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A photojourney taking the reader through lush tropical rainforests and blistering deserts to life below the oceans. Ancient civilizations and modern icons of art and architecture in South East Asia, Australia and the USA are also explored, along with the colourful local flora and fauna.
This book examines the transnational phenomenon of Japonisme in the exoticist and “autoexoticist” literature of the late nineteenth century. Focusing on the way in which reciprocal processes of transcultural acquisition – by Japan and from Japan – were portrayed in the medium of literature, the book illustrates how literary Japonisme and the wider processes whereby Japan, with its alien exotic culture and unique refined aestheticism, was absorbing Western civilization in its own way in the late nineteenth century at the same time as the phenomenon of Japonisme was occurring in Western fine arts, which were inspired by traditional Japanese artistic practices. Specifically, the book focuses on the literary works of Lafcadio Hearn and Pierre Loti, who travelled from France and America, respectively, to Japan, and Mori Ōgai and Natsume Sōseki, who in turn went, respectively, to Germany and England from Japan. Exploring the eclectic hybridity of Japan’s modernization during the late nineteenth century, this book will appeal to students and scholars of Japanese Studies, Postcolonial Studies and Comparative Literature.
Between 1858 and 1947, twenty British men ruled millions of some of the most remarkable people of the nineteenth and twentieth centuries. From the Indian Mutiny to the cruel religious partition of India and the newly formed and named Pakistan, the Viceroy had absolute power, more than the monarch who had sent him. Selected from that exclusive class of English, Scottish and Irish breeding, the aristocracy, the Viceroys were plumed, rode elephants, shot tigers. Even their wives stood when they entered the room. Nevertheless, many of them gave everything for India. The first Viceroy, Canning, exhausted by the Mutiny, buried his wife in Calcutta before he left the subcontinent to die shortly aft...
How does coding change the way we think about architecture? This question opens up an important research perspective. In this book, Miro Roman and his AI Alice_ch3n81 develop a playful scenario in which they propose coding as the new literacy of information. They convey knowledge in the form of a project model that links the fields of architecture and information through two interwoven narrative strands in an “infinite flow” of real books. Focusing on the intersection of information technology and architectural formulation, the authors create an evolving intellectual reflection on digital architecture and computer science.