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In the late 1980s the rave phenomenon swept the youth culture of the United Kingdom, incorporating the generations' two newest social stimulants: modern electronic dance music and a notorious designer drug known as Ecstasy. Although the movement began in rebellion against mainstream culture, its underground dynamism soon attracted the interest of novelists, screenwriters, and filmmakers who attempted to reflect the phenomenon in their works. Through artistic and commercial popularization, the once obscure subculture was transformed into a pop-culture behemoth with powerful links to the entertainment industry. This study deals with the transformative effects of film, television and literature on club culture. Chapters furthermore reflect club culture's own effect on crime, ethnicity, sexuality and drug use. As the study traces artistic depictions of club culture's development, each chapter focuses on individual books, films and television shows that reflect the transformation of the club culture into what it is today.
The City has long been the main generator of London's wealth and, needless to say, the impact of the Economic Crisis in the recent years on the City has greatly affected the wider urban and surrounding region, not to say country as a whole. This book examines the impact of the recession and discusses London's future trajectory as an entrepreneurial city and capital of the United Kingdom. While recognising the enduring capacity of London to 'reinvent' itself - from being the centre of a vast Empire to becoming a global centre for financial and business services - contributors evaluate different dimensions of the city's current and future development through analyses derived from sociological, economic, cultural and urban studies perspectives.
Addiction and Performance is a collection of essays offering a multidisciplinary exploration of the intertwined relationships between addiction, culture and performance. The problem of addiction is multifaceted, but existing approaches to it often emerge from the frameworks of single disciplines, foregrounding therapeutic or perhaps physiological perspectives over and above a combined approach. However, addictions are not formed or sustained in a vacuum, but are blended with and supported by a wide range of factors. Moreover, the role of culture both in understanding addiction and offering useful strategies of recovery has often been dismissed. In this book, James Reynolds and Zoe Zontou hav...
From starring as the ruthlessly ingenious drug lord 'Stringer' Bell in the iconic HBO series The Wire, to playing Madiba himself in the long-awaited biopic of Nelson Mandela, it has been some journey for Idris Elba. From humble beginnings, a second generation immigrant born in Hackney, London, Elba set up his own wedding DJ business at the age of 14 but, encouraged by his drama teacher to pursue his natural talent, won a place at the National Youth Music Theatre. Although possessed of a brooding screen presence which served him so well as DCI John Luther in the BBC's terrifying crime drama series Luther, 2016 will show a whole new side to Idris as he forays into the voice acting world as villainous tiger Shere Khan in The Jungle Book remake and even a role in Pixar centrepiece Finding Dory. He inhabits each role as if he were born to play it. But what of the man himself? In this, the only biography of the onscreen legend, Nadia Cohen reveals Elba's life behind the lens, exploring what makes him so ambitious, adaptable and endlessly watchable. His charisma has won him admirers on both sides of the Atlantic, and the role of Bond may yet beckon.
A recently unemployed man wracked by the guilt of his best friends suicide seeks revenge against those he believes are culpable. Armed with just a hard-drive, he must search for clues to take on the notorious Negatory Nine, the white collar thugs he holds responsible for Jeffs untimely death. On his emotional journey he addresses his own psychological scars through the cameo appearances of eccentric and colourful characters who help remind him of lifes little pleasures. Ultimately he must decide whether he wants to sacrifice peace of mind in the pursuit of Jeffs honour, and whether the journey is more valuable than the destination. Nectar of the Lavender is an exciting account of one mans interpretation of the world he exists in, and resolves the question of whether societys domineering bullies can get away with committing violations without remorse.
This collection explores the representation, articulation and construction of youth subcultures in a range of texts and contexts. It brings together scholars working in literary studies, screen studies, sociology and cultural studies whose research interests lie in the aesthetics and cultural politics of youth. It contributes to, and extends, contemporary theoretical perspectives around youth and youth cultures. Contributors examine a range of topics, including ‘bad girl’ fiction of the 1950s, novels by subcultural writers such as Colin MacInnes, Alex Wheatle and Courttia Newland, as well as screen representations of Mods, the 1990s Rave culture, heavy metal, and the Manchester scene. Others explore interventions into subcultural theory with respect to metal, subcultural locations, abjection, graffiti cultures, and the potential of subcultures to resist dominant power frameworks in both historical and contemporary contexts.
A guide to directors who have worked in the British and Irish film industries between 1895 and 2005. Each of its 980 entries on individuals directors gives a resume of the director's career, evaluates their achievements and provides a complete filmography. It is useful for those interested in film-making in Britain and Ireland.
I am Cyrus is a powerful, intensely vivid and beautifully-written novel which dramatises the life, conquests and passions of Cyrus the Great, the heroic leader of the world's first great empire: the Persian Empire.
Almost as soon as 'club culture' took hold - during the UK's Second Summer of Love in 1988 - its sociopolitical impact became clear, with journalists, filmmakers and authors all keen to use this cultural context as source material for their texts. This book uses that electronic music subculture as a route into an analysis of these principally literary representations of a music culture: why such secondary artefacts appear and what function they serve. The book conceives of a new literary genre to accommodate these stories born of the dancefloor - 'dancefloor-driven literature'. Using interviews with Irvine Welsh, author of Trainspotting (1994), alongside other dancefloor-driven authors Nicho...