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This work examines the Portuguese and crioulo literatures of the five African Portuguese-speaking countries: Angola; Cape Verde; Guinea Bissau; Mozambique; and Sao Tome and Principe. It offers an introduction to the cultural and historical context within which literature developed in Lusophone Africa, as well as a discussion of the prose and poetry published by the writers from these five countries since independence. As such, the volume is intended not only as a textbook for the student of the literatures of the five Lusophone countries, but also as a cultural and intellectual foundation for the specialist reader with an interest in the former Portuguese colonial empire.
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Understanding the iconoclastic work of a lifelong cinematic pioneer Manoel de Oliveira's eighty-five year career made him a filmmaking icon and a cultural giant in his native Portugal. A lifelong cinematic pioneer, Oliveira merged distinctive formal techniques with philosophical treatments of universal themes--frustrated love, aging, nationhood, evil, and divine grace--in films that always moved against mainstream currents. Randal Johnson navigates Oliveira's massive feature film oeuvre. Locating the director's work within the broader context of Portuguese and European cinema, Johnson discusses historical and political influences on Oliveira's work, particularly Portugal's transformation from dictatorship to social democracy. He ranges from Oliveira's early concerns with cinematic specificity to hybrid discourses that suggest a tenuous line between film and theater on the one hand, and between fiction and documentary on the other. A rare English-language portrait of the director, Manoel de Oliveira invites students and scholars alike to explore the work of one of the cinema's greatest and most prolific artists.