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In this volume the leading experts on ancient Greek theatre architecture present new excavation results and new analyses of individual monuments. Many well-known theatres such as the one of Dionysos in Athens and others at for instance Messene, Sikyon, Chaironeia in Greece and Aphrodisias in Turkey have been re-examined since their original publication with stunning results. New research also includes less well-known or newly discovered ancient Greek theatres in Albania, Turkey, Cyprus and Sicily. Further studies on the history of research, regional theatrical developments, terminology and function, as well as a perspective on Roman theatres built in Greek traditions make this volume a comprehensive book of new research for specialist scholars as well as for students and the interested public. Fundamental publications on the topic have not been presented for many years, and this book aims to form a new foundation for the study of theatre architecture.
Sardis, in western Turkey, was one of the great cities of the Aegean and Near Eastern worlds for almost a millennium—a political keystone with a legendary past. Recent archeological work has revealed how the city was transformed in the century following Alexander’s conquests from a traditional capital to a Greek polis, setting the stage for its blossoming as a Roman urban center. This integrated collection of essays by more than a dozen prominent scholars illuminates a crucial stage, from the early fourth century to 189 BCE, when it became one of the most important political centers of Asia Minor. The contributors to this volume are members of the Hellenistic Sardis Project, a research collaboration between long-standing expedition members and scholars keenly interested in the site. These new discussions on the pre-Roman history of Sardis restore the city in the scholarship of the Hellenistic East and will be enlightening to scholars of classical archaeology.
Spanning centuries and the vastness of the Roman Empire, The Last Statues of Antiquity is the first comprehensive survey of Roman honorific statues in the public realm in Late Antiquity. Drawn from a major research project and corresponding online database that collates all the available evidence for the "statue habit" across the Empire from the late third century AD onwards, the volume examines where, how, and why statues were used, and why these important features of urban life began to decline in number before eventually disappearing around AD 600. Adopting a detailed comparative approach, the collection explores variation between different regions--including North Africa, Asia Minor, and the Near East--as well as individual cities, such as Aphrodisias, Athens, Constantinople, and Rome. A number of thematic chapters also consider the different kinds of honorand, from provincial governors and senators, to women and cultural heroes. Richly illustrated, the volume is the definitive resource for studying the phenomenon of late-antique statues. The collection also incorporates extensive references to the project's database, which is freely accessible online.
What does it mean to identify oneself as pagan or Christian in Late Antiquity and the Early Middle Ages? How are religious identities constructed, negotiated, and represented in oral and written discourse? How is identity performed in rituals, how is it visible in material remains? Antiquity and the Middle Ages are usually regarded as two separate fields of scholarship. However, the period between the fourth and tenth centuries remains a time of transformations in which the process of religious change and identity building reached beyond the chronological boundary and the Roman, the Christian and ‘the barbarian’ traditions were merged in multiple ways. Being Pagan, Being Christian in Lat...
This collection of eleven essays provides the reader with some valuable insights into the richness of sources dealing with music and musical performance scattered over 3000 years and covering a wide range of geographies, from Syria to Iberia, through Greece and Rome. The volume, then, offers a series of examinations of literary data and materials from different areas of the Classical World and the Near East in ancient times and in late Antiquity, examined both synchronically and diachronically, in some cases in dialogue with one another. This broad treatment makes this collection of interest to historians, archaeologists, philologists and musicians, providing them with a multi-faceted volume which guides them towards a fuller understanding of ancient societies and which heightens the awareness of the importance of music as a transversal phenomenon.
Democracy, argues David Wiles, is actually a form of theatre. In making his case, the author deftly investigates orators at the foundational moments of ancient and modern democracy, demonstrating how their performative skills were used to try to create a better world. People often complain about demagogues, or wish that politicians might be more sincere. But to do good, politicians (paradoxically) must be hypocrites - or actors. Moving from Athens to Indian independence via three great revolutions - in Puritan England, republican France and liberal America - the book opens up larger questions about the nature of democracy. When in the classical past Plato condemned rhetoric, the only alternative he could offer was authoritarianism. Wiles' bold historical study has profound implications for our present: calls for personal authenticity, he suggests, are not an effective way to counter the rise of populism.
Religion in Ephesos Reconsidered provides a detailed overview of the current state of research on the most important Ephesian projects offering evidence for religious activity during the Roman period. Ranging from huge temple complexes to hand-held figurines, this book surveys a broad scope of materials. Careful reading of texts and inscriptions is combined with cutting-edge archaeological and architectural analysis to illustrate how the ancient people of Ephesos worshipped both the traditional deities and the new gods that came into their purview. Overall, the volume questions traditional understandings of material culture in Ephesos, and demonstrates that the views of the city and its inhabitants on religion were more complex and diverse than has been previously assumed.
With a collection of 57 articles in English, French and German, presenting the most recent research on ancient fortifications, this book is the most substantial publication ever to have issued on the topic for many years. While fortifications of the ancient cultures of the middle east and ancient Greek and Roman worlds were noticed by travelers and scholars from the very beginning of research on antiquity from the late 18th century onwards, the architectural, economic, logistical, political, urban and other social aspects of fortifications have been somewhat overlooked and underestimated by scholarship in the 20th century. The book presents the research of a new generation of scholars who ha...
Dedicated to the investigation of fortifications as important and integral elements of ancient built space, the present volume results from the activity of the German based international research network Fokus Fortifikation. Ancient Fortifications in the Eastern Mediterranean and is intended as a guide to research on ancient fortifications and a source of inspiration for new research. Ancient city walls and other fortification structures have long been underestimated. Since the early years of the 21st century, research on ancient fortifications has experienced an international boom, particularly amongst young researchers. They approached the study of fortifications with fresh ideas and new a...
When one thinks of inscriptions produced under the Roman Empire, public inscribed monuments are likely to come to mind. Hundreds of thousands of such inscriptions are known from across the breadth of the Roman Empire, preserved because they were created of durable material or were reused in subsequent building. This volume looks at another aspect of epigraphic creation – from handwritten messages scratched on wall-plaster to domestic sculptures labeled with texts to displays of official patronage posted in homes: a range of inscriptions appear within the private sphere in the Greco-Roman world. Rarely scrutinized as a discrete epigraphic phenomenon, the incised texts studied in this volume reveal that writing in private spaces was very much a part of the epigraphic culture of the Roman Empire.