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Four French Travelers in Nineteenth-century Cuba
The nineteenth century marks the apex of the travel genre. This book focuses on the representation of Cuba by four French travelers to the island from 1810 to 1866. The travelogues of these voyagers allow their first-hand experience to be considered under the mutual gaze involved in cross-cultural encounters. Four French Travelers in Nineteenth-Century Cuba argues that politics and science, as well as romanticism and commerce, coalesce in the travelers' representations of Cuban culture and institutions. The travel accounts constitute exercises in how knowledge spreads and gathers as travelers attempt to entice other visitors to emulate them and forge identities for the Cuban «Others» they have encountered.
The Wrightsman Pictures
This lavish catalogue presents 150 European paintings, pastels, and drawings from the late fifteenth to the mid-nineteenth century that have been given to the Metropolitan Museum by Mr. and Mrs. Charles Wrightsman or are still held in Mrs. Wrightsman's private collection. These notable works were collected over the past four decades, many of them with the Museum in mind; some were purchased by the Museum through the Wrightsman Fund. Highlights of the book include masterpieces by Vermeer, El Greco, Rubens, Van Dyck, Georges de La Tour, Jacques-Louis David, and Caspar David Friedrich as well as numerous paintings by the eighteenth-century Venetian artists Canaletto, Guardi, and the Tiepolos, father and son, plus a dozen remarkable portrait drawings by Ingres. Each work is reproduced in color and is accompanied by a short essay.
The Athenaeum
None
Olivier de Clisson and Political Society in France Under Charles V and Charles VI
Selected by Choice magazine as an Outstanding Academic Title
The Papers of Benjamin Franklin
In the four months following the January 20, 1783, armistice that ended the War for American Independence, Franklin was remarkably energetic as he helped oversee the transition to peace and waged a multifaceted campaign to publicize the ideals of the new nation. Though political turmoil in Britain delayed negotiations for the definitive peace treaty, Franklin deftly negotiated America's first commercial treaty with a neutral nation, Sweden, which was signed in secret. He distributed his richly symbolic Libertas Americana medal, worked toward the publication of his French edition of the American state constitutions, and fielded scores of letters from people all over Europe who sought to emigrate, to establish trade connections with the United States, to become consuls, and to offer congratulations and advice.
Benjamin Franklin's Vision of American Community
"Olson contends that attention to the visual images created in each of these roles dramatizes fundamental changes in Franklin's sensibility concerning British America. In 1754 Franklin was an American Whig supporter of the British Empire's constitutional monarchy. During the late 1750s and early 1760s he veered toward increasing the power of the Crown over Pennsylvania by changing the colony's form of government before ultimately rejecting constitutional monarchy and advocating republican politics during the 1770s and 1780s. The shifts in Franklin's fundamental political commitments are among the most arresting aspects of his life. Benjamin Franklin's Vision of American Community highlights these changes as it examines his pictorial representations of British America through several decades."--BOOK JACKET.
The Black Count
WINNER OF THE PULITZER PRIZE FOR BIOGRAPHY 2013 ‘Completely absorbing’ Amanda Foreman 'Enthralling’ Guardian ‘The Three Musketeers! The Count of Monte Cristo! The stories of course are fiction. But here a prize-winning author shows us that the inspiration for the swashbuckling stories was, in fact, Dumas’s own father, Alex - the son of a marquis and a black slave... He achieved a giddy ascent from private in the Dragoons to the rank of general; an outsider who had grown up among slaves, he was all for Liberty and Equality. Alex Dumas was the stuff of legend’ Daily Mail So how did such this extraordinary man get erased by history? Why are there no statues of ‘Monsieur Humanity’ as his troops called him? The Black Count uncovers what happened and the role Napoleon played in Dumas’s downfall. By walking the same ground as Dumas - from Haiti to the Pyramids, Paris to the prison cell at Taranto – Reiss, like the novelist before him, triumphantly resurrects this forgotten hero. ‘Entrances from first to last. Dumas the novelist would be proud’ Independent ‘Brilliant’ Glasgow Herald
