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Comprising forty-two selections from primary source materials, each translated with an introduction and commentary by a specialist in the field, this collection illustrates the religious cycles, rituals, and experiences that gave meaning to medieval Christian individuals and communities. The texts represent the practices through which Christians conducted their individual, family, and community lives and explore such life-cycle events as birth, confirmation, marriage, sickness, death, and burial. The texts also document religious practices related to themes of work, parish life, and devotions, as well as power and authority.--From publisher's description.
Placed in the monastery of Helfa, in Upper Saxony, at the age of five, Gertrud began having Visions and writing at twenty-five. Book 1, written by a nun of Helfta, reveals the personality and virtues of Gertrud. Avoiding hagiographical commonplaces, the writer reveals both the strengths and the shortcomings of her very human and very committed heroine. Book 2, contains Gertrud's own account of her spiritual experiences.
Women's writing in any period remains of critical concern, both at undergraduate and postgraduate level. Alexandra Barratt's edition offers a wide range of texts from the period 1300-1500, including: Original texts written by women in the Middle Ages Texts translated by women in the Middle Ages Prayers, meditations, scriptural comment, and accounts of religious experiences Educational writings Romance, poetry Each poem is given a headnote, giving details of composition, manuscript and sources. Full on-page annotation is provided giving details of allusions to contemporary religious, historical and social issues. A general introduction gives context to all the pieces and provides a penetrating account of the role of women in a burgeoning society of literary and cultural transmission.
The Cambridge Companion to Medieval Women's Writing seeks to recover the lives and particular experiences of medieval women by concentrating on various kinds of texts: the texts they wrote themselves as well as texts that attempted to shape, limit, or expand their lives. The first section investigates the roles traditionally assigned to medieval women (as virgins, widows, and wives); it also considers female childhood and relations between women. The second section explores social spaces, including textuality itself: for every surviving medieval manuscript bespeaks collaborative effort. It considers women as authors, as anchoresses 'dead to the world', and as preachers and teachers in the world staking claims to authority without entering a pulpit. The final section considers the lives and writings of remarkable women, including Marie de France, Heloise, Joan of Arc, Julian of Norwich, Margery Kempe, and female lyricists and romancers whose names are lost, but whose texts survive.
One of the most intriguing features of The Assembly of Ladies, an anonymous fifteenth-century Middle English poem, is that it has remained in print in anthologies for over 500 years. Why would a poem about courtly love remain so popular for so long? This book analyses the literary and historical publishing evidence about The Assembly of Ladies, to show that the poem has remained in print not for its literary merit, but because its anonymity has allowed it to be appropriated by editors for their own particular social and political causes. The book draws together textual, contextual, and intertextual evidence about all twenty editions of The Assembly of Ladies. By examining closely how and why a single text is or has been included in canonical traditions over time, this study not only reveals the material presence of the text in various traditions but also brings to the foreground the categories scholars continue to use while defining or imagining those traditions.
Thousands and Thousands of Lovers examines the spiritual significance of community to the Cistercian nuns of Helfta—a concern that lies at the heart of the monastery’s literature. Focusing on a woefully understudied resource and the largest body of female-authored writings in the thirteenth century, this book offers insight into the religious preoccupations of a theologically expert and intellectually vibrant cloister to reveal a subtle interplay between communal practice and private piety, other-directed attention, and inward-religious impulse. It considers the nuns’ attitudes toward community among themselves and with their household members as well as with souls in purgatory and the saints.
These essays-written specifically for this book-provide a rich evaluation of this late 14th and early 15th-century mystical writer's book of revelations and considers the construction of her narrative, its theological complexity, and its literary and intellectual context. This casebook features discussions by both established scholars and newer voices ranging from genre to eschatology and gynecology to diabology, reflecting both current and comparative theory. Providing translations of all Middle English quotations, the volume includes a selective bibliography that provides a guide for further reading.
What does it mean for our daily realities to claim the Roman Catholic tradition? Bringing together theology and personal memoir, Matthew Levering offers this vulnerable, honest, and hopeful of why he identifies as Roman Catholic–without shying away from challenges the tradition presents.
Sometime around 1230, a young woman left her family and traveled to the German city of Magdeburg to devote herself to worship and religious contemplation. Rather than living in a community of holy women, she chose isolation, claiming that this life would bring her closer to God. Even in her lifetime, Mechthild of Magdeburg gained some renown for her extraordinary book of mystical revelations, The Flowing Light of the Godhead, the first such work in the German vernacular. Yet her writings dropped into obscurity after her death, many assume because of her gender. In Mechthild of Magdeburg and Her Book, Sara S. Poor seeks to explain this fate by considering Mechthild's own view of female author...
Gertrud the Great (1256–1302) entered the monastery of Helfta in eastern Germany as a child oblate. At the age of twenty-five she underwent a conversion that led to a series of visionary experiences, some of which she recorded in Latin “with her own hand,” in what became Book Two of The Herald of God’s Loving-Kindness, the standard version of her revelations. The other four books were written down by a close confidant of the saint, now often known as "Sister N." Recently a different version of Gertrud's revelations has been discovered, in an early fourteenth-century manuscript held at the University of Leipzig, Germany, much older than the known manuscripts of The Herald. The Memorial of the Abundance of the Divine Sweetness is shorter than The Herald, and while the two versions have some text in common (notably most of The Herald's Book Two), the new manuscript also contains some completely new material, which sometimes modifies and sometimes complements what readers already know of the saint.