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Édouard Glissant, Philosopher
One of the greatest writers of the late twentieth century, Édouard Glissant's body of work covers multiple genres and addresses many cogent contemporary problems, such as borders, multiculturalism, postcolonial and decolonial studies, and global humanities. Édouard Glissant, Philosopher is the first study that maps out this writer's entire work in relation to philosophy. Glissant is reputed to be a "difficult writer;" however, Alexandre Leupin demonstrates the clarity and coherence of his thinking. Glissant's rereading of Western philosophy entirely remaps its age-old questions and offers answers that have never been proposed. In doing so, Glissant offers a new way to think about questions that are at the forefront of Global Humanities today: identity, race, communities, diasporas, slavery, nation-states and nationalism, aesthetics, ethics, and the place and function of poetry and art in a globalized world. This book will elucidate Glissant's theoretical writings, not only in England and in America but also in the anglophone Caribbean, Africa, and India.
Medieval Texts and Contemporary Readers
This collection brings together twelve original essays by prominent medievalists which address problems posed by contemporary literary and cultural theory. Taken together, the essays call into question the view that contemporary criticism has little to say about medieval literature and that medieval studies should remain isolated from the issues of contemporary criticism. The contributors apply a variety of critical methodologies to explore issues in textuality, intertextuality, and the role of the reader in works of medieval writers as diverse as Chaucer, Dante, Christine de Pizan, Anselm, and Talavera. Incorporating critical approaches such as deconstructionism, Marxism, feminism, new-historicism and reader-response criticism, the essays place these writers and their texts within a wider realm of cultural reference that embraces philosophy, religion, rhetoric, history, politics, and anthropology.
Towards a Synthesis?
The 1980's and early 1990's were witness to controversial discussions concerning the nature and role of philology in medieval studies. Some scholars defended the values and methods of tradition while others argued for a break with the past and the need to rethink medieval studies in the light of a (post)modern episteme. The essays in this book reflect the vigour of the debate with reference to romance studies, particularly Old French. Taken collectively, they argue not for a choice between two extreme positions, but rather a synthesis that combines the best of both worlds. The contributors are Donald Maddox, Richard F. O'Gorman, William D. Paden, Rupert T. Pickens, Barbara N. Sargent-Baur, Evelyn Birge Vitz, Haijo Westra, and Keith Busby.
Édouard Glissant, Philosopher
One of the greatest writers of the late twentieth century, Édouard Glissant's body of work covers multiple genres and addresses many cogent contemporary problems, such as borders, multiculturalism, postcolonial and decolonial studies, and global humanities. Édouard Glissant, Philosopher is the first study that maps out this writer's entire work in relation to philosophy. Glissant is reputed to be a "difficult writer;" however, Alexandre Leupin demonstrates the clarity and coherence of his thinking. Glissant's rereading of Western philosophy entirely remaps its age-old questions and offers answers that have never been proposed. In doing so, Glissant offers a new way to think about questions that are at the forefront of Global Humanities today: identity, race, communities, diasporas, slavery, nation-states and nationalism, aesthetics, ethics, and the place and function of poetry and art in a globalized world. This book will elucidate Glissant's theoretical writings, not only in England and in America but also in the anglophone Caribbean, Africa, and India.
How the Doctrine of the Incarnation Shaped Western Culture
In recent years numerous scholars in disciplines not traditionally associated with theology have promoted an interesting thesis. They maintain that one particular Christian doctrine, the Incarnation, had an inordinate influence on the shape of Western culture. The doctrine, they say, was so radical that it mandated an epistemological break with pagan society's perception of the universe and forced Christians to form a new culture. As medieval society worked out the consequences of the doctrine, it gave birth to those attitudes, institutions, and actions that define modern Western culture. The claims are well argued, but it is a historically untested thesis. How the Doctrine of Incarnation Sh...
The Medieval New
Despite the prodigious inventiveness of the Middle Ages, the era is often characterized as deeply suspicious of novelty. But if poets and philosophers urged caution about the new, Patricia Clare Ingham contends, their apprehension was less the result of a blind devotion to tradition than a response to radical expansions of possibility in diverse realms of art and science. Discovery and invention provoked moral questions in the Middle Ages, serving as a means to adjudicate the ethics of invention and opening thorny questions of creativity and desire. The Medieval New concentrates on the preoccupation with newness and novelty in literary, scientific, and religious discourses of the twelfth thr...
Lacan and the Concept of the 'Real'
This is the first book in English to explore in detail the genesis and consequences of Lacan's concept of the 'Real', providing readers with an invaluable key to one of the most influential ideas of modern times.
Medieval French Interlocutions
Specialists in other languages offer perspectives on the widespread use of French in a range of contexts, from German courtly narratives to biblical exegesis in Hebrew. French came into contact with many other languages in the Middle Ages: not just English, Italian and Latin, but also Arabic, Dutch, German, Greek, Hebrew, Irish, Occitan, Sicilian, Spanish and Welsh. Its movement was impelled by trade, pilgrimage, crusade, migration, colonisation and conquest, and its contact zones included Muslim, Jewish and Christian communities, among others. Writers in these contact zones often expressed themselves and their worlds in French; but other languages and cultural settings could also challenge,...
The Poetics of Personification
Literary personification has long been taken for granted as an important aspect of Western narrative; Paul de Man has given it still greater prominence as 'the master trope of poetic discourse'. James Paxson here offers a much-needed critical and theoretical appraisal of personification in the light of poststructuralist thought and theory. The poetics of personification provides a historical reassessment of early theories, together with a sustained account of how literary personification works through an examination of narratological and semiotic codes and structures in the allegorical texts of Prudentius, Chaucer, Langland and Spenser. The device turns out to be anything but an aberration, oddity or barbarism, from ancient, medieval or early modern literature. Rather, it works as a complex artistic tool for revealing and advertising the problems and limits inherent in narration in particular and poetic or verbal creation in general.
Queering the Middle Ages
The essays in this volume present new work that, in one way or another, "queers" stabilized conceptions of the Middle Ages, allowing us to see the period and its systems of sexuality in radically different, off-center, and revealing ways. While not denying the force of gender and sexual norms, the authors consider how historical work has written out or over what might have been non-normative in medieval sex and culture, and they work to restore a sense of such instabilities. At the same time, they ask how this pursuit might allow us not only to re-envision medieval studies but also to rethink how we study culture from our current set of vantage points within postmodernity. The authors focus ...
