Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Brodsky & Utkin
None
Brodsky & Utkin
Alexander Brodsky and Ilya Utkin are the best known of a loosely organized group of Soviet artists known as "Paper Architects," who designed much but built little in the early days of Glasnost, in the late 1980s. Many of their elaborate etchings, in which they depicted outlandish, often impossible, structures and cityscapes of allegorical content, were collected in our 1990 book Brodsky & Utkin. Now, with the addition of forty-three new and never-before-published prints, we are pleased to announce this updated edition. In their designs, by turns funny, cerebral, and deeply human, Brodsky & Utkin borrow from Egyptian tombs, Ledoux's visionary architecture, Le Corbusier's urban master palns, a...
Sexual Justice
A pathbreaking work for the next stage of the #MeToo movement, showing how we can address sexual harms with fairness to both victims and the accused, and exposing the sexism that shapes today's contentious debates about due process Over the past few years, a remarkable number of sexual harassment victims have come forward with their stories, demanding consequences for their assailants and broad societal change. Each prominent allegation, however, has also set off a wave of questions – some posed in good faith, some distinctly not – about the rights of the accused. The national conversation has grown polarized, inflamed by a public narrative that wrongly presents feminism and fair process...
Alexander Brodsky
Alexander Brodsky ist die herausragende Figur einer künstlerischen und architektonischen Position, die sich dem Mainstream verweigert. Seine architektonischen und künstlerischen Manifeste geben Zeugnis von einer Suche nach einer neuen russischen Identität. In seinen Projekten, die von klarer Einfachheit und theatralischer Stärke geprägt sind, niemals kitschig, niemals gestrig, verbindet er oft scharfe Kritik am System mit feiner Ironie. Eine radikal authentische, persönliche Position, die auch für das westliche hier und heute beispielgebend ist. Für das Az W verwirklicht Alexander Brodsky eine die Ausstellungshalle einnehmende 'Total-Installation', die den Besucher in ihren Bann zieht: Der Tag wird zur Nacht, die Dimensionen von Raum und Zeit scheinen sich langsam aufzulösen, während man durch eine künstlich geschaffene archäologische Wunderkammer schreitet. 0Exhibition: Architekturzentrum, Wien (until 3.10.2011).0.
My Language Is a Jealous Lover
Many great writers have been fluent in multiple languages but have never been able to escape their mother tongue. Yet if a native language feels like home, an adopted language sometimes offers a hospitality one cannot find elsewhere. My Language Is a Jealous Lover explores the plights and successes of authors who lived and wrote in languages other than their mother tongue, from Samuel Beckett and Vladimir Nabokov to Ágota Kristóf and Joseph Brodsky. Author Adrián N. Bravi weaves their stories in with his own experiences as an Argentinian-Italian, thinking and writing in the language of his new life while recalling that of his childhood. Bravi bears witness to the frustrations, the soul-searching, the pain, and the joys of embracing another language.
In Praise of Penumbra
Guest-edited by Agostino De Rosa, Alessio Bortot and Francesco Bergamo Penumbra, from the Latin paene (almost) and umbra (shadow), can be defined as an intermediate zone of transition between light and shadow. Penumbra is therefore that space, both physical and imaginary, where everything is possible: it is the place of the uncanny, where presence and/or absence can produce wonder or horror. This AD positions the presence of this archetype in the contemporary world of architecture, investigating the ways it permeates different expressive forms – from critical theory to architectural drawing, from design and planning to photography. The contributors illustrate and discuss how penumbra has s...
The Russian Memoir
The essays in this volume seek to appreciate the literary construction of the memoir, with its dual agendas of individualized expression and reliable reportage, and explore its functions as interpretive history, social modelling, and political expression in Russian culture. The memoirs under scrutiny range widely, including those of the private person (Princess Natalia Dolgorukaia), sophisticated high culture writers (Nikolai Zabolotskii, Vladimir Nabokov, Joseph Brodsky), cultural critics and facilitators (Lidiia Ginzburg, Avdot'ia Panaeva), political dissidents (Evgeniia Ginzburg, Elena Bonner), and popular artists (filmmaker Elidar Riazanov). It examines each memoir for its aesthetic and rhetorical features as well as its cultural circumstances. In mapping the memoir's social and historical significance, the essays consider a wide range of influences and issues, including the specific impact of the author's class, gender, ideology, and life experience on his/her witnessing of Russian culture and society.
