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Narrative Podcasting in an Age of Obsession
Evaluating the rise of podcasting and the storytelling trends that emerged
Who We Are Now
Michelle Fishburne did the unthinkable during the early days of the COVID-19 pandemic: she motor-homed 12,000 miles all over the United States and sat down with hundreds of people face to face. People shared what their lives were like, what made them struggle, and what surprised them. The personal histories in this book show a diversity of American lives, from the young college student who finds unexpected fame on TikTok to a special-education teacher sharing the challenges of remote learning. Everyone's story is different. Some, like Fishburne, lost their jobs. Others lost family, friends, and even their own health and well-being. And yet among the difficulties, many found something that had eluded them before the pandemic. These testimonies offer a glimpse into what people across America lost and found during the pandemic's critical first year. Fishburne lets us hear people's stories as if we were there, in real time, at the beginning of COVID-19, when employment was uncertain, schools were online, and American life more unpredictable than ever before.
Ethnotheatre
Ethnotheatre transforms research about human experiences into a dramatic presentation for an audience. Johnny Saldaña, one of the best-known practitioners of this research tradition, outlines the key principles and practices of ethnotheatre in this clear, concise volume. He covers the preparation of a dramatic presentation from the research and writing stages to the elements of stage production. Saldaña nurtures playwrights through adaptation and stage exercises, and delves into the complex ethical questions of turning the personal into theatre. Throughout, he emphasizes the vital importance of creating good theatre as well as good research for impact on an audience and performers. The volume includes multiple scenes from contemporary ethnodramas plus two complete play scripts as exemplars of the genre.
Anatomy of Sound
"This collection of essays examines one of the most important, yet understudied, media authors of all time--Norman Corwin--using him as a critical lens to consider the history of multimedia authorship, particularly in the realm of sound. Known for seven decades as the 'poet laureate' of radio, Corwin is most famous for his radio dramas, which reached tens of millions of listeners around the world and contributed to radio drama's success as a mass media form in the 1930s and 1940s. But Corwin was a pioneer in multiple media, including cinema, theater, TV, public service broadcasting, journalism, and even cantata. In each of these areas, Corwin had a distinctive approach to sonic aesthetics an...
Podcast Journalism
Podcasting’s stratospheric rise has inspired a new breed of audio reporting. Offering immersive storytelling for a binge-listening audience as well as reaching previously underserved communities, podcasts have become journalism’s most rapidly growing digital genre, buoying a beleaguered news industry. Yet many concerns have been raised about this new medium, such as the potential for disinformation, the influence of sponsors on content, the dominance of a few publishers and platforms, and at-times questionable adherence to journalistic principles. David O. Dowling critically examines how podcasting and its evolving conventions are transforming reporting—and even reshaping journalism’...
Radio Utopia
As World War II drew to a close and radio news was popularized through overseas broadcasting, journalists and dramatists began to build upon the unprecedented success of war reporting on the radio by creating audio documentaries. Focusing particularly on the work of radio luminaries such as Edward R. Murrow, Fred Friendly, Norman Corwin, and Erik Barnouw, Radio Utopia: Postwar Audio Documentary in the Public Interest traces this crucial phase in American radio history, significant not only for its timing immediately before television, but also because it bridges the gap between the end of the World Wars and the beginning of the Cold War. Matthew C. Ehrlich closely examines the production of ...
We Skate Hardcore
The stunning photographs of We Skate Hardcore reveal the determination, the dreams, and the rough and tumble story of urban Latino youth coming of age in New York City. Vincent Cianni spent eight years photographing and documenting a group of Latino in-line skaters in the Southside of Williamsburg, Brooklyn. Cianni weaves together images of the skaters with their own words, showing the skaters' struggles to find a place to skate and build skate parks, and just to survive in the city. In the evacuated industrial spaces of their neighborhood, the skaters carve out places for enjoying their sport and showing off their skills—often thwarting established rules and authority figures in the process. Their stories are both personal and resonant; they reflect the trials and tenacity of a young urban culture, as well as life in Southside's Latino community. We Skate Hardcore, with its verve and youthful energy, will especially appeal to photographers, those interested in urban studies and adolescence, New Yorkers, and in-line skaters and extreme sports enthusiasts everywhere.
The Oral History Reader
The Oral History Reader, now in its third edition, is a comprehensive, international anthology combining major, ‘classic’ articles with cutting-edge pieces on the theory, method and use of oral history. Twenty-seven new chapters introduce the most significant developments in oral history in the last decade to bring this invaluable text up to date, with new pieces on emotions and the senses, on crisis oral history, current thinking around traumatic memory, the impact of digital mobile technologies, and how oral history is being used in public contexts, with more international examples to draw in work from North and South America, Britain and Europe, Australasia, Asia and Africa. Arranged ...
The Little Big Number
"In one lifetime, GDP, or Gross Domestic Product, has ballooned from a narrow economic tool into a global article of faith. It is our universal yardstick of progress. As The Little Big Number demonstrates, this spells trouble. While economies and cultures measure their performance by it, GDP ignores central facts such as quality, costs, or purpose. It only measures output: more cars, more accidents; more lawyers, more trials; more extraction, more pollution--all count as success. Sustainability and quality of life are overlooked. Losses don't count. GDP promotes a form of stupid growth and ignores real development.How and why did we get to this point? Dirk Philipsen uncovers a submerged hist...
