonstrate the influence of street crowds and political riots on literature in the period between 1800 and 1850. Notable works from the period are used to highlight the author's argument that crowds became a rival for the representational claims of the texts themselves.
What fueled the Victorian passion for hair-jewelry and memorial rings? When would an everyday object metamorphose from commodity to precious relic? In Portable Property, John Plotz examines the new role played by portable objects in persuading Victorian Britons that they could travel abroad with religious sentiments, family ties, and national identity intact. In an empire defined as much by the circulation of capital as by force of arms, the challenge of preserving Englishness while living overseas became a central Victorian preoccupation, creating a pressing need for objects that could readily travel abroad as personifications of Britishness. At the same time a radically new relationship be...
The Shemitah, or Sabbath year, is the seventh year of the seven-year agricultural cycle mandated by the Torah for the land of Israel. Understanding this pattern is essential for understanding the prophecy and mysteries of the Bible that are still applicable today.
The Aerospace Industry Report 4th Edition addresses aerospace manufacturing and the national economy, the international economy, and the global aerospace marketplace. It also includes data on the U.S. aerospace workforce, aerospace clusters, the financial state of the aerospace industry, cyber security, the integration of unmanned aircraft systems into the U.S national airspace system, and America's role in space are also addressed. The report concludes with a summary of forecasts from different sources and an outlook for the industry for 2015 and beyond. The Aerospace Industry Report 4th Edition is over 300 pages long and includes over 200 pages of facts, figures, and tables filled with data on the industry.
The barbarians of the fifth and sixth centuries were long thought to be races, tribes or ethnic groups who toppled the Roman Empire and racist, nationalist assumptions about the composition of the barbarian groups still permeate much scholarship on the subject. This book proposes a new view, through a case-study of the Goths of Italy between 489 and 554. It contains a detailed examination of the personal details and biographies of 379 individuals and compares their behaviour with ideological texts of the time. This inquiry suggests wholly new ways of understanding the appearance of barbarian groups and the end of the western Roman Empire, as well as proposing new models of regional and professional loyalty and group cohesion. In addition, the book proposes a complete reinterpretation of the evolution of Christian conceptions of community, and of so-called 'Germanic' Arianism.
Since 2010 Greece has been experiencing the longest period of austerity and economic downturn in its recent history. Economic changes may be happening more rapidly and be more visible than the cultural effects of the crisis which are likely to take longer to become visible, however in recent times, both at home and abroad, the Greek arts scene has been discussed mainly in terms of the crisis. While there is no shortage of accounts of Greece's economic crisis by financial and political analysts, the cultural impact of austerity has yet to be properly addressed. This book analyses hitherto uncharted cultural aspects of the Greek economic crisis by exploring the connections between austerity and culture. Covering literary, artistic and visual representations of the crisis, it includes a range of chapters focusing on different aspects of the cultural politics of austerity such as the uses of history and archaeology, the brain drain and the Greek diaspora, Greek cinema, museums, music festivals, street art and literature as well as manifestations of how the crisis has led Greeks to rethink or question cultural discourses and conceptions of identity.
SHORTLISTED FOR THE $60,000 HILARY WESTON WRITERS TRUST PRIZE FOR NONFICTION “What the hell kind of great escape is this? No one escapes!” —L.B. Mayer, on the 1963 film He had fifty-seven seconds of screen time in the most lavish POW film Hollywood ever produced. He was blond. A Gestapo agent. Sauntering down the aisles of a speeding train, he speaks in terse German to Richard Attenborough, Gordon Jackson, David McCallum. The film is The Great Escape (by John Sturges, starring Steve McQueen); the actor, though uncredited, is Michael Paryla. He was part Jewish. Shortly after filming he died. In This Great Escape, Andrew Steinmetz tenderly reconstructs the life of a man seen by millions ...