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So Much Stuff
"To be human means to need things. Even more human is to need more and more of them. In this engaging, charming book, archaeologist, curator, and writer Chip Colwell takes us around the world, covering topics as wide-ranging as the dawn of tool making, the earliest cave paintings, the complexities of clothing, the Industrial Revolution, the torrent of gizmos invented to bring us closer and supposedly make our lives easier, and, finally, the mountains of unwanted stuff in dumps. Along the way, he raises questions such as: Why is a treasured keepsake sacred to one person but meaningless to another? What do we go through when we clean out the belongings of the dearly departed? And what is the point of storing things in museums? The book is organized around three historical phases: (1) the invention of tools; (2) the dawn of the belief that things mean something beyond their immediate use (around 50,000 years ago); and (3) the Industrial Revolution and the age of mass consumption. Colwell takes us on a tour across millions of years to explain how humans have arrived at this moment-a world that both requires things and is suffering because of them"--
Art of the Hellenistic Kingdoms
This handsome newly designed addition to The Metropolitan Museum of Art’s symposia series furthers the study of one of the most influential but less known periods of Greek art and culture. It is based on papers given at a two-day scholarly symposium held in conjunction with the award-winning exhibition “Pergamon and the Hellenistic Kingdoms of the Ancient World,” on view at the Metropolitan in 2016. The twenty diverse essays exemplify the international scope of the Hellenistic arts, which cover the three centuries between the death of Alexander the Great in 323 B.C. and the suicide of Cleopatra in 30 B.C. Subjects range from twenty-first century approaches to museum displays of archaeo...
The Anecdotal Narration and Encyclopedic Thought of Pliny the Elder’s Naturalis Historia
Pliny the Elder’s Naturalis Historia, with its varied content, enables and expects the reader to employ a complex interpretative technique. One aspect of Pliny’s diction is that he often interrupts the discussions of topics with digressions and begins to address something that seemingly has nothing to do with the subject. The hypothesis suggested by this book is that these digressions that occur in different places and in great number throughout the text of Naturalis Historia should not be regarded as mistakes fragmenting the encyclopedia’s structure. Most of these digressions are anecdotes. Researching the aetiological anecdotes, and those about the life of animals, famous persons from political or intellectual life, and the most important Greek painters and sculptors requires the application of different perspectives. When we approach anecdotes from the perspective of narrative techniques, the role of the stories as exempla becomes clearer, and its further aspects can be spotted. This book also draws attention to Pliny the writer, an aspect of the text that has been contested until very recently.
Destruction and Its Impact on Ancient Societies at the End of the Bronze Age
This volume offers a groundbreaking reassessment of the destructions that allegedly occurred at sites across the eastern Mediterranean at the end of the Late Bronze Age, and challenges the numerous grand theories that have been put forward to account for them. The author demonstrates that earthquakes, warfare, and destruction all played a much smaller role in this period than the literature of the past several decades has claimed, and makes the case that the end of the Late Bronze Age was a far less dramatic and more protracted process than is generally believed.
Le Problème de L'étain À L'origine de la Métallurgie
This book contains papers in French and papers in English
Beyond Babylon
This important volume describes the art created in the second millennium B.C. for royal palaces, temples, and tombs from Mesopotamia, Syria, and Anatolia to Cyprus, Egypt, and the Aegean.
Greek and Roman Technology: A Sourcebook
In this volume the authors translate and annotate key passages from ancient authors to provide a history and an analysis of the origins and development of technology. Among the topics covered are: * energy * basic mechanical devices * agriculture * food processing and diet * mining and metallurgy * construction and hydraulic engineering * household industry * transport and trade * military technology. The sourcebook presents 150 ancient authors and a diverse range of literary genres, such as, the encyclopedic Natural Histories of Pliny the Elder, the poetry of Homer and Hesiod, the philosophy of Plato, Aristotle and Lucretius and the agricultural treatise of Varro. Humphrey, Oleson and Sherwood provide a comprehensive and accessible collection of rich and varied sources to illustrate and elucidate the beginnings of technology. Glossaries of technological terminology, indices of authors and subjects, introductions outlining the general significance of the evidence, notes to explain the specific details, and a recent bibliography make this volume a valuable research and teaching tool.
Forgery Beyond Deceit
What do forgeries do? Forgery Beyond Deceit: Fabrication, Value, and the Desire for Ancient Rome explores that question with a focus on forgery in ancient Rome and of ancient Rome. Its chapters reach from antiquity to the twentieth century and cover literature and art, the two areas that predominate in forgery studies, as well as the forgery of physical books, coins, and religious relics. The book examines the cultural, historical, and rhetorical functions of forgery that extend beyond the desire to deceive and profit. It analyses forgery in connection with related phenomena like pseudepigraphy, fakes, and copies; and it investigates the aesthetic and historical value that forgeries possess when scholarship takes seriously their form, content, and varied uses within and across cultures. Of particular interest is the way that forgeries embody a desire for the ancient and for the recovery of the fragmentary past of ancient Rome.
