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DigiCat Publishing presents to you this special edition of "Class-Room Plays from Canadian History" by Alexander Maitland Stephen. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Robert Lecker explores the ways in which these anthologies contributed to the formation of a Canadian literary canon, the extent to which this canon was tied to an ideal of English-Canadian nationalism, and the material conditions accounting for the anthologies' production.
At the outbreak of the Spanish Civil War on July 17, 1936, forty-two thousand Internationals, comprised of Canadians, Americans, and Spaniards, fought together on the side of the Republicans who were trying to throw back fascist dictator General Franco?s troops, which included countless German and Italian soldiers. By October 29, 1938 though, only two thousand Internationals were able to gather for a speech requesting them to withdraw. Despite all their efforts, Spain wanted to continue on its own, hoping the war would become a Spanish affair once again. Drawing on diaries and newly documented sources, Zuehlke offers a compelling account of the Canadian experience in Spain. It was not a popular war for Canada, with even the prime minister praising Hitler for his social and economic advances. Most world powers were aligning themselves with Italy and Germany, who supported Franco?s movement. Along with allied troops, some 1,500 Canadians joined together in a valiant but doomed cause. This is the story of these brave Canadians, who like all veterans of war, deserve to have their story told and their experiences related, so that they will not be forgotten.
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Almost a century before the New Democratic Party rode the first "orange wave," their predecessors imagined a movement that could rally Canadians against economic insecurity, win access to necessary services such as health care, and confront the threat of war. The party they built during the Great Depression, the Co-operative Commonwealth Federation (CCF), permanently transformed the country's politics. Past histories have described the CCF as social democrats guided by middle-class intellectuals, a party which shied away from labour radicalism and communist agitation. James Naylor's assiduous research tells a very different story: a CCF created by working-class activists steeped in Marxist ideology who sought to create a movement that would be both loyal to its socialist principles and appealing to the wider electorate. The Fate of Labour Socialism is a fundamental reexamination of the CCF and Canadian working-class politics in the 1930s, one that will help historians better understand Canada's political, intellectual, and labour history.
Much of the scholarship on twentieth-century Canadian literature has argued that English-Canadian fiction was plagued by backwardness and an inability to engage fully with the movement of modernism that was so prevalent in British and American fiction and poetry. Modern Realism in English-Canadian Fiction re-evaluates Canadian literary culture to posit that it has been misunderstood because it is a distinct genre, a regional form of the larger international modernist movement. Examining literary magazines, manifestos, archival documents, and major writers such as Frederick Philip Grove, Morley Callaghan, and Raymond Knister, Colin Hill identifies a 'modern realism' that crosses regions as well as urban and rural divides. A bold reading of the modern-realist aesthetic and an articulate challenge to several enduring and limiting myths about Canadian writing, Modern Realism in English- Canadian Fiction will stimulate important debate in literary circles everywhere.