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The Political Economy of Disney
This book sheds new light on the socio-economic impact of multinational corporations. Combining Cultural Studies and International Political Economy, it provides a revealing analysis of the Walt Disney Company, and by extension the wider Hollywood studio system. It does so by examining the cultural and economic forces powering the industry's expansion, the 'civilisation' that Disney disseminates, and the various ways that societies beyond the USA have adopted facets of the Hollywood productions to which they are exposed. Identifying both the strengths and the weaknesses of these transnational firms, it demonstrates the significance of their contribution to American power and predominance.
The EU in a Globalized World
This book fosters critical reflection on Europe's place in a fast-changing global environment, covering the soft and hard facets of EU power along the spectrum of low politics–high politics. Taking an innovative case-study approach, it provides a wide understanding of European Studies and International Relations beyond classical power considerations and addresses the crossroads of the two disciplines. Fundamentally, it addresses the specificity of the EU as an actor in International Relations and shows that the EU holds power and influence – creating opportunities for peace-making and peace-building – in a way classical IR theory would suggest it should not. This book will be of key interest to scholars and students of European Studies, foreign policy analysis, International Relations, Security Studies, Political Science, History, and Economics.
Heterarchy in World Politics
Heterarchy in World Politics challenges the fundamental framing of international relations and world politics. IR theory has always been dominated by the presumption that world politics is, at its core, a system of states. However, this has always been problematic, challengeable, time-bound, and increasingly anachronistic. In the 21st century, world politics is becoming increasingly multi-nodal and characterized by "heterarchy" – the coexistence and conflict between differently structured micro- and meso quasi-hierarchies that compete and overlap not only across borders but also across economic-financial sectors and social groupings. Thinking about international order in terms of heterarch...
Disney Princesses and Tween Identity
Disney Princesses and Tween Identity: The Franchise in Illiberal Hungary examines how tweens in illiberal Hungary construct verbal and visual identities through engagement with Disney princess animations. Presenting and analyzing ethnographic research in the form of interviews with Hungarian tweens around the time of the populist government’s winning the general elections in 2018, Anna Zsubori reveals the importance of social and cultural context in establishing the Disney princess phenomenon as a heterogeneous cultural force. The ambivalent and sometimes even contradictory ideas of identity expressed by the tweens highlight the role that diverse audiences, local negotiations, and dynamic discourses play in the reception of the Disney princess animations. Combining thematic and semiotic textual analyses of the conversations, tweens’ drawings and building blocks, and broader contextual examinations of the sessions with Hungarian children, this book offers original contributions on both theoretical and methodological levels.
Disney Culture
Over the past century, Disney has grown from a small American animation studio into a multipronged global media giant. Today, the company’s annual revenue exceeds the GDP of over 100 countries, and its portfolio has grown to include Pixar, Marvel, Lucasfilm, ABC, and ESPN. With a company so diversified, is it still possible to identify a coherent Disney vision or message? Disney Culture proposes that there is still a unifying Disney ethos, one that can be traced back to the corporate philosophy that Walt Disney himself developed back in the 1920s. Yet, as cultural historian John Wills demonstrates, Disney’s values have also adapted to changing social climates. At the same time, the world of Disney has profoundly shaped how Americans view the world. Wills offers a nuanced take on the corporate ideologies running through animated and live-action Disney movies from Frozen to Fantasia, from Mary Poppins to Star Wars: The Force Awakens. But Disney Culture encompasses much more than just movies as it explores the intersections between Disney’s business practices and its cultural mythmaking. Welcome to “the Disney Way.”
Proceedings of the 2022 2nd International Conference on Economic Development and Business Culture (ICEDBC 2022)
This is an open access book. With the support of universities and the research of AEIC Academic Exchange Center, The 2nd International Conference on Economic Development and Business Culture (ICEDBC 2022) will be held in Dali from June 24th to 26th. Compared with previous conferences, it will discuss more in-depth economic independent innovation, open cooperation and innovative business culture under the background of the new development stage, new situation and new journey era. There will be a broad exchange environment. Well-known experts, scholars or entrepreneurs in the field will be invited to make keynote reports. Contributing authors are also very welcome to actively participate in the conference and build an academic exchange ceremony.
The Transatlantic Community and China in the Age of Disruption
This volume analyzes what China’s rise means for the transatlantic community in a new age of disruption—an age marked by great power rivalry, technological upheavals, and the diffusion of power. The book explores how today’s conditions—including heightened Western concerns about Chinese influence operations, Chinese efforts to manipulate critical economic interconnections and dependencies, rapid technological advances, the Russia–China entente, and growing linkages between North Atlantic and Indo-Pacif ic security—have forced Western actors to adopt a more differentiated approach. In this great power competition, they must decide how and where to work with China as an important partner, how to address China’s competitive challenges, and how to address China’s efforts to forge a set of norms and institutions to challenge the open, rules-based international system. The book will be of key interest to students and scholars of Transatlantic Relations, International Relations, Global Governance, European Politics, Asian Security, US and EU Foreign Policy, and Sino-Western relations. It will also be of interest to think-tank researchers and policy practitioners.
Russia and the World
This volume brings together analyses of key domestic, foreign and security policy issues during the Putin and Medvedev administrations. Indeed, the chapters demonstrate the extent to which domestic and foreign policy issues are inextricably linked, in particular in the domain of security, whether 'hard' or 'soft'. Internal debates regarding Russia's trajectory, including issues of national identity; economic modernisation, human rights and democracy, continue to be at the forefront of concern. Moreover, these debates are intimately connected to Russia's self-image and the image therefore, that it wishes to project in the wider world. The debates focus on Russia as 'energy superpower'; as one...
Les puissants à l'assaut de la culture
Les sphères de la culture sont devenues incontournables pour comprendre les stratégies de puissance des industries culturelles et des gouvernements. Si l'essentiel de l'activité internationale en matière culturelle provenait de l'Amérique, ce temps est révolu. Aujourd'hui, on assiste à une démultiplication des acteurs privés et publics et de leurs coalitions transnationales, tandis que le numérique prend une place prépondérante dans les luttes hégémoniques. D'une part, les pays émergents ont poursuivi une politique de développement culturel réussie. D'autre part, les géants du web (GAFAM) ont investi l'audiovisuel. Sans régulation, ces nouveaux acteurs rivalisent avec les puissances établies pour concentrer une part de soft power.
Disney
Cet ouvrage analyse le fondement artistique de la domination mondiale de Disney et sa contribution à l'émergence d'une civilisation mondiale des loisirs. Cette entreprise au label et à l'univers narratif reconnu de tous est confrontée à un double défi, à l'heure où la compétition est plus âpre : un renouvellement créatif tout en se développant dans la logique d'une finance mondialisée.
