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Relocations
Between 2009 and 2012, the Gordon Institute for the Performing and Creative Arts in Cape Town held the Great Texts/Big Questions public lecture series which became a celebrated part of Cape Town’s cultural landscape, demonstrating current intellectual and creative thinking in South Africa. These lectures gave audiences a chance to engage with transformative texts and questions, to hear thought leaders speak on the ideas, the books, the art, and the films that matter to them and to us. Relocations: Reading Culture in South Africa brings together a selection of these lectures by world-renowned artists, writers and thinkers in the form of essays, for the benefit of a wider readership, with a ...
New Spaces for Negotiating Art (and) Histories in Africa
In the 1990s, a new wave of globalization changed the field of cultural production in many African countries and paved the way for major new cultural events. In particular, during the last two decades, an ever growing series of art and cultural centers were and still are being established - often against the background of broader national (art) histories and the historic prominence of the state as the primary patron of the arts. In considering the historical genealogy of these 'new spaces, ' this book examines: the infrastructures and public spaces they create, the theoretical discourses they tap into and explore, the aesthetic and (cultural) political debates they stir, the role they play in the field of cultural institutions and cultural activism, and their relations with state and municipal institutions. (Series: African Art and Visual Cultures - Vol. 2) [Subject: African Studies, Cultural Studies, Art
Synchronized Swimming
From novelty tricks in swim classes, through the Aquacades and movies, to the highly complex Olympic competitions--this history of synchronized swimming tells how the sport grew, examines the role the United States has played in its worldwide development, and describes the status of synchronized swimming in world sporting events today. Among the topics covered are competition development, development around the United States, rules and technical changes, and leadership (from volunteers to a National Office). Four appendices list major award winners, U.S. National Champions, the results of major international competitions, and U.S. participation in international events. The work boasts photographs from the first trial national competition in 1942 to the World Championships of 2003, as well as a full bibliography.
David Goldblatt
Accompanied by some of his lesser-known photographs, this distilled dialogue is drawn directly from the recordings of a roving conversation with David Goldblatt three months before his death in June 2018. Goldblatt was born in Randfontein?a mining town on the Witwatersrand gold reef?in 1930, the grandson of Lithuanian-Jewish migrants who settled in South Africa after escaping persecution in Europe. After the death of his father in 1962, Goldblatt sold the family clothing business to become a full-time photographer. Describing himself as ?a self-appointed observer and critic of the society into which I was born,? he photographed the people, landscapes and structures of South Africa under apartheid and its persistent aftermath. In this candid conversation with writer Alexandra Dodd, Goldblatt shares his views about land and landscape, the dangerous lure of repetition in portrait photography, Johannesburg, the solipsism of life as a photographer, staying sharp, his visceral intolerance of censorship, his abiding interest in structures and his observation of instances of dominion under democracy, among other key themes
Cities in Flux
The essays in this volume all circle around questions of urbanisation in (post-)apartheid South Africa and its effects on the country's socio-political realities, as well as its representation in-and effect on-the country's literary and artistic production. The included essays discuss the constant flow of people (not only into, within, and out of a city, but also between different cities), the continuously changing conditions (both physical and immaterial as well as past and present) of (South) Africa's urban areas, and these shifting conditions' effects on (South) Africa's cities. (Series: Swiss African Studies / Schweizerische Afrikastudien - Etudes africaines suisses, Vol. 12) [Subject: African Studies, Urban Studies, Sociology]
Jay Pather, Performance, and Spatial Politics in South Africa
Jay Pather, Performance and Spatial Politics in South Africa offers the first full-length monograph on the award-winning choreographer, theater director, curator, and creative artist in contemporary global performance. Working within the contexts of African studies, dance, theater, and performance, Ketu H. Katrak explores the extent of Pather's productive career but also places him and his work in the South African and global arts scene, where he is considered a visionary. Pather, a South African of Indian heritage, is known as a master of space, site, and location. Katrak examines how Pather's performance practices place him in the center of global trends that are interdisciplinary, multidisciplinary, collaborative, and multimedia and that cross borders between dance, theater, visual art, and technology. Jay Pather, Performance and Spatial Politics in South Africa offers a vision of an artist who is strategically aware of the spatiality of human life, who understands the human body as the nation's collective history, and who is a symbol of hope and resilience after the trauma of violent segregation.
The Routledge Companion to Politics and Literature in English
The Routledge Companion to Politics and Literature in English provides an interdisciplinary overview of the vibrant connections between literature, politics, and the political. Featuring contributions from 44 scholars across a variety of disciplines, the collection is divided into five parts: Connecting Literature and Politics; Constituting the Polis; Periods and Histories; Media, Genre, and Techne; and Spaces. Organized around familiar concepts—such as humans, animals, workers, empires, nations, and states—rather than theoretical schools, it will help readers to understand the ways in which literature affects our understanding of who is capable of political action, who has been included...
Listening to Colonial History. Echoes of Coercive Knowledge Production in Historical Sound Recordings from Southern Africa
European archives hold historical voice recordings that were produced by linguists, ethnologists and musicologists during colonial rule in African countries. While these recordings reverberate with the polyphonic echoes of colonial knowledge production, to date, acoustic collections have rarely been consulted as sources of colonial history. In this book Anette Hoffmann engages with a Southern African audio-visual collection, which is located in five different institutions across Vienna, Austria. Several recordings collected by the anthropologist Rudolf Pch in August 1908 have been retranslated for this book. These translations provide new insights into Pchs collecting expedition to the Kalahari. Pchs narrative of his heroic journey is called into question by the Naro speakers comments, which address colonial violence and criticise the research practices of the anthropologist. By attending to the spoken texts on the recordings and reconnecting them to photographs, ethnographic objects, archival documentation and Pchs travelogue, Hoffmann offers a different reading of this research trip into a war zone.triesries.
David Goldblatt: Photographs 1948-2018
The largest retrospective of Goldblatt's work to date and marks the photographer's final project before his death David Goldblatt was internationally renowned for documenting South Africa's people and turbulent history with a quiet determination and unflinching sense of what is right and just, and what is not. Capturing seven decades of his work, David Goldblatt: Photographs 1948-2018 features his compelling portrayal of the rise and dismantling of apartheid. This exhibition includes his striking key black-and-white and colour photographic series, as well as never-before-seen material from his personal archive. This exhibition, exclusive to Sydney, will be the largest retrospective of Goldblatt's work in the region and marks the photographer's final project before his death.
