Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
French Orientalism
In 1798, Napoléon I launched his Egyptian Campaign and opened what has become recognized as the canonic period of French Orientalism, which extends from the late eighteenth through the early twentieth century. As defined by Edward W. Said (Orientalism, 1978), Orientalism is intrinsically Eurocentric and places the Orient in opposition to the European West as the quintessentially foreign Other. In this sense, the Occident supposedly defines itself by gazing at the East as its inverse image and purportedly asserts a geopolitical dominance materially confirmed through imperialism and colonization. Although Europe may cast the Orient as the archetypal Other, this necessarily entails deep confli...
Greeted with Smiles
'Greeted with Smiles' explores the circumstances facing new American immigrants, using the music of the Bukharian Jews to gain entrance into their community and their culture. Author Evan Rapport investigates the transformation of Bukharian identity through an examination of corresponding changes in its music, focusing on three of these distinct but overlapping repertoires - maquom, Jewish religious music and popular music.
Voices of Play
Voices of Play is an ethnography of multilingual play and performance among indigenous Miskitu children growing up in a diverse region of the Atlantic Coast of Nicaragua. Minks reveals the intertwining of speech and song and the emergence of self and other in a mobile, mixed indigenous community.
Music Theory in Ethnomusicology
During the 1960s and 70s some ethnomusicologists formed relationships with music-makers and ritual specialists in an attempt to interpret how they understood their musical actions. Subsequently ethnomusicologists have studied the respects in which explicit and implicit theory is involved in communication of musical knowledge. They have observed the production of music theory in institutions of modern nation-states and have sought out groups and individuals whose theorizing is not constrained by existing institutions. They are assessing the extent to which musical terminologies of diverse languages can be interpreted in relation to general concepts without imposing the assumptions and biases of one body of existing theory. That exercise is increasingly recognized as a necessary effort of decolonization. A thorough yet concise introduction to this field, Music Theory in Ethnomusicology outlines a conception of music theory suited to cross-cultural research on musical practices.
The Politics of Language in Puerto Rico
In 1991, the Puerto Rican government abolished bilingualism, claiming that “Spanish only” was necessary to protect the culture from North American influences. A few years later bilingualism was restored and English was promoted in public schools. This revised edition of The Politics of Language in Puerto Rico is updated with an emphasis on the dual arenas where the language controversy played out—Puerto Rico and the United States Congress—and includes new data on the connections between language and conflicting notions of American identity. This book shows that officials in both San Juan and Washington, along with English-first groups, used these language laws as weapons in the battle over U.S.-Puerto Rican relations and the volatile debate over statehood.
What in the World is Music?
What in the World is Music? Second Edition is an undergraduate, interactive e-textbook that explores the shared ways people engage with music and how humans organize and experience sound. It adopts a global approach, featuring more than 300 streaming videos and 50 streaming audio tracks of music from around the world. Drawing from both musicological and ethnomusicological modes of inquiry, the authors explain the nature and meaning of music as a universal human practice, making no distinction between Western and non-Western repertoires while providing students with strong points of connection to the ways it affects their own lives. The What in the World is Music? curriculum is divided into f...
Enacting Musical Time
A compelling approach among works on temporality, phenomenology, and the ecologies of the new sound worlds, Enacting Musical Time argues that musical time is itself the site of the interaction between musical sounds and a situated, embodied listener, created by the moving bodies of participants engaged in musical activities.
The Lost Paradise
The urban centers of Morocco, Algeria, and Tunisia are home to performance traditions whose practitioners trace them to al-Andalus, or medieval Muslim Spain. According to its devotees, the repertoire was passed down over the centuries from master to disciple. Today it is ubiquitous in the Maghreb and its diaspora, and is held up as a quasi-official classical music that expresses an abiding link to a prestigious precolonial past. Despite its deep roots, Andalusi music has also profoundly changed in the past one hundred years, and it is now considered a threatened art. In "The Lost Paradise," Jonathan Glasser accounts for the longevity of Andalusi music s revivalist project through ethnographi...
Will Sustainability Fly?
While international negotiations to reduce greenhouse gas (GHG) emissions have been less than satisfactory, there is a presumption that a significant level of multi-lateral commitment will be realized at some point. International air and marine travel have been left to one side in past talks because the pursuit of agreement proceeds on the basis of commitment by sovereign nations and the effects of these specific commercial activities are, by their nature, difficult to corral and assign to specific national jurisdictions. However, air travel is increasing and, unless something is done, emissions from this segment of our world economy will form a progressively larger percentage of the total, ...
The Politics of Musical Time
How do the temporal features of sacred music affect social life in South Asia? Due to new time constraints in commercial contexts, devotional musicians in Bengal have adapted longstanding features of musical time linked with religious practice to promote their own musical careers. The Politics of Musical Time traces a lineage of singers performing a Hindu devotional song known as kīrtan in the Bengal region of India over the past century to demonstrate the shifting meanings and practices of devotional performance. Focusing on padābalī kīrtan, a type of devotional sung poetry that uses long-duration forms and combines song and storytelling, Eben Graves examines how expressions of religiou...
