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The Lauds
Jacopone da Todi (c. 1230-1306) was a Franciscan and a poet . His Lauds have long had an established place in the history of Italian poetry.
The Jewish Encyclopedia
V.I:Aach-Apocalyptic lit.--V.2: Apocrypha-Benash--V.3:Bencemero-Chazanuth--V.4:Chazars-Dreyfus--V.5: Dreyfus-Brisac-Goat--V.6: God-Istria--V.7:Italy-Leon--V.8:Leon-Moravia--V.9:Morawczyk-Philippson--V.10:Philippson-Samoscz--V.11:Samson-Talmid--V.12: Talmud-Zweifel.
Simon Magus in Patristic, Medieval And Early Modern Traditions
This book is an exploration of the post-New Testament figure of Simon Magus spanning the patristic era, Middle Ages, and the early modern period as found in art, vernacular literatures, heresiologies, theological texts, hagiographies and homilies.
Vasari on Theatre
From this imposing source, Thomas A. Pallen has created a compendium of theatrical references augmented by related modern Italian scholarship. Vasari's Lives - daunting because of its sheer magnitude - has remained relatively obscure to English-speaking theatre historians.
The Civilization of the Holocaust in Italy
This book studies the persecution of Italian Jews during the Fascist period in relation to the Italian cultural tradition. It shows that Mussolini's anti-Semitic laws and Italian support for Hitler's war on the Jews stem directly from beliefs deeply embedded in Italian culture. After studying anti-Judaic characterizations in the Christian tradition and representations of Jews by Dante and other Medieval and Renaissance authors, the book shows how the anti-Semitic tradition became reinvigorated in the nineteenth century. cultural figures in the period between 1900 and 1940: the writer Giovanni Papini, the Catholic educational leader Agostino Gemelli, and the artist and critic Ardengo Soffici. The book then examines Mussolini's specific anti-Semitic policies and argues that the Italian cultural system contributed to generating the evil that led to the Holocaust. Wiley Feinstein is Associate Professor of Italian at Loyola University Chicago.
Christian-Muslim Relations. A Bibliographical History Volume 21. South-western Europe (1800-1914)
Christian-Muslim Relations, a Bibliographical History 21 (CMR 21), covering South-western Europe in the period 1800-1914, is a further volume in a general history of relations between the two faiths from the 7th century to the early 20th century. It comprises a series of introductory essays and the main body of detailed entries. These treat all the works, surviving or lost, that have been recorded. They provide biographical details of the authors, descriptions and assessments of the works themselves, and complete accounts of manuscripts, editions, translations and studies. The result of collaboration between numerous new and established scholars, CMR 21, along with the other volumes in this ...
The Parable of the Three Rings and the Idea of Religious Toleration in European Culture
This book examines the premodern encounter between the three monotheistic religions through the unique prism of a premodern literary work—The Parable of the Three Rings—a poignant and charming tale of a father who had three sons and one precious ring. By tradition he was to bequeath the ring to his heir, but he loved his three sons equally — so he had two new rings made, crafted to be indistinguishable from the original, and on his deathbed gave a ring to each son. The narrator explains that the father is God, and his sons are the Jews, the Christians, and the Muslims, each believing themselves to be the sole upholders of the true religion. A historical and literary study, the book offers a comprehensive discussion of the various guises of the Parable, from the early Middle Ages onwards, and highlights its capacity to reflect openness and pluralism in the interfaith encounter.
The Latin Passion Play
In this first comprehensive study of the Latin Passion play, Professor Sticca examines the medieval liturgical ceremonies commemorating the events in Christ's Passion and traces their gradual change in character from the contemplative to the dramatic. The author shows that while Christ's Passion became increasingly popular as one of the sacred mysteries beginning in the tenth century, new forces that allowed a more eloquent and humane visualization and description of Christ's anguish first appeared in the eleventh and twelfth centuries. Professor Sticca analyzes the earliest extant Latin Passion play, the twelfth-century Montecassino codex, and compares it with other Latin and vernacular Pas...
Dante’s Performance
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