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The Alexander Romance is a difficult text to define and to assess justly. From its earliest days it was an open text, which was adapted into a variety of cultures with meanings that themselves vary, and yet seem to carry a strong undercurrent of homogeneity: Alexander is the hero who cannot become a god, and who encapsulates the desires and strivings of the host cultures. The papers assembled in this volume, which were originally presented at a conference at the University of Wrocław, Poland, in October 2015, all face the challenge of defining the Alexander Romance. Some focus on quite specific topics while others address more overarching themes. They form a cohesive set of approaches to the delicate positioning of the text between history and literature. From its earliest elements in Hellenistic Egypt, to its latest reworkings in the Byzantine and Islamic Middle East, the Alexander Romance shows itself to be a work that steadily engages with such questions as kingship, the limits of human (and Greek) nature, and the purpose of history. The Romance began as a history, but only by becoming literature could it achieve such a deep penetration of east and west.
The Syriac text entitled Neshana d-Aleksandros (also known as Syriac Alexander Legend) is a seminal text for late Christian and Muslim apocalyptic traditions. Containing the earliest recorded versions of literary motifs that would become central to the medieval apocalyptic tradition, it represents an early witness to an influential political ideology that guided both Byzantine and early Islamic imperial policies. While the scholarly consensus commonly dates the Neshana to the time of Heraclius (r. 610-641 CE), in this book author Tommaso Tesei argues that an earlier version of the text was produced during the reign of Justinian I (r. 527-565). This new historical contextualization of the tex...
Provides information on earthquakes and volcanic eruptions in various regions of the world, major quakes and eruptions throughout history, and geologic and scientific terms.
The next book of the series! The Highway of Blades (Loner Book #2): LitRPG Series: https: //www.amazon.com/dp/B09K7XCQT1 Arktania is a virtual game with a steampunk style. It's a place where magic spells, enchanted artifacts, steam-powered machines, firearms and mechanical golems are a part of everyday life. Gamer Andrew Falk begins his journey in a small village on the border of Orcish territory. The locals are the keepers of many secrets, but their behavior is too realistic for characters in a game; so realistic, in fact, that Andrew starts to treat them as if they were real people. Maybe because of the way he plays, or maybe just thanks to good luck, he becomes one of a mysterious class of people known as "sliders," allowing him to control electricity and earn the favor of Elenia, the goddess of fate. But as he advances through levels, the pain threshold in his character settings gradually begins to drop, making the game increasingly more dangerous. Andrew is facing a hard choice: either to keep on playing, risking eventual death by pain shock, or to abandon his gamer pod altogether. Still, his digital adventures just won't let him go, immersing him ever deeper into VR...
I'm writing this down in an attempt to make sense of the events that have unfolded. If you are reading this, it is possible you could be at risk. When my grandfather passed away, he left me the house my brother and I were raised in. I thought growing up I had learned every secret of the house, yet I am finding now, I knew very little about my grandfather and a world I never knew existed. If you take this journey with me, I must stress extreme caution. There are those who would stop at nothing to silence me. There from the core of our society. These silencers are on both sides of my gates. The information I am writing is a deep secret we all know. Yet is kept in the recesses of our mind. To keep you blinded to the truth that magic is all around you.
Continue, and individual motives arise: revenge, greed, overblown pride ...
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The mega-bestseller with more than 2 million readers Soon to be a Showtime/Paramount+ series starring Ewan McGregor as Count Alexander Rostov From the number one New York Times-bestselling author of The Lincoln Highway and Rules of Civility, a beautifully transporting novel about a man who is ordered to spend the rest of his life inside a luxury hotel 'A wonderful book' - Tana French 'This novel is astonishing, uplifting and wise. Don't miss it' - Chris Cleave 'No historical novel this year was more witty, insightful or original' - Sunday Times, Books of the Year '[A] supremely uplifting novel ... It's elegant, witty and delightful - much like the Count himself.' - Mail on Sunday, Books of t...
Historical thought, whether it is expressed in writing or through works of art, inevitably contains elements of fiction. Thus in every phase of the development of historical thinking the question arises: were these fictional elements recognized and if so, how was their function perceived? Was any effort made to distinguish between a documented fact and any assumptions or deductions related to it? In examining the past, was it deemed important to curb the free play of imagination or was it thought that any explanation, no matter how fanciful and irrational, was better than none? This is the question that this book attempts to answer. In doing so, it examines a rich variety of texts and also some works of art ranging from the Ancient Near East to the nineteenth century.
Drawing on political oratory, diplomatic correspondence, crusade propaganda, and historical treatises, Meserve shows how research into the origins of Islamic empires sprang from—and contributed to—contemporary debates over the threat of Islamic expansion in the Mediterranean. This groundbreaking book offers new insights into Renaissance humanist scholarship and long-standing European debates over the relationship between Christianity and Islam.